The relief image depicts a man with a serious expression on a round medallion or coin. The man is wearing a hat with a rounded top and a high-collared garment with a button. The sculpture is made of a metallic material with a dull silver or greyish tone and a polished surface. There is an inscription in raised lettering around the edge of the medallion. The style is reminiscent of a classical or Renaissance period, and the relief work gives a three-dimensional appearance to the face and attire, allowing the features to stand out prominently against the flat background of the coin.
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The relief image depicts a man with a serious expression on a round medallion or coin. The man is wearing a hat with a rounded top and a high-collared garment with a button. The sculpture is made of a metallic material with a dull silver or greyish tone and a polished surface. There is an inscription in raised lettering around the edge of the medallion. The style is reminiscent of a classical or Renaissance period, and the relief work gives a three-dimensional appearance to the face and attire, allowing the features to stand out prominently against the flat background of the coin.

National Gallery of Art · Sculpture

Albrecht of Brandenburg, 1490-1545, Cardinal 1518 [obverse]

German 16th Century

Date
16th century
Medium
lead
Dimensions
overall (diameter): 4.83 cm (1 7/8 in.) gross weight: 47.84 gr (0.105 lb.) axis: 11:00
Classification
Sculpture · Medal/Medallion
Accession number
1957.14.1304.a
Credit line
Samuel H. Kress Collection
Time span
1401 to 1500
Department
CSD

Subjects and terms

  • German
  • Renaissance
  • Medals
  • bust 3/4 right
  • portrait
  • Albrecht V, Cardinal-Archbishop of Magdeburg
Provenance

Gustave Dreyfus [1837-1914], Paris; his heirs; purchased with the entire Dreyfus collection 9 July 1930 by (Duveen Brothers, Inc., London, New York, and Paris); sold 31 January 1944 to the Samuel H. Kress Foundation, New York;[1] gift 1957 to NGA. [1] The Duveen Brothers Records document the firm’s sixteen year pursuit and eventual acquisition of the Dreyfus collection, which included paintings, sculptures, small bronzes, medals, and plaquettes. Bequeathed as part of his estate to Dreyfus’ widow and five children (a son and four daughters), who had differing opinions about its disposition, the collection was not sold until after his widow’s death in April 1929. Duveen did not wish to separate Dreyfus’ collection of small bronzes, medals, and plaquettes, and it was sold intact to the Kress Foundation for a price that was met by installment payments every three months. (Duveen Brothers Records, accession number 960015, Research Library, The Getty Research Institute, Los Angeles: reel 301, box 446, folders 3 and 4; reel 302, box 447, folders 1-6; reel 303, box 448, folders 1 and 2; reel 330, box 475, folder 4.) See also George Francis Hill’s discussion "A Note on Pedigrees" in his catalogue, _The Gustave Dreyfus Collection: Renaissance Medals_, Oxford, 1931: xii, which was commissioned by Duveen Brothers.

Inscription

around circumference: ALB ARCHI PRITET PRIN ELEC MAR BR

NGA object ID 45567. Collection metadata is reproduced under CC0. This work is included because its NGA published-image record is marked open access; visitors should recheck the source record before substantial reuse.