A Tabernacle Containing a Papal Escutcheon Supported by Angels
Giulio Romano
ca. 1538–40 · Pen and brown ink, over traces of leadpoint or soft black chalk and stylus-ruling
Open full recordThe Metropolitan Museum of Art · Open Access
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Collection results
247,518 public-domain works with images
Dataset refreshed August 16, 2026
Giulio Romano
ca. 1538–40 · Pen and brown ink, over traces of leadpoint or soft black chalk and stylus-ruling
Open full recordThomas Tegg|Thomas Rowlandson
May 30, 1810 · Hand-colored etching
Open full recordThomas Tegg|Thomas Rowlandson
May 30, 1810 · Hand-colored etching
Open full recordPaul Gauguin
1891–92 · Charcoal, pastel, red chalk, and wash
Open full recordThomas Tegg|Thomas Rowlandson
February 20, 1814 · Hand-colored etching
Open full recordThomas Rowlandson|Thomas Tegg
February 20, 1814 · Hand-colored etching
Open full recordW. Duke, Sons & Co.|George S. Harris & Sons
1890 · Commercial color lithograph
Open full recordJohn Thomson
ca. 1869 · Albumen silver print from glass negative
Open full recordJules-Jacques Veyrassat|Clement-August Andrieux
19th century · Lithograph on chine collé
Open full recordJohn Thomson
ca. 1869 · Albumen silver print from glass negative
Open full recordThomas Rowlandson|Thomas Tegg
March 20, 1811 · Hand-colored etching
Open full recordAdam Elsheimer
late 16th–early 17th century · Pen and brown ink, brush and gray wash
Open full recordAmerican Tobacco Company|George S. Harris & Sons|W. Duke, Sons & Co.
ca. 1891 · Commercial color lithograph
Open full recordW. Duke, Sons & Co.|George S. Harris & Sons
1890 · Commercial color lithograph
Open full recordHonoré Daumier
19th century · Pen and black ink, gouache, and watercolor over black chalk
Open full recordAnonymous, French, 17th century
17th century · Pen and brown ink, brush and brown wash
Open full recordJoseph Smith|Canaletto (Giovanni Antonio Canal)
1735–46 · Etching; second state of three
Open full recordHarley
1864 · Lithograph
Open full record