The Metropolitan Museum of Art · Open Access
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Every included record is marked public domain in The Met's official CSV and has an image in the museum's Open Access API. Images are reverified before delivery.
Collection results
247,518 open-access works
247,518 public-domain works with images
Dataset refreshed August 16, 2026
A Vicar and a Curate
Charles Samuel Keene
1870–1891 · Pen and brown ink, brush and gray wash, touches of white gouache (bodycolor)
Open full recordA View from the Artist's Estate, Springland, or the Elysian Bower
William Russell Birch
ca. 1800 · Watercolor, ink and graphite on paper, framed.
Open full recordA View in Devonshire
Joseph Constantine Stadler|Thomas Rowlandson
1822 · Hand-colored etching and aquatint
Open full recordA View in Kew Gardens of the Alhambra and the Pagoda
Franz Joseph Manskirch|Heinrich Joseph Schütz
1813 · Aquatint with watercolor
Open full recordA View in the Forest of Morvan
Antoine-Alphée Piaud|Charles-François Daubigny
1837–66 · Wood engraving
Open full recordA View near Folkstone with Fishermen Selling a Cargo
Elizabeth Jackson|Thomas Rowlandson
January 1, 1787 · Etching and aquatint
Open full recordA View near Richmond
Joseph Constantine Stadler|Thomas Rowlandson
1822 · Hand-colored etching and aquatint
Open full recordA View Near the Arco Scuro, Looking Towards the Villa Medici, Rome
Francis Towne
1785 · Watercolor over graphite with pen and brown ink
Open full recordA View of a Prison of the Composition of Mr. Blondel done at Rome
Georges François Blondel
1765 · Mezzotint; second state of three
Open full recordA View of a Village with Figures
Remigio Cantagallina
1624 · Pen and brown ink, over traces of black chalk or leadpoint; framing lines in pen and brown ink
Open full recordA View of Amsterdam from the north Bank of the IJ
Pieter Bast|Claes Jansz. Visscher
1611 · Etching and engraving on four joined sheets
Open full recordA View of Brussels from the South, with the Halle Gate at Center; verso: Landscape Sketch
Daniël Schellinks|Anonymous, Flemish, 17th century
mid 17th century · Black chalk, brush and gray wash, white chalk, on blue paper
Open full recordA View of Camelford, Cornwall
Thomas Rowlandson|Joseph Constantine Stadler
1822 · Hand-colored etching and aquatint
Open full recordA View of Castle William by Boston in New England
William Burgis
early 18th century · Etching and engraving
Open full recordA View of Cavi in the Sabine Hills
Louis Gurlitt
1848 · Graphite, heightened with white gouache, on light brown paper
Open full recordA View of Chester
John Varley
1836 · Watercolor, reinforced in places with gum, over graphite on card.
Open full recordA view of Lambeth Palace from the river at Whitehall Stairs
Wenceslaus Hollar
1643–44 · Etching, only state
Open full recordA View of London from the Thames
John Bluck|Auguste Charles Pugin|Thomas Rowlandson|Rudolph Ackermann, London
November 1, 1809 · Hand-colored etching and aquatint
Open full recordA View of Lower Rydal Falls, Cumbria
Thomas Fearnley
1837 · Watercolor, pen and ink, gray and white heightening, on beige paper
Open full recordA View of Moulins
Henri-Joseph Harpignies
ca. 1850–60 · Graphite and watercolor on heavy wove paper
Open full recordA View of Paris
Jules-Achille Noël
1830–81 · Watercolor and ink with touches of gouache and lead-white
Open full record