The image depicts an illustration of a person from the chest up, seen in profile facing to the right. The individual appears to be holding a tankard or a similar object in their right hand. Their notable features include a prominent nose, forehead, eyebrows, deep-set eyes, curly or wavy hair, and a fabric turban or headwrap. The person is wearing a robe with broad lapels and detailed stitching. The background is a simple oval shape with the name "BARDOLPH" above the figure and a quote below.
Read the visual description

The image depicts an illustration of a person from the chest up, seen in profile facing to the right. The individual appears to be holding a tankard or a similar object in their right hand. Their notable features include a prominent nose, forehead, eyebrows, deep-set eyes, curly or wavy hair, and a fabric turban or headwrap. The person is wearing a robe with broad lapels and detailed stitching. The background is a simple oval shape with the name "BARDOLPH" above the figure and a quote below.

National Gallery of Art · Print

Bardolph

John Hamilton Mortimer

Date
1763
Medium
etching printed in brown-black ink on laid paper
Dimensions
plate: 40 × 32.8 cm (15 3/4 × 12 15/16 in.) sheet: 55 × 40.8 cm (21 5/8 × 16 1/16 in.)
Classification
Print
Accession number
2017.53.105
Credit line
Gift of Thomas Vogler in memory of his brother Donald J. Vogler
Time span
1751 to 1775
Department
CG-E

Portfolio and series

Series
Twelve Characters from Shakespeare

Subjects and terms

  • etching
  • Shakespeare
  • literature
Provenance

(R. E. Lewis, CA, 15 March 1991); Donald Vogler, Portland, OR; gift to NGA, 2017.

Inscription

upper center in plate: BARDOLPH.; lower center in plate: My Lord, do you see those meteors? do you behold / these exhalations? / Henry the IV Act the II Scene the 9 / Publishd May 20, 1775 by J. MORTIMER, Norfolk Street STRAND; in Mortimer's hand, lower right in pen and brown ink: No. 170 JM

NGA object ID 210346. Collection metadata is reproduced under CC0. This work is included because its NGA published-image record is marked open access; visitors should recheck the source record before substantial reuse.