This painting depicts a coastal city viewed from an elevated perspective. Closest to us is the top of a hill; on the left side there are large green cacti and succulents on sandy, rocky ground, near the ruins of a sand-colored structure. A person in a red hat rests against the ruins. In the background on the right side of the painting, a cityscape at the bottom of the hill extends towards a blue body of water. The white and tan buildings below are packed closely together. In the distance there are more low mountains underneath a cloudy sky colored with light blue and muted peach tones.
Read the visual description

This painting depicts a coastal city viewed from an elevated perspective. Closest to us is the top of a hill; on the left side there are large green cacti and succulents on sandy, rocky ground, near the ruins of a sand-colored structure. A person in a red hat rests against the ruins. In the background on the right side of the painting, a cityscape at the bottom of the hill extends towards a blue body of water. The white and tan buildings below are packed closely together. In the distance there are more low mountains underneath a cloudy sky colored with light blue and muted peach tones.

National Gallery of Art · Painting

Ancient Ruins near Messina, Sicily

Jean-Charles-Joseph Rémond

Date
1842
Medium
oil on paper on canvas
Dimensions
overall: 26.7 x 34.9 cm (10 1/2 x 13 3/4 in.) framed: 36.7 x 46.4 x 1.1 cm (14 7/16 x 18 1/4 x 7/16 in.)
Classification
Painting
Accession number
2004.166.32
Credit line
Gift of Frank Anderson Trapp
Time span
1826 to 1850
Department
CF

Subjects and terms

  • painted surface
  • French
  • exterior
  • architecture
  • Ruins
  • Landscape
  • Romantic
  • Italy
  • landscape
  • Messina
  • Sicily
Provenance

(James Mackinnon, London); purchased by Frank Anderson Trapp [1922-2005], Pittsburgh; gift 2004 to NGA.

Inscription

lower right: Rémond; center stretcher bar reverse: 1842; on the stretcher: Ruines antiques audessus de Messine

NGA object ID 130895. Collection metadata is reproduced under CC0. This work is included because its NGA published-image record is marked open access; visitors should recheck the source record before substantial reuse.