
Read the visual description
The image depicts a portrait of a man's upper body, from the waist up. He is slightly angled to the left, with his gaze forward. The man has fair skin and a calm expression. His white hair is styled in 18th-century curls. He wears a military uniform with a black undershirt, white waistcoat, and red outer coat with gold details. A black cravat is around his neck. His right hand is inside his coat. The background is a plain, muted brown color.
National Gallery of Art · Painting
A Military Officer
Joseph Blackburn
- Date
- 1756
- Medium
- oil on canvas
- Dimensions
- overall: 77.5 x 63.6 cm (30 1/2 x 25 1/16 in.) framed: 93.7 x 79.7 x 6 cm (36 7/8 x 31 3/8 x 2 3/8 in.)
- Classification
- Painting
- Accession number
- 1947.17.25
- Credit line
- Andrew W. Mellon Collection
- Time span
- 1751 to 1775
- Department
- CAB
Subjects and terms
- painted surface
- American
- male
- portrait
- American Paintings of the Eighteenth Century
- Officer
Provenance
(André E. Rueff, Brooklyn, N.Y.); sold 5 January 1924 through (Art House, Inc., New York) to Thomas B. Clarke [1848-1931], New York;[1] his estate; sold as part of the Clarke collection 29 January 1936, through (M. Knoedler & Co., New York), to The A. W. Mellon Educational and Charitable Trust, Pittsburgh; gift 1947 to NGA. [1] Letter from André Rueff, 5 January 1924, to C. J. Dearden, President of Art House (Clarke files, in NGA curatorial files). The name of the seller and the date of purchase are also recorded in a copy of _Portraits by Early American Artists of the Seventeenth, Eighteenth and Nineteenth Centuries Collected by Thomas B. Clarke_ (Philadelphia, 1928) annotated with information from files of M. Knoedler & Co., NY (copy in NGA curatorial records and in NGA library). According to the provenance provided by Rueff, which lacks documentation, the portrait was given by the sitter to a Colonel Thayer of the British army and later descended in the Adair family, including Esther Latham Adair, Alice Adair, James Adair (d. 1914), and his brother William of Jersey City, from whom Rueff acquired it. Confirmation of this provenance has not been possible. Lawrence Park, _Joseph Blackburn, A Colonial Portrait Painter, with a Descriptive List of his Works_, Worcester, Massachusetts, 1923: 6, noted that the portrait had come "to light about two years ago." John Hill Morgan and Henry Wilder Foote, _An Extension of Lawrence Park's Descriptive List of the Work of Joseph Blackburn_, Worcester, MA, 1937: 48, wrote that William Adair, of 34 Grant Avenue, Jersey City, said that he was a descendant of an Adair family of Boston, from whom he inherited the portrait. The only part of the story that can be documented is that William Adair lived at the Grant Avenue address; see _R. L. Polk and Co.'s Jersey City Directory, 1925-1926_.
Inscription
lower left on painted spandrel: I Blackburn Pinxt 1756.
NGA object ID 34073. Collection metadata is reproduced under CC0. This work is included because its NGA published-image record is marked open access; visitors should recheck the source record before substantial reuse.