
Read the visual description
A pale-skinned man sits, holding an open book next to his lap so the pages face us in this square painting. His body is angled to our right, and he turns his head farther in that direction, so his face is in profile. He has heavy brows, high cheekbones, and a prominent, hooked nose. His lower lip projects beyond his thin upper lip, and his chin juts out. He is lit from our right, so the hollows of his cheeks are in shadow. A vivid red cap encircled by a wreath of laurel leaves covers his dark hair. His long, cranberry-red robe splits over the shoulders to show navy-blue sleeves. His left hand, farther from us, braces the top of the open book, which comes up to chest height. A poem written in verses of three lines each in Italian can be read on both pages. The man’s other hand is lifted and hovers, palm down, over a miniature skyline by his side. The buildings there include a dome with a pointed lantern and two towers. A lighter tan area in the lower left corner, beneath the skyline, is difficult to interpret. The man sits on a grassy outcropping, which is mostly lost in the shadows. A body of blue water stretches into the distance beyond the outcropping to meet a conical mountain layered like a cake with ten sections. Trees grow on the narrowest, topmost level, and flames line the second level. A boat, tiny in scale, sails across the water near a grassy, zigzagging shore in the distance. Light from the upper right creates a creamy yellow beam across the otherwise darkened sky.
National Gallery of Art · Painting
Allegorical Portrait of Dante
Florentine 16th Century
- Date
- late 16th century
- Medium
- oil on panel
- Dimensions
- overall: 126.9 x 120 cm (49 15/16 x 47 1/4 in.) framed: 165.7 x 158.8 x 8.3 cm (65 1/4 x 62 1/2 x 3 1/4 in.)
- Classification
- Painting
- Accession number
- 1961.9.57
- Credit line
- Samuel H. Kress Collection
- Time span
- 1501 to 1550
- Department
- CIS-R
Subjects and terms
- painted surface
- Florentine
- Renaissance
- Author
- history
- portrait
- Italian Paintings of the Sixteenth Century
- Alighieri, Dante
Provenance
William Graham [1817-1885], London.[1] Quintin McGarel Hogg, 2nd viscount Hailsham, London; (his sale, Sotheby's, London, 4 November 1953, no. 28, as by Vasari); purchased by Mawston. (International Financing Co., Panama); sold 1956 to the Samuel H. Kress Foundation, New York;[2] gift 1961 to NGA. [1] The painting does not appear in the 1886 Graham estate sale. [2] Provenance according to Kress files in NGA curatorial records. See also The Kress Collection Digital Archive, https://kress.nga.gov/Detail/objects/183.
Inscription
center on the open book, the first forty-eight linesof Canto XXV of Paradiso, beginning "Se mai continga..."
NGA object ID 46156. Collection metadata is reproduced under CC0. This work is included because its NGA published-image record is marked open access; visitors should recheck the source record before substantial reuse.