The sculpture depicts a dog-like animal with short legs and small ears, looking upward with its mouth open to reveal sharp teeth, its tongue hanging out. Around the neck of the creature are detailed curls of overlapping fur, perhaps depicting a mane. It is predominantly a bright gold color with patches of dark brown where the gold appears to have rubbed away. The sculpture is turned towards the left, showing the creature in profile.
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The sculpture depicts a dog-like animal with short legs and small ears, looking upward with its mouth open to reveal sharp teeth, its tongue hanging out. Around the neck of the creature are detailed curls of overlapping fur, perhaps depicting a mane. It is predominantly a bright gold color with patches of dark brown where the gold appears to have rubbed away. The sculpture is turned towards the left, showing the creature in profile.

National Gallery of Art · Decorative Art

Aquamanile in the Form of a Lion

North French or Mosan 13th Century

Date
c. 1200
Medium
bronze with traces of gilding
Dimensions
overall: 13.8 x 17.5 x 7 cm (5 7/16 x 6 7/8 x 2 3/4 in.)
Classification
Decorative Art · Liturgical Object
Accession number
1942.9.281
Credit line
Widener Collection
Time span
before 1300
Department
CSD

Subjects and terms

  • mammal
  • animal
  • Lion
  • cast
  • gilded
  • Western Decorative Arts. Part 1: Medieval, Renaissance, and Historicizing Styles including Metalwork, Enamels, and Ceramics
  • Mosan
Provenance

Sigismond Bardac, Paris, before 1913, as French, fourteenth century;[1] (Arnold Seligmann), 1913(?)-1916; purchased 22 April 1916 by Joseph E. Widener, Elkins Park, Pennsylvania, as French, twelfth century; inheritance from the Estate of Peter A. B. Widener by gift through power of appointment of Joseph E. Widener, after purchase by funds of the Estate, 1942. [1] Henri Leman, _Collection Sigismond Bardac: Faiences italiennes du XV siècle, objets de haute curiosité, Moyen Age et Renaissance_, Paris, 1913: no. 33.

NGA object ID 1441. Collection metadata is reproduced under CC0. This work is included because its NGA published-image record is marked open access; visitors should recheck the source record before substantial reuse.