The image shows a sculpted medallion with a profile bust depiction of a woman. She appears to be of noble standing, with elaborate attire and jewelry. Her hair is styled in intricate curls, and she wears a string of pearls around her neck. The material of the sculpture seems to be metal, indicated by its color and texture, which is a muted bronze or dark silver hue. The circular medallion has a hole near the top, likely for mounting or display purposes. The woman is adorned in a draped garment with detailed folds and textures. Inscribed around the circumference of the medallion are letters that may spell out a name or title.
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The image shows a sculpted medallion with a profile bust depiction of a woman. She appears to be of noble standing, with elaborate attire and jewelry. Her hair is styled in intricate curls, and she wears a string of pearls around her neck. The material of the sculpture seems to be metal, indicated by its color and texture, which is a muted bronze or dark silver hue. The circular medallion has a hole near the top, likely for mounting or display purposes. The woman is adorned in a draped garment with detailed folds and textures. Inscribed around the circumference of the medallion are letters that may spell out a name or title.

National Gallery of Art · Sculpture

Anna Maurella Oldofredi d'Iseo

Giovanni Battista Cambio, called Bombarda

Date
late 16th century
Medium
lead
Dimensions
overall (diameter): 6.38 cm (2 1/2 in.) gross weight: 44.72 gr (0.099 lb.)
Classification
Sculpture · Medal/Medallion
Accession number
1957.14.1052
Credit line
Samuel H. Kress Collection
Time span
1501 to 1550
Department
CSD

Subjects and terms

  • Renaissance
  • Medals
  • bust facing right
  • portrait
  • Emilian
  • Iseo, Anna Maurella Oldofredi
Provenance

Gustave Dreyfus [1837-1914], Paris; his heirs; purchased with the entire Dreyfus collection 9 July 1930 by (Duveen Brothers, Inc., London, New York, and Paris); sold 31 January 1944 to the Samuel H. Kress Foundation, New York;[1] gift 1957 to NGA. [1] The Duveen Brothers Records document the firm’s sixteen year pursuit and eventual acquisition of the Dreyfus collection, which included paintings, sculptures, small bronzes, medals, and plaquettes. Bequeathed as part of his estate to Dreyfus’ widow and five children (a son and four daughters), who had differing opinions about its disposition, the collection was not sold until after his widow’s death in April 1929. Duveen did not wish to separate Dreyfus’ collection of small bronzes, medals, and plaquettes, and it was sold intact to the Kress Foundation for a price that was met by installment payments every three months. (Duveen Brothers Records, accession number 960015, Research Library, The Getty Research Institute, Los Angeles: reel 301, box 446, folders 3 and 4; reel 302, box 447, folders 1-6; reel 303, box 448, folders 1 and 2; reel 330, box 475, folder 4.) See also George Francis Hill’s discussion "A Note on Pedigrees" in his catalogue, _The Gustave Dreyfus Collection: Renaissance Medals_, Oxford, 1931: xii, which was commissioned by Duveen Brothers.

Inscription

around circumference: OLDOFREDI D[e] ISE[o] AET[atis] XV

NGA object ID 45140. Collection metadata is reproduced under CC0. This work is included because its NGA published-image record is marked open access; visitors should recheck the source record before substantial reuse.