The image features a round sculpture in the form of a medal or medallion. The subject of the sculpture is the profile of a woman facing right. Her hair is styled neatly, covered in a decorative headpiece which wraps around her head. She is adorned with a detailed garment with patterns and a brooch. The medal is predominantly brownish in color, suggesting it is made of bronze or brass. Around the edge of the sculpture, there is an inscription in capital letters, reading "ANTONIA BAPTIA DEGONZA PRD." The entire piece has a slightly rough texture, and there is a small hole near the top edge.
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The image features a round sculpture in the form of a medal or medallion. The subject of the sculpture is the profile of a woman facing right. Her hair is styled neatly, covered in a decorative headpiece which wraps around her head. She is adorned with a detailed garment with patterns and a brooch. The medal is predominantly brownish in color, suggesting it is made of bronze or brass. Around the edge of the sculpture, there is an inscription in capital letters, reading "ANTONIA BAPTIA DEGONZA PRD." The entire piece has a slightly rough texture, and there is a small hole near the top edge.

National Gallery of Art · Sculpture

Antonia del Balzo, 1441-1538, Wife of Gianfrancesco Gonzaga di Rodigo 1479 [obverse]

Antico

Date
c. 1487
Medium
bronze
Dimensions
overall (diameter): 4.11 cm (1 5/8 in.) gross weight: 31.92 gr (0.07 lb.) axis: 7:00
Classification
Sculpture · Medal/Medallion
Accession number
1957.14.665.a
Credit line
Samuel H. Kress Collection
Time span
1401 to 1500
Department
CSD

Subjects and terms

  • Renaissance
  • Medals
  • bust facing right
  • portrait
  • Mantuan
  • Balzo, Antonia del
Provenance

Gustave Dreyfus [1837-1914], Paris; his heirs; purchased with the entire Dreyfus collection 9 July 1930 by (Duveen Brothers, Inc., London, New York, and Paris); sold 31 January 1944 to the Samuel H. Kress Foundation, New York;[1] gift 1957 to NGA. [1] The Duveen Brothers Records document the firm’s sixteen year pursuit and eventual acquisition of the Dreyfus collection, which included paintings, sculptures, small bronzes, medals, and plaquettes. Bequeathed as part of his estate to Dreyfus’ widow and five children (a son and four daughters), who had differing opinions about its disposition, the collection was not sold until after his widow’s death in April 1929. Duveen did not wish to separate Dreyfus’ collection of small bronzes, medals, and plaquettes, and it was sold intact to the Kress Foundation for a price that was met by installment payments every three months. (Duveen Brothers Records, accession number 960015, Research Library, The Getty Research Institute, Los Angeles: reel 301, box 446, folders 3 and 4; reel 302, box 447, folders 1-6; reel 303, box 448, folders 1 and 2; reel 330, box 475, folder 4.) See also George Francis Hill’s discussion "A Note on Pedigrees" in his catalogue, _The Gustave Dreyfus Collection: Renaissance Medals_, Oxford, 1931: xii, which was commissioned by Duveen Brothers.

Inscription

around circumference: DIVA ANTONIA BAVTIA DE GONZ[aga] MAR[chionissa]

NGA object ID 44440. Collection metadata is reproduced under CC0. This work is included because its NGA published-image record is marked open access; visitors should recheck the source record before substantial reuse.