The image displays a seascape with two sailing ships depicted from a slightly elevated point of view. One ship is closer on the right side with billowing sails and a figure managing the rigging. Another ship is positioned in the distance to the left with furled sails. The horizon is near the upper half of the composition, where the sky meets the sea, with faint lines suggesting distant land and a sailing ship. The etching technique is evident in the style, with detailed lines capturing the texture of the sails, sea, and clouds above. The color palette is monochrome, using varying intensities of black and white for contrast and depth.
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The image displays a seascape with two sailing ships depicted from a slightly elevated point of view. One ship is closer on the right side with billowing sails and a figure managing the rigging. Another ship is positioned in the distance to the left with furled sails. The horizon is near the upper half of the composition, where the sky meets the sea, with faint lines suggesting distant land and a sailing ship. The etching technique is evident in the style, with detailed lines capturing the texture of the sails, sea, and clouds above. The color palette is monochrome, using varying intensities of black and white for contrast and depth.

National Gallery of Art · Print

A "Watership" Carrying Water for the Salt Works and Another One Carrying Water for the Breweries

Reinier Nooms, called Zeeman

Date
c. 1652/1654
Medium
etching with drypoint on laid paper
Classification
Print
Accession number
2016.89.18
Credit line
The J. and H. Weldon Foundation Inc. and Pepita Milmore Memorial Fund
Time span
1601 to 1650
Department
CG-E

Portfolio and series

Series
Verscheÿde Schepen en Gesichten van Amstelredam (Various Ships and Views of Amsterdam): Part II :plate 6
Provenance

(Rob Kattenburg, Bergen); purchased by NGA, 2017.

Inscription

lower center in plate: Een Waterschip voor d'Soutkete, Een Brouwers Water-Schuÿt, / b6

NGA object ID 210464. Collection metadata is reproduced under CC0. This work is included because its NGA published-image record is marked open access; visitors should recheck the source record before substantial reuse.