This is a painting of a tree with a serpent. The image depicts a central tree with a lush canopy of leaves, surrounded by an ornate border with floral patterns in gold and black. Winding its way around the tree's trunk is a large serpent. At the base of the tree, there is shrubbery. Traditional elements indicate a story with roots in religious or mythological themes. This is in the style of Renaissance biblical illustration.
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This is a painting of a tree with a serpent. The image depicts a central tree with a lush canopy of leaves, surrounded by an ornate border with floral patterns in gold and black. Winding its way around the tree's trunk is a large serpent. At the base of the tree, there is shrubbery. Traditional elements indicate a story with roots in religious or mythological themes. This is in the style of Renaissance biblical illustration.

National Gallery of Art · Print

Adam and Eve

Workshop of Master of the Borders with the Four Fathers of the Church

Date
1460/1480
Medium
metalcut, hand-colored in yellow, red-brown lake, and green
Dimensions
sheet: 6.3 × 4.8 cm (2 1/2 × 1 7/8 in.)
Classification
Print
Accession number
1943.3.680
Credit line
Rosenwald Collection
Time span
1401 to 1500
Department
CG-E

Portfolio and series

Series
Twenty Scenes from the Oxford Passion

Subjects and terms

  • Tree
  • Fruit
  • Female nude
  • Snake
  • Male nude
  • Cologne
Provenance

Martin Aufhäuser [1875-1944], Munich, Holland, and Los Angeles; [1] Lessing J. Rosenwald, Jenkintown, PA; gift to NGA, 1943. [1] For complete information on Aufhäuser's collection, see Rosenwald Papers, box 9, and Richard S. Field, _Fifteenth Century Woodcuts and Metalcuts_, Washington, D.C., 1965, Preface (np).

Watermarks

none

NGA object ID 3894. Collection metadata is reproduced under CC0. This work is included because its NGA published-image record is marked open access; visitors should recheck the source record before substantial reuse.