The sculpture features a raised depiction of a charioteer sitting on a chariot drawn by two horses. There is an inscription at the top and bottom of the piece. The sculpture is carved into a round, medallion-like form, made of a light gray material with a slightly weathered texture. The horses are shown in profile with intricate detailing of their forms in motion, and the charioteer's features are simplified yet discernible. It appears as a relief with figures and text slightly protruding from the background plane.
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The sculpture features a raised depiction of a charioteer sitting on a chariot drawn by two horses. There is an inscription at the top and bottom of the piece. The sculpture is carved into a round, medallion-like form, made of a light gray material with a slightly weathered texture. The horses are shown in profile with intricate detailing of their forms in motion, and the charioteer's features are simplified yet discernible. It appears as a relief with figures and text slightly protruding from the background plane.

National Gallery of Art · Sculpture

Angel in a Car Drawn by Horses [reverse]

Pisanello

Date
c. 1449
Medium
bronze//Late cast
Dimensions
overall (diameter): 11.02 cm (4 5/16 in.) gross weight: 325.45 gr (0.717 lb.) axis: 12:00
Classification
Sculpture · Medal/Medallion
Accession number
1957.14.613.b
Credit line
Samuel H. Kress Collection
Time span
1401 to 1500
Department
CSD

Subjects and terms

  • Angel
  • allegory
  • Renaissance
  • Horse
  • Veronese
  • Triumph
  • Man
  • Car
Provenance

Gustave Dreyfus [1837-1914], Paris; his heirs; purchased with the entire Dreyfus collection 9 July 1930 by (Duveen Brothers, Inc., London, New York, and Paris); sold 31 January 1944 to the Samuel H. Kress Foundation, New York;[1] gift 1957 to NGA. [1] The Duveen Brothers Records document the firm’s sixteen year pursuit and eventual acquisition of the Dreyfus collection, which included paintings, sculptures, small bronzes, medals, and plaquettes. Bequeathed as part of his estate to Dreyfus’ widow and five children (a son and four daughters), who had differing opinions about its disposition, the collection was not sold until after his widow’s death in April 1929. Duveen did not wish to separate Dreyfus’ collection of small bronzes, medals, and plaquettes, and it was sold intact to the Kress Foundation for a price that was met by installment payments every three months. (Duveen Brothers Records, accession number 960015, Research Library, The Getty Research Institute, Los Angeles: reel 301, box 446, folders 3 and 4; reel 302, box 447, folders 1-6; reel 303, box 448, folders 1 and 2; reel 330, box 475, folder 4.) See also George Francis Hill’s discussion "A Note on Pedigrees" in his catalogue, _The Gustave Dreyfus Collection: Renaissance Medals_, Oxford, 1931: xii, which was commissioned by Duveen Brothers.

Inscription

across top: FORTITVDO / MAE ET LAVS MEA / DOMINVS ET FACTVS / EST MICHI IN SALVTEM

NGA object ID 44354. Collection metadata is reproduced under CC0. This work is included because its NGA published-image record is marked open access; visitors should recheck the source record before substantial reuse.