The image shows a drawing of a person seated with their legs crossed, leaning slightly to the right. One arm is resting on their knee while the other hangs to the side. The person's facial features are undefined, and their hair is drawn with flowing lines. They are depicted as nude, sitting on a surface resembling cloth. The background is a plain blue-gray color.
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The image shows a drawing of a person seated with their legs crossed, leaning slightly to the right. One arm is resting on their knee while the other hangs to the side. The person's facial features are undefined, and their hair is drawn with flowing lines. They are depicted as nude, sitting on a surface resembling cloth. The background is a plain blue-gray color.

National Gallery of Art · Drawing

A Seated Male Nude

Giovanni Battista Tiepolo

Date
1752/1753
Medium
red chalk heightened with white chalk on blue laid paper
Dimensions
sheet: 28.9 × 37 cm (11 3/8 × 14 9/16 in.)
Classification
Drawing
Accession number
2007.111.170.a
Credit line
Wolfgang Ratjen Collection, Patrons' Permanent Fund
Time span
1751 to 1775
Department
CG-E

Subjects and terms

  • Baroque
  • Venetian
  • Seated figure
  • Male nude
Provenance

Johann Dominik Bossi, Munich; by descent to his daughter, Maria Theresia Caroline and her husband Carl Christian Friedrich Beyerlen, Stuttgart; (their sale, H. G. Gutekunst, Stuttgart, 27 March 1882); Dr. Oscar Eisenmann, Cassel; Wilhelm Lübke, Stuttgart; (Joseph Baer & Sons, Frankfurt); Dr. Hans Wendland, Lugano; (his sale, Ball & Graupe, Berlin, 24-25 April 1931, no. 103); Dr. Erich Alport, Oxford; (sold by his estate, Christie's London, 4 July 1972, no. 186); Herbert List [1903-1975], Munich (Lugt 4063); Ursula and Adolf Ratjen, Vaduz, for Wolfgang Ratjen; Wolfgang Ratjen, Munich; purchased 2007 by NGA.

Inscription

lower right, red chalk, signed (?), Tiepolo Fct; verso, lower left, brown ink, "G.B.T." and (Bossi Beyerlen numbers) "f.1 [1 florin] C.M. [Conventions-Münze]" and "No 2793"

NGA object ID 139301. Collection metadata is reproduced under CC0. This work is included because its NGA published-image record is marked open access; visitors should recheck the source record before substantial reuse.