A standing man in a niche looking toward the left
Giampietro Zanotti|Bartolomeo Crivellari|Pellegrino Tibaldi|Gabriel Söderling
1756 · Etching and engraving
Open full recordThe Metropolitan Museum of Art · Open Access
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247,518 public-domain works with images
Dataset refreshed August 16, 2026
Giampietro Zanotti|Bartolomeo Crivellari|Pellegrino Tibaldi|Gabriel Söderling
1756 · Etching and engraving
Open full recordGabriel Söderling|Giampietro Zanotti|Bartolomeo Crivellari|Pellegrino Tibaldi
1756 · Etching and engraving
Open full recordGabriel Söderling|Bartolomeo Crivellari|Giampietro Zanotti|Pellegrino Tibaldi
1756 · Etching and engraving
Open full recordAnonymous, French, 18th century
18th century · Black and white chalk on gray-brown paper
Open full recordConstant Troyon
1825–65 · Black chalk, heightened with white
Open full recordStefano della Bella
ca. 1660 · Etching; first state of two
Open full recordStefano della Bella
ca. 1660 · Etching; second state of two
Open full recordMichel Kirmer
1561 · Pen and black ink, over a sketch in black chalk, red chalk
Open full recordAnonymous, Peruvian, 19th century
1840–50 · brush and ink and watercolor on wove paper
Open full recordAnonymous, Peruvian, 19th century
1840–50 · brush and ink and watercolor on wove paper
Open full recordAlfred Stevens
1876 or after · Pen and brown ink, over graphite
Open full recordJacob van Strij
late 18th–early 19th century · Brush and brown ink, over black chalk or graphite
Open full recordJosé Sanchez|José Guadalupe Posada
ca. 1880–1910 · Zincograph
Open full recordNicolas Robert
17th century · Watercolor and gouache on vellum, border lines in gold
Open full recordJan van de Cappelle
ca. 1660 · Oil on wood
Open full recordMarcantonio Raimondi|Raphael (Raffaello Sanzio or Santi)
1512–15 · Engraving
Open full recordMarcantonio Raimondi
1512–15 · Engraving
Open full recordGian Lorenzo Bernini|Louis Desplaces
1729–40 · Etching
Open full recordThomas Nast
originally published 1879 · Relief print and electrotype
Open full recordChristen Købke
1830 · Graphite, pen or brush and brown ink, brush and gray ink, over graphite; verso: pen and black ink, watercolor, over graphite
Open full record