We look out onto a sweeping, panoramic view with trees, their leaves fiery orange and red, framing a view of a distant body of water under a sun-streaked sky in this long, horizontal landscape painting. The horizon comes about halfway up the composition, and is lined with hazy mountains and clouds in the deep distance. Close examination slowly reveals minuscule birds tucked into the crimson-red, golden yellow, and deep, sage-green leaves of the trees to either side of the painting. Closest to us, vine-covered, fallen tree trunks and mossy gray boulders line the bottom edge of the canvas. Beyond a trickling waterfall and small pool near the lower left corner, and tiny within the scale of the landscape, a group of three men and their dogs sit and recline around a blanket and a picnic basket, their rifles leaning against a tree nearby. The land sweeps down to a grassy meadow crossed by a meandering stream that winds into the distance, at the center of the painting. Touches of white and gray represent a flock of grazing sheep in the meadow. A low wooden bridge spans the stream to our right, and a few cows drink from the riverbank. Smoke rises from chimneys in a town lining the riverbank and shoreline beyond, and tiny white sails and steamboats dot the waterway. Light pours onto the scene with rays like a starburst from behind a lavender-gray cloud covering the sun, low in the sky. The artist signed the painting as if he had inscribed the flat top of a rock at the lower center of the landscape with his name, the title of the painting, and date: “Autumn – on the Hudson River, J.F Cropsey, London 1860.”
Read the visual description

We look out onto a sweeping, panoramic view with trees, their leaves fiery orange and red, framing a view of a distant body of water under a sun-streaked sky in this long, horizontal landscape painting. The horizon comes about halfway up the composition, and is lined with hazy mountains and clouds in the deep distance. Close examination slowly reveals minuscule birds tucked into the crimson-red, golden yellow, and deep, sage-green leaves of the trees to either side of the painting. Closest to us, vine-covered, fallen tree trunks and mossy gray boulders line the bottom edge of the canvas. Beyond a trickling waterfall and small pool near the lower left corner, and tiny within the scale of the landscape, a group of three men and their dogs sit and recline around a blanket and a picnic basket, their rifles leaning against a tree nearby. The land sweeps down to a grassy meadow crossed by a meandering stream that winds into the distance, at the center of the painting. Touches of white and gray represent a flock of grazing sheep in the meadow. A low wooden bridge spans the stream to our right, and a few cows drink from the riverbank. Smoke rises from chimneys in a town lining the riverbank and shoreline beyond, and tiny white sails and steamboats dot the waterway. Light pours onto the scene with rays like a starburst from behind a lavender-gray cloud covering the sun, low in the sky. The artist signed the painting as if he had inscribed the flat top of a rock at the lower center of the landscape with his name, the title of the painting, and date: “Autumn – on the Hudson River, J.F Cropsey, London 1860.”

National Gallery of Art · Painting

Autumn - On the Hudson River

Jasper Francis Cropsey

Date
1860
Medium
oil on canvas
Dimensions
overall: 151.8 x 274.9 cm (59 3/4 x 108 1/4 in.) framed: 200.7 x 321.3 x 21 cm (79 x 126 1/2 x 8 1/4 in.)
Classification
Painting
Accession number
1963.9.1
Credit line
Gift of the Avalon Foundation
Time span
1851 to 1875
Department
CAB

Subjects and terms

  • painted surface
  • American
  • United States
  • landscape
  • Romantic
  • New York
  • American Paintings of the Nineteenth Century, Part I [A-L]
  • Autumn
  • Hudson River
Provenance

Purchased from the artist 1862 by Thomas Slattery, London.[1] Arthur Jocelyn Charles, 6th Earl of Arran [1868-1958]; (Earl of Arran sale, Sotheby's, London, 11 July 1951, no. 150); "Duke"; private collection; (John Nicholson Gallery, New York), by November 1959; purchased 15 October 1963 by NGA. [1] Cropsey was paid $2,000 by Slattery, the largest sum he had earned for a single work to that date; William S. Talbot, _Jasper F. Cropsey, 1823-1900_, New York, 1977: 416.

Inscription

lower center: Autumn, -on the Hudson River / J. F Cropsey / London 1860

NGA object ID 46474. Collection metadata is reproduced under CC0. This work is included because its NGA published-image record is marked open access; visitors should recheck the source record before substantial reuse.