The sculpture features a profile portrait of a mature man wearing an ornate headdress reminiscent of a papal tiara. The man is depicted in a high authority status. The sculpture is in the form of a circular medallion or coin, made of bronze with a warm brown color and metallic sheen. The man's profile is detailed, showing his facial features. He is adorned in a ceremonial robe with intricate patterns and insignia. Latin text is engraved around the edge of the medallion. The overall appearance is classic and formal, typical of historical or commemorative medallions, with the figure presented in a dignified manner against a smooth, polished background.
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The sculpture features a profile portrait of a mature man wearing an ornate headdress reminiscent of a papal tiara. The man is depicted in a high authority status. The sculpture is in the form of a circular medallion or coin, made of bronze with a warm brown color and metallic sheen. The man's profile is detailed, showing his facial features. He is adorned in a ceremonial robe with intricate patterns and insignia. Latin text is engraved around the edge of the medallion. The overall appearance is classic and formal, typical of historical or commemorative medallions, with the figure presented in a dignified manner against a smooth, polished background.

National Gallery of Art · Sculpture

Adrian VI (Adrian Dedal, 1459-1523), Pope 1522

Netherlandish 16th Century

Date
1522/1523
Medium
bronze
Dimensions
overall (diameter): 8.76 cm (3 7/16 in.) gross weight: 177.02 gr (0.39 lb.)
Classification
Sculpture · Medal/Medallion
Accession number
1957.14.1225
Credit line
Samuel H. Kress Collection
Time span
1501 to 1550
Department
CSD

Subjects and terms

  • Flemish
  • Renaissance
  • Medals
  • bust facing left
  • portrait
  • Adrian VI, Pope
  • Florensz, Adriaan
Provenance

Gustave Dreyfus [1837-1914], Paris; his heirs; purchased with the entire Dreyfus collection 9 July 1930 by (Duveen Brothers, Inc., London, New York, and Paris); sold 31 January 1944 to the Samuel H. Kress Foundation, New York;[1] gift 1957 to NGA. [1] The Duveen Brothers Records document the firm’s sixteen year pursuit and eventual acquisition of the Dreyfus collection, which included paintings, sculptures, small bronzes, medals, and plaquettes. Bequeathed as part of his estate to Dreyfus’ widow and five children (a son and four daughters), who had differing opinions about its disposition, the collection was not sold until after his widow’s death in April 1929. Duveen did not wish to separate Dreyfus’ collection of small bronzes, medals, and plaquettes, and it was sold intact to the Kress Foundation for a price that was met by installment payments every three months. (Duveen Brothers Records, accession number 960015, Research Library, The Getty Research Institute, Los Angeles: reel 301, box 446, folders 3 and 4; reel 302, box 447, folders 1-6; reel 303, box 448, folders 1 and 2; reel 330, box 475, folder 4.) See also George Francis Hill’s discussion "A Note on Pedigrees" in his catalogue, _The Gustave Dreyfus Collection: Renaissance Medals_, Oxford, 1931: xii, which was commissioned by Duveen Brothers.

Inscription

around circumference: M[eester] ADRIAEN VAN GOD GHEKOREN PAVS VA[n] ROMEN TVTRECHT GEBOREN

NGA object ID 45425. Collection metadata is reproduced under CC0. This work is included because its NGA published-image record is marked open access; visitors should recheck the source record before substantial reuse.