The sculpture is a circular medallion depicting the profile of a man facing right. He has a curly hairstyle and wears a Renaissance hat on his head. The man's features are detailed, with a prominent nose and chin. There is a Latin inscription around the edge, including the name "ALESSANDRO" on the right. The sculpture is made from a brown material, likely bronze, with an aged patina highlighting the design. The raised relief shows intricate details like the hairstyle and garment folds, reflecting the fashion and portrait technique of the period.
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The sculpture is a circular medallion depicting the profile of a man facing right. He has a curly hairstyle and wears a Renaissance hat on his head. The man's features are detailed, with a prominent nose and chin. There is a Latin inscription around the edge, including the name "ALESSANDRO" on the right. The sculpture is made from a brown material, likely bronze, with an aged patina highlighting the design. The raised relief shows intricate details like the hairstyle and garment folds, reflecting the fashion and portrait technique of the period.

National Gallery of Art · Sculpture

Alessandro di Gino Vecchietti, 1472-1532 [obverse]

Style of Niccolò Fiorentino

Date
c. 1498
Medium
bronze
Dimensions
overall (diameter): 7.93 cm (3 1/8 in.) gross weight: 190.44 gr (0.42 lb.) axis: 12:00
Classification
Sculpture · Medal/Medallion
Accession number
1957.14.884.a
Credit line
Samuel H. Kress Collection
Time span
1401 to 1500
Department
CSD

Subjects and terms

  • Florentine
  • Renaissance
  • Medals
  • bust facing right
  • portrait
  • Vecchietti, Alessandro di Gino
Provenance

(Aimé Charles) Horace His de la Salle [1795-1878], Paris; (his estate sale, Sotheby's, London, 22-25 November 1880, 1st day, no. 71); Gustave Dreyfus [1837-1914], Paris; his heirs; purchased with the entire Dreyfus collection 9 July 1930 by (Duveen Brothers, Inc., London, New York, and Paris); sold 31 January 1944 to the Samuel H. Kress Foundation, New York;[1] gift 1957 to NGA. [1] The Duveen Brothers Records document the firm’s sixteen year pursuit and eventual acquisition of the Dreyfus collection, which included paintings, sculptures, small bronzes, medals, and plaquettes. Bequeathed as part of his estate to Dreyfus’ widow and five children (a son and four daughters), who had differing opinions about its disposition, the collection was not sold until after his widow’s death in April 1929. Duveen did not wish to separate Dreyfus’ collection of small bronzes, medals, and plaquettes, and it was sold intact to the Kress Foundation for a price that was met by installment payments every three months. (Duveen Brothers Records, accession number 960015, Research Library, The Getty Research Institute, Los Angeles: reel 301, box 446, folders 3 and 4; reel 302, box 447, folders 1-6; reel 303, box 448, folders 1 and 2; reel 330, box 475, folder 4.) See also George Francis Hill’s discussion "A Note on Pedigrees" in his catalogue, _The Gustave Dreyfus Collection: Renaissance Medals_, Oxford, 1931: xii, which was commissioned by Duveen Brothers.

Inscription

around circumference: ALESSANDRO DI GINO VECHIETTI ANNI 26

NGA object ID 44853. Collection metadata is reproduced under CC0. This work is included because its NGA published-image record is marked open access; visitors should recheck the source record before substantial reuse.