Room by room.

A fashionably dressed couple carrying an umbrella approaches across wet cobblestones. Broad avenues, geometric buildings, and scattered pedestrians recede into a gray Paris afternoon.

Dozens of people relax along the River Seine beneath trees, accompanied by dogs and a monkey. Tiny touches of contrasting color build a bright but unusually still park scene.

Ballet students in white practice dresses gather in a high-ceilinged studio. Some rehearse or stretch while others wait near the elderly teacher holding a staff.

Powerful horses surge across a broad Paris market as handlers pull on reins and buyers watch. Pale animals and dark clothing form a rhythmic procession under a cloudy sky.

Workers cut and bundle golden wheat across a broad hillside. In the foreground, people eat and rest beneath a pear tree while a village and blue water stretch into the distance.

Two figures move through a narrow, shadowed Venetian passage. A bright opening at the far end cuts through loose washes of brown, gray, and blue.

Across a long gold-toned handscroll, small figures walk, shop, talk, and work among open-fronted buildings, fences, trees, and narrow streets. The elevated viewpoint lets many separate moments unfold at once.

Pedestrians, shoppers, and vendors gather near an arched bridge and a columned market building. Brick facades frame the busy street beneath a pale blue and pink sky.

Inside an open train shed, a locomotive at right releases a huge cloud of white steam. Barely defined passengers cluster beside the tracks while blue, green, and gray light filters through the iron-and-glass station.

Juan de Pareja faces the viewer directly in a dark cloak with a broad white collar. His steady gaze and upright pose stand against a warm, shadowed background.

A young woman in a white dress pauses over a drawing board beside a broken window. Strong backlight outlines her profile while a distant couple stands on a parapet outside.

The artist sits at a large canvas in a lustrous blue-gray dress and straw hat. Her pupils Marie Gabrielle Capet and Marie Marguerite Carraux de Rosemond stand closely behind her.

A woman in a blue dress and white linen head covering stands beside a table, one hand on a silver pitcher and the other opening a window. Soft daylight moves across the room.

A caregiver holds a child on her lap while washing one small foot in a basin. Their bodies form an intimate circle viewed from above amid patterned fabric and wallpaper.

A pale woman in a long black evening dress stands in profile against a dark brown background. One hand grips a small table while the other holds a folded fan, creating a sharply controlled silhouette.

An older man in a dark cap and heavy brown clothing faces forward against a shadowed background. Light catches his face and the thick, uneven paint, while his expression remains steady and unsmiling.

Van Gogh looks directly outward beneath a broad yellow straw hat. Short strokes and dots of orange, blue, green, and rose model his face, beard, jacket, and the vibrating pale background.

A narrow wrapped mummy stands upright with linen bands crossing the body. Near the head, a painted panel shows a young person with dark hair, large eyes, and a pale garment against a warm background.

George Washington stands near the bow of a crowded rowboat pushing through an icy river. Soldiers strain at the oars while other boats follow beneath a brightening sky.

A monumental granite figure of Hatshepsut kneels upright and holds rounded offering vessels. She wears the striped royal headcloth and ceremonial false beard associated with an Egyptian king.

Socrates sits upright on a bed, pointing upward as he reaches for a cup of hemlock. His grieving followers bend, turn away, or cover their faces inside a severe stone room.

A Black sailor lies on the deck of a damaged boat with a broken mast. Sharks circle in rough water as waterspouts darken the horizon and a distant ship passes under the sun.

A lone man seen from behind swings a scythe through a dense field of wheat. His discarded Union Army jacket and canteen rest in the lower right corner.

Joan reaches forward in a leafy garden, her face tense and distant. Behind her, translucent figures and fragments of armor emerge among the trees while a spinning wheel sits nearby.

A carved female figure stands on a circular base and raises both arms to support a round seat above her head. Her calm face, scarification patterns, and polished dark surface give the functional object a commanding presence.

A pale marble head shows Augustus with smooth skin, carefully arranged short hair, blank inset eyes, and an even expression. Its larger-than-life scale makes the detached head physically imposing.

A winged sphinx clings to the nearly nude Oedipus as the two stare directly at each other beside a rocky cliff. Fragments of earlier victims lie below, while distant hills open beyond the narrow ledge.

Three narrow boats pitch through a dark blue sea beneath a towering, claw-shaped wave. Snow-capped Mount Fuji appears small and distant inside the wave's curve.

People hurry across a long diagonal bridge beneath dark rain clouds. Dense slanting lines describe the downpour while boats, buildings, and a far shore fade into gray distance.

A simple bed, two chairs, and a small table fill a compact room with blue walls and a red floor. The furniture and pictures tilt at expressive angles rather than following strict perspective.

Dark cypress trees rise above a yellow-green field and pale hills. Thick, curling strokes carry movement through shrubs, grain, mountains, and a cloud-filled blue sky.

Toledo rises on a steep green hill beneath turbulent blue-black clouds. Pale buildings and a winding river flash against the saturated landscape as storm light breaks across the city.

A lion feeds in dense, oversized jungle plants while other animals peer from leaves and branches. Repeated greens, orange-red flowers, and flat overlapping shapes fill nearly every part of the canvas.

A pond fills the nearly square canvas, dotted with thickly painted pink and white water lilies. Blue-green reflections and a broad shadow across the upper portion dissolve any clear boundary between water, sky, and surrounding trees.

Green and red-yellow apples spill from a tipped basket onto a folded white cloth. A dark bottle and a plate of pale biscuits sit behind them, while the tabletop edges fail to align in a single stable perspective.

Pale snowy mountains and a high rock formation emerge from mist behind a small riverside settlement. Sparse trees, a tiny bridge, and delicate ink lines occupy the quiet foreground beneath calligraphy and seals.

A muscular nude man sits forward with one elbow on the opposite knee and his chin pressed against his hand. The rough bronze surface and compressed pose suggest intense physical and mental effort.

An ivory face with softly modeled features looks straight ahead. Carved scarification marks cross the forehead, coral-bead forms frame the chin, and a high openwork crown contains small mudfish and Portuguese faces.

Four-armed Shiva dances inside a ring of flames, with hair flying outward and one foot raised. His other foot presses a small figure to the ground while his hands hold a drum and fire or form gestures.

A life-size nude youth stands rigidly upright with arms at his sides, fists closed, and left foot forward. Patterned hair frames a geometric face and the body is organized into clear symmetrical forms.

A teenage ballet student stands with feet turned out, hands clasped behind her back, and chin lifted. A fabric bodice, tutu, ribbon, and real hair soften the otherwise bronze figure.

A small, extremely thin woman sits with one leg raised and a pair of cymbals in her hands. Her ribs and joints are sharply defined, while her face turns upward with an animated smile.

A standing ceramic figure beams with an open mouth and raises both hands. A patterned headpiece, large ear ornaments, necklace, and decorated wrap contrast with the animated face and bent arms.

A tall, weathered wooden figure sits upright with a smaller child held across the lap. Elongated limbs, a narrow torso, and traces of pigment remain visible despite losses and erosion to the original carved form.

A broad green-gray stone face has level brows, almond-shaped eyes, a straight nose, parted lips, and simplified ears. Fine mottling and tool marks animate the otherwise calm, symmetrical form.