The image is an ink drawing featuring two figures. One figure is standing and leaning over the other figure, who is lying on the ground. The standing figure appears to be male, with angular limbs, hair, and a garment with tassels. The figure on the ground has one arm outstretched and one bent, with indistinct facial features. Bold lines emphasize the musculature of both figures. The background is plain and textured.
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The image is an ink drawing featuring two figures. One figure is standing and leaning over the other figure, who is lying on the ground. The standing figure appears to be male, with angular limbs, hair, and a garment with tassels. The figure on the ground has one arm outstretched and one bent, with indistinct facial features. Bold lines emphasize the musculature of both figures. The background is plain and textured.

National Gallery of Art · Drawing

A False Scalping Performed by Iowa Tribe Members in Paris

Eugène Delacroix

Date
1845
Medium
pen and brown ink on laid paper
Dimensions
sheet: 20.16 × 31.43 cm (7 15/16 × 12 3/8 in.)
Classification
Drawing
Accession number
2019.45.11
Credit line
Bequest of William B. Jordan and Robert Dean Brownlee
Time span
1826 to 1850
Department
CG-E

Subjects and terms

  • figure
  • Man
  • Figures
Provenance

Atelier Delacroix (Lugt 838a); (Delacroix sale, Hôtel Drouot, 22-27 February 1864, probably part of no. 652 ("croquis d'après des sauvages Iowas 1834 [sic]; 33 feuilles de dessins et croquis; en quatre lots à MM. Riesener, Barbet de Jouy, Sensier, Philippe Rousseau"); Philippe Rousseau [1816-1887], animal painter; (Galerie Bernheim-Jeune, Paris); Etienne Moreau-Nélaton, Paris. (Galerie Bernheim-Jeune, Paris, by 1954). Jean-Pierre Durand-Matthiesen, Geneva, by 1963; (Thomas Le Claire Gallery, Hamburg, by 1987); (Brandt Dayton Gallery, New York); William B. Jordan and Robert Dean Brownlee, Dallas, TX, 1988; bequest to NGA, 2019.

Marks

Delacroix's studio stamp (Lugt 838), or one of the false marks [D is indistinct]

NGA object ID 219309. Collection metadata is reproduced under CC0. This work is included because its NGA published-image record is marked open access; visitors should recheck the source record before substantial reuse.