A sage-green harbor teems with more than a dozen sailing ships and rowboats under a pale gray sky in this horizontal painting. The horizon comes about one-fifth of the way up the composition, and dark gray and white clouds tower above. Light filters onto the scene through the clouds from our left to fall across the ships while casting shadows on the water nearest us. Painted in tones of slate gray and warm brown, most of the ships closest to us have their sails furled so the masts and horizontal yard arms bristle against the sky. The larger ships have cannons poking out of square portholes. On our right, a war ship floats with its ornately carved and gilded stern facing us. A flag flying from the tallest of the three masts has red, white, and green stripes. The artist painted his name on that flag, “R. Zeeman.” The ship is tied to a buoy with a length of rope, and an empty rowboat is tethered to the right side of the ship. A similar ship but with the sails hanging loosely is tied to a buoy just beyond this one. A row of pickets, like a fence, extends into the water behind these two ships. To our left, a rowboat full of men has pulled up alongside a partially sunken ship, its masts tilting toward us. A few people stand on two more ships nearby. A black temporary dock floats next to the leftmost ship here. A person mixes something that smokes on the platform, and another person stands on a board lifted halfway up the ship’s side, presumably working on a repair. Two women in another rowboat next to the floating dock lean over the side, washing clothes. Another fence encloses the harbor to our left, and a hut in the middle of the harbor is surrounded by a similar structure. Two rowboats closer to us are filled with men wearing tall hats and black or brown coats, and women wearing black bonnets and white shawls. More sailing ships and rowboats move back or around beyond the harbor, out to sea. Visible cracks cover the surface of the painting.
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A sage-green harbor teems with more than a dozen sailing ships and rowboats under a pale gray sky in this horizontal painting. The horizon comes about one-fifth of the way up the composition, and dark gray and white clouds tower above. Light filters onto the scene through the clouds from our left to fall across the ships while casting shadows on the water nearest us. Painted in tones of slate gray and warm brown, most of the ships closest to us have their sails furled so the masts and horizontal yard arms bristle against the sky. The larger ships have cannons poking out of square portholes. On our right, a war ship floats with its ornately carved and gilded stern facing us. A flag flying from the tallest of the three masts has red, white, and green stripes. The artist painted his name on that flag, “R. Zeeman.” The ship is tied to a buoy with a length of rope, and an empty rowboat is tethered to the right side of the ship. A similar ship but with the sails hanging loosely is tied to a buoy just beyond this one. A row of pickets, like a fence, extends into the water behind these two ships. To our left, a rowboat full of men has pulled up alongside a partially sunken ship, its masts tilting toward us. A few people stand on two more ships nearby. A black temporary dock floats next to the leftmost ship here. A person mixes something that smokes on the platform, and another person stands on a board lifted halfway up the ship’s side, presumably working on a repair. Two women in another rowboat next to the floating dock lean over the side, washing clothes. Another fence encloses the harbor to our left, and a hut in the middle of the harbor is surrounded by a similar structure. Two rowboats closer to us are filled with men wearing tall hats and black or brown coats, and women wearing black bonnets and white shawls. More sailing ships and rowboats move back or around beyond the harbor, out to sea. Visible cracks cover the surface of the painting.

National Gallery of Art · Painting

Amsterdam Harbor Scene

Reinier Nooms, called Zeeman

Date
c. 1654/1655
Medium
oil on canvas
Dimensions
overall: 61 x 81.8 cm (24 x 32 3/16 in.) framed: 81.9 × 102.2 × 5.72 cm (32 1/4 × 40 1/4 × 2 1/4 in.)
Classification
Painting
Accession number
2011.3.1
Credit line
The Lee and Juliet Folger Fund
Time span
1651 to 1700
Department
CNE-B

Subjects and terms

  • painted surface
  • Baroque
  • Netherlands
  • landscape
  • Acquired after launch of Dutch Paintings of the Seventeenth Century (NGA Online Editions)
  • Harbor
  • Ships
  • Amsterdam
  • Dutch
  • ship
Provenance

Probably commissioned by the Bicker family, Amsterdam.[1] Pieter Locquet [d. 1781]; (his estate sale, Amsterdam, 22-24 September 1783, no. 448); Mi[...]er.[2] Private collection, England; (sale, Bonhams, London, 12 September 2009, no. 82); (Johnny Van Haeften, Ltd., London); purchased 19 January 2011 by NGA. [1] The painted panel on the stern of the warship in the painting bears an image of a castle, which identifies the ship as the _Huis te Swieten_, an important warship in the fleet of Amsterdam's Admiralty. The warship was named after Castle Swieten (or Zwieten), since 1632 the country estate of Cornelils Bicker (1592-1654), a member of the most powerful family in Amsterdam at the time. One of the four Bicker brothers--Andries (1586-1652), Jacob (1588-1647), Jan (1591-1653), and Cornelis--likely commissioned the painting from Nooms, who executed other paintings as well as engravings that included views of Bicker family property. [2] A copy of the sale catalogue, annotated with buyers names and prices, is available on the Internet Archive: https://ia800800.us.archive.org/18/items/catalogusvaneenu00locq/catalogusvaneenu00locq.pdf (accessed 26 June 2017). The middle letters of the buyer's name are not clear.

Inscription

center right on the flag: R.Zeeman

NGA object ID 154215. Collection metadata is reproduced under CC0. This work is included because its NGA published-image record is marked open access; visitors should recheck the source record before substantial reuse.