A White Sergeant giving the word of command - "Come to Bed you drunken sot"
Thomas Rowlandson|William McCleary
May 25, 1807 · Hand-colored etching; reverse copy
Open full recordThe Metropolitan Museum of Art · Open Access
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A White Sergeant giving the Word of Command: "Why don't you come to bed, you drunken sot?"
Rudolph Ackermann, London|Thomas Rowlandson
May 25, 1807 · Hand-colored etching
Open full recordA wide cup with ball feet
Wenceslaus Hollar|Hans Holbein the Younger
1646 · Etching; only state
Open full recordA wild-haired, robed woman rushing to the right, seen from behind
Cornelis Saftleven
1631 · Black chalk, with touches of oiled black chalk
Open full recordA Wind God
Pietro da Cortona (Pietro Berrettini)
1669 · Black chalk, highlighted with white, on brownish paper
Open full recordA winged figure of Fame standing facing left and sounding a trumpet
Cherubino Alberti (Zaccaria Mattia)
1570–1615 · Engraving, the plate has been cut deleting details from the upper section that are made up in graphite
Open full recordA winged figure of Fame standing facing left and sounding a trumpet
Cherubino Alberti (Zaccaria Mattia)
1570–1615 · Engraving
Open full recordA Winged Figure, two Women, and a Man
Biagio Pupini|Polidoro da Caravaggio
early–mid-16th century · Pen and brown ink, brush and brown and gray wash, heightened with white on blue paper.
Open full recordA winged putto
Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet
second half 19th century · graphite and watercolor on wove paper; mounted on wove paper
Open full recordA winged putto and turtle doves
Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet
second half 19th century · Oil on canvas; mounted on wove paper
Open full recordA winged putto flogging a satyr tied to a tree
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1625–50 · Etching
Open full recordA winged putto flogging a satyr tied to a tree
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1625–50 · Etching
Open full recordA Winged Putto Riding a Sea Horse and a Lion (after Raphael); verso; The Three Graces (after Raphael)
Denijs Calvaert|Raphael (Raffaello Sanzio or Santi)
1574 · Pen and brown ink, over black chalk (or charcoal), touches of red chalk, highlighted with white gouache, on blue paper (recto); Pen and brown ink over black chalk, on blue paper (verso)
Open full recordA Winning Way / Worth Winning, from the Jokes series (N118) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
American Tobacco Company|W. Duke, Sons & Co.|George S. Harris & Sons
ca. 1891 · Commercial color lithograph
Open full recordA Winning Way, from the Jokes series (N87) for Duke brand cigarettes
W. Duke, Sons & Co.|George S. Harris & Sons
1890 · Commercial color lithograph
Open full recordA Winter Landscape with Ice Skaters and an Imaginary Castle
Christoffel van den Berghe
ca. 1615–20 · Oil on wood
Open full recordA Winter Morning – Shovelling Out (Every Saturday, Vol. II, New Series)
Winslow Homer|G. A. Avery|Fields, Osgood & Co.
January 14, 1871 · Wood engraving
Open full recordA Winter's Walk
James Tissot
1880 · Etching and drypoint on laid paper; second state of three
Open full recordA Winter's Walk
James Tissot
1880 · Etching and drypoint on laid paper; first state of three
Open full recordA witch carrying a child on her broom
José Sanchez|José Guadalupe Posada
ca. 1880–1910 · Zincograph
Open full recordA Witch Sailing to Aleppo in a Sieve
Charles Turner|John James Halls
December 1, 1807 · Mezzotint
Open full recordA wolf and a fox in the woods, illustration for 'El Lobo y la Zorra,' published by Antonio Vanegas Arroyo
José Sanchez|José Guadalupe Posada
ca. 1880–1910 · Zincograph
Open full record