The sculpture is a relief portrait of a man. It is a side profile of a man's head and shoulders with short, curled hair and a notable garment that suggests a cloak or robe. The material of the sculpture appears to be bronze or a similar metal, giving it a rich, brownish-gold color with variations due to light and aging texture. The man's features are intricately sculpted, emphasizing his profile with a prominent nose and a fixed gaze. There is text etched into the surface surrounding the image, and the edge of the medallion is adorned with a series of small, round dot-like decorations. The overall look of the sculpture is that of a historical piece, suggesting a commemorative or honoring purpose.
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The sculpture is a relief portrait of a man. It is a side profile of a man's head and shoulders with short, curled hair and a notable garment that suggests a cloak or robe. The material of the sculpture appears to be bronze or a similar metal, giving it a rich, brownish-gold color with variations due to light and aging texture. The man's features are intricately sculpted, emphasizing his profile with a prominent nose and a fixed gaze. There is text etched into the surface surrounding the image, and the edge of the medallion is adorned with a series of small, round dot-like decorations. The overall look of the sculpture is that of a historical piece, suggesting a commemorative or honoring purpose.

National Gallery of Art · Sculpture

Andrea Della Valle, 1463-1534, Patron and Collector, Cardinal 1517 [obverse]

Italian 16th Century

Date
16th century
Medium
bronze
Dimensions
overall (diameter): 3.95 cm (1 9/16 in.) gross weight: 27.92 gr (0.062 lb.) axis: 6:00
Classification
Sculpture · Medal/Medallion
Accession number
1957.14.1101.a
Credit line
Samuel H. Kress Collection
Time span
1401 to 1500
Department
CSD

Subjects and terms

  • Italian
  • Renaissance
  • Medals
  • bust facing left
  • portrait
  • Valle, Andrea della
Provenance

Gustave Dreyfus [1837-1914], Paris; his heirs; purchased with the entire Dreyfus collection 9 July 1930 by (Duveen Brothers, Inc., London, New York, and Paris); sold 31 January 1944 to the Samuel H. Kress Foundation, New York;[1] gift 1957 to NGA. [1] The Duveen Brothers Records document the firm’s sixteen year pursuit and eventual acquisition of the Dreyfus collection, which included paintings, sculptures, small bronzes, medals, and plaquettes. Bequeathed as part of his estate to Dreyfus’ widow and five children (a son and four daughters), who had differing opinions about its disposition, the collection was not sold until after his widow’s death in April 1929. Duveen did not wish to separate Dreyfus’ collection of small bronzes, medals, and plaquettes, and it was sold intact to the Kress Foundation for a price that was met by installment payments every three months. (Duveen Brothers Records, accession number 960015, Research Library, The Getty Research Institute, Los Angeles: reel 301, box 446, folders 3 and 4; reel 302, box 447, folders 1-6; reel 303, box 448, folders 1 and 2; reel 330, box 475, folder 4.) See also George Francis Hill’s discussion "A Note on Pedigrees" in his catalogue, _The Gustave Dreyfus Collection: Renaissance Medals_, Oxford, 1931: xii, which was commissioned by Duveen Brothers.

Inscription

around circumference: ANDREAS CAR[dinalis] DE VALLE AR[chipresbyter ?] ANNO IVBILEI

NGA object ID 45219. Collection metadata is reproduced under CC0. This work is included because its NGA published-image record is marked open access; visitors should recheck the source record before substantial reuse.