'De Cascade van Narcissus, aan de Oost-zyde van de Groote Tuin', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld
Lorenz Scherm|Carel Allard
n.d. · Color engraving (à la poupée)
Open full recordThe Metropolitan Museum of Art · Open Access
Search The Met.
Every included record is marked public domain in The Met's official CSV and has an image in the museum's Open Access API. Images are reverified before delivery.
Collection results
247,518 open-access works
247,518 public-domain works with images
Dataset refreshed August 16, 2026
'De Fontein van de Koninglijke door-eengevlochte Naam; voor de veiver', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld
Carel Allard|Lorenz Scherm
n.d. · Color engraving (à la poupée)
Open full record'De Fontein van Hercules, met die van de Groote Sprong, voor 't Amphitheater', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld
Carel Allard|Lorenz Scherm
n.d. · Color engraving (à la poupée)
Open full record'De Laan na Ceres, tegen over 't Beeld van Phaunus'', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld
Carel Allard|Lorenz Scherm
n.d. · Color engraving (à la poupée)
Open full record'De Zes-weg by Phaunus na 't Beeld van Ceres te zien', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld
Carel Allard|Lorenz Scherm
n.d. · Color engraving (à la poupée)
Open full record'Den Omval, den Amstel', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld
Carel Allard
n.d. · Color engraving (à la poupée)
Open full record'Disorderly Folly' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864) · Etching, aquatint, drypoint
Open full record'Ecce Homo' Christ seated, crowned, his wounds showing
Anonymous, Mexican
ca 1750–1765 · Engraving
Open full record'Engelse Kerck en Begynhof', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld
Carel Allard
n.d. · Color engraving (à la poupée)
Open full record'Feminine Folly' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (post the first edition published in 1864) · Etching, aquatint, drypoint
Open full record'Feminine Folly' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864) · Etching, aquatint, drypoint
Open full record'Flying Folly' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (private printing ca.1854) · Etching, aquatint
Open full record'Flying Folly' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864) · Etching, aquatint
Open full record'Folly of Fear' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published ca. 1848) · Etching, burnished aquatint, drypoint
Open full record'Folly of Fear' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864) · Etching, burnished aquatint, drypoint
Open full record'Franse Kerck', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld
Carel Allard
n.d. · Color engraving (à la poupée)
Open full record'Funereal Folly' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (private printing ca.1854) · Etching, burnished aquatint
Open full record'Funereal Folly' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864) · Etching, burnished aquatint
Open full record'Gallant conversation' (Conversation galante): couples engage in conversation in a garden setting, at left a musician plays for the group, at right a woman holds a reclining lap dog
Jacques Philippe Le Bas|Nicolas Lancret
1743 · Etching and engraving
Open full record'General Folly' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864) · Etching, burnished aquatint
Open full record'Generosity versus Greed', a woman and three men conducting a transaction inside a shop; folio 76 (recto) from the Madrid Album 'B'
Goya (Francisco de Goya y Lucientes)
1796–98 (possibly later) · Brush and point of brush, carbon black washes, on laid paper
Open full record'God save us from such a bitter fate'; a bandit threatening a woman and a child with a knife: page 41 from the Black Border Album (E)
Goya (Francisco de Goya y Lucientes)
ca. 1816–20 · Brush, carbon black gray ink and was, scraper on laid paper
Open full record'He Wakes Up Kicking'; a man on the floor kicking his legs after waking from a nightmare; page 13 from the Witches and Old Women Album (D)
Goya (Francisco de Goya y Lucientes)
ca.1819–23 · Brush, carbon black and gray ink and wash, touches of black chalk, scraper, laid paper
Open full record'Het Groene Koningins Kabinet', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld
Carel Allard|Lorenz Scherm
n.d. · Color engraving (à la poupée)
Open full record