The sculpture is a medallion featuring the profile of a man with wavy hair that falls to his collar, depicted in a side view, looking to the left. He appears to be dressed in a garment that resembles a robe or toga with detailed folds, and possibly embellished with a decorative clasp on the shoulder. The medallion is crafted from a material that has a bronze-like appearance, exhibiting a warm brownish color with a slightly aged patina. Around the edge of the medallion, there is an inscription in capital letters, "ANDREAE GRITIO PROCVR D MARCI." The sculpted form is relatively flat, with a small hole at the top.
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The sculpture is a medallion featuring the profile of a man with wavy hair that falls to his collar, depicted in a side view, looking to the left. He appears to be dressed in a garment that resembles a robe or toga with detailed folds, and possibly embellished with a decorative clasp on the shoulder. The medallion is crafted from a material that has a bronze-like appearance, exhibiting a warm brownish color with a slightly aged patina. Around the edge of the medallion, there is an inscription in capital letters, "ANDREAE GRITIO PROCVR D MARCI." The sculpted form is relatively flat, with a small hole at the top.

National Gallery of Art · Sculpture

Andrea Gritti, Procurator of St. Mark's, later Doge of Venice [obverse]

Giovanni Falier

Date
1512/1516
Medium
bronze
Dimensions
overall (diameter): 6.57 cm (2 9/16 in.) gross weight: 105.5 gr (0.233 lb.) axis: 12:00
Classification
Sculpture · Medal/Medallion
Accession number
1957.14.749.a
Credit line
Samuel H. Kress Collection
Time span
1501 to 1550
Department
CSD

Subjects and terms

  • Venetian
  • Renaissance
  • Medals
  • bust facing left
  • portrait
  • Gritti, Andrea, Doge of Venice
  • Doge of Venice
Provenance

Gustave Dreyfus [1837-1914], Paris; his heirs; purchased with the entire Dreyfus collection 9 July 1930 by (Duveen Brothers, Inc., London, New York, and Paris); sold 31 January 1944 to the Samuel H. Kress Foundation, New York;[1] gift 1957 to NGA. [1] The Duveen Brothers Records document the firm’s sixteen year pursuit and eventual acquisition of the Dreyfus collection, which included paintings, sculptures, small bronzes, medals, and plaquettes. Bequeathed as part of his estate to Dreyfus’ widow and five children (a son and four daughters), who had differing opinions about its disposition, the collection was not sold until after his widow’s death in April 1929. Duveen did not wish to separate Dreyfus’ collection of small bronzes, medals, and plaquettes, and it was sold intact to the Kress Foundation for a price that was met by installment payments every three months. (Duveen Brothers Records, accession number 960015, Research Library, The Getty Research Institute, Los Angeles: reel 301, box 446, folders 3 and 4; reel 302, box 447, folders 1-6; reel 303, box 448, folders 1 and 2; reel 330, box 475, folder 4.) See also George Francis Hill’s discussion "A Note on Pedigrees" in his catalogue, _The Gustave Dreyfus Collection: Renaissance Medals_, Oxford, 1931: xii, which was commissioned by Duveen Brothers.

Inscription

around circumference: ANDREAE GRITO PROCVR[atori] D[ivi] MARCI IOF.

NGA object ID 44598. Collection metadata is reproduced under CC0. This work is included because its NGA published-image record is marked open access; visitors should recheck the source record before substantial reuse.