A Rake's Progress, Plate 5
William Hogarth|Dr. John Hoadley
June 25, 1735 · Engraving; first state of three
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A Rake's Progress, Plate 6
William Hogarth|Dr. John Hoadley
June 25, 1735 · Etching and engraving; third state of three
Open full recordA Rake's Progress, Plate 6
William Hogarth|Dr. John Hoadley
June 25, 1735 · Etching and engraving; second state of three
Open full recordA Rake's Progress, Plate 6
William Hogarth|Dr. John Hoadley
June 25, 1735 · Engraving; third state of three
Open full recordA Rake's Progress, Plate 7
William Hogarth|Dr. John Hoadley
June 25, 1735 · Etching and engraving; fourth state of four
Open full recordA Rake's Progress, Plate 7
Dr. John Hoadley|William Hogarth
June 25, 1735 · Etching and engraving; fourth state of four
Open full recordA Rake's Progress, Plate 7
William Hogarth|Dr. John Hoadley
June 25, 1735 · Engraving; third state of four
Open full recordA Rake's Progress, Plate 8
William Hogarth|Dr. John Hoadley
[June 25, 1735] reissued 1763 · Etching and engraving; third state of three (retouched 1763)
Open full recordA Rake's Progress, Plate 8
William Hogarth|Dr. John Hoadley
June 25, 1735 · Etching and engraving; second state of three
Open full recordA Rake's Progress, Plate 8
William Hogarth|Dr. John Hoadley
June 25, 1735 · Engraving; second state of three
Open full recordA Rare Acquisition to the Royal Menagerie
Napoléon Bonaparte|Thomas Rowlandson|Rudolph Ackermann, London
July 28, 1815 · Hand-colored etching
Open full recordA Rat Seen in Profile
Count Giorgio Durante (Duranti)
1685–1755 · Brush with gray, brown, and light pink wash over traces of graphite. Traces of framing lines in pen and black ink at right edge
Open full recordA Raven Perched on a Rail
Charles Meryon
mid-19th century · Graphite on wove paper laid down on blue-green French mat
Open full recordA Real Rubber! At Whist
M. Egerton|George Hunt
ca. 1825 · Hand-colored etching and aquatint
Open full recordA recital sheet featuring different characters for use at social gatherings
Rafael Mariana
1861 · Wood engraving and letterpress
Open full recordA reclining cow, seen from behind
Johann Heinrich Roos|Adam von Bartsch
1803 · Etching; third state of three
Open full recordA Reclining Peasant (recto); Study of a Young Man (verso)
Jacques de Gheyn II
late 16th–early 17th century · Pen and brown ink
Open full recordA Recollection of Stevington, Bedfordshire–A Spinney in December
William Fraser Garden
1882 · Gouache, watercolor, gum, graphite, reductive techniques
Open full recordA Reconstructed View of the Palace on the Palantine Hill
Jan Goeree
before 1704 · Pen and black and brown ink, brush and gray wash, over traces of red chalk, squared with black chalk
Open full recordA Reconstruction of a Castle on the Viminal Hill at the Esqualine Gate
Jan Goeree
before 1704 · Pen and black and brown ink, brush and gray wash, over red and traces of black chalk
Open full recordA Reconstruction of a View of the Obelisk at the Entrance of the Via Flaminia
Jan Goeree
before 1704 · Pen and black ink, brush and brown and gray wash, red chalk; incised
Open full recordA Reconstruction of the Aedes Concordiae (above) and a View of the Ruins (below)
Jan Goeree
before 1704 · Pen and black ink, brush and brown wash, red chalk
Open full record