Towering, sheer cliffs loom to our left, over a sunny beach scattered with boats in this horizontal landscape painting. The chalky, rugged faces of the cliffs are dappled and streaked with olive green, dark brown, gray, rust red, and mustard yellow. The horizon comes a third of the way up the composition so the cliffs are outlined against the powder-blue sky, which is loosely veiled with wispy, cream-white clouds. The mossy tops of the cliffs are illuminated by sunlight from the upper left, and a solitary leafy tree leans into view between the two cliff-tops closest to us. Four empty, wooden boats sit on the flat, sandy beach below. We look onto the long sides of the two closest to us. One is stripped and appears dilapidated, while the one behind it has a ginger-brown sail attached to the mast in the prow. Two more wooden poles or oars jut out from the cockpit on either side of the mast. A small flag with horizontal bands of blue, white, and red flies from a short pole near the middle of the boat. A bundle the same color as the unfurled sail sits in the boat. Another sail is spread out on the sand to our right, and coiled ropes lie nearby. The two other boats are slightly further back on the right, with one angled to our left while we view the other straight on. There are two people a short distance beyond these boats. One faces our left in profile while the other sits on the sand looking toward the water. Thin trails of white delineate the low surf and a few sailboats drift by on the brilliant blue water. The artist signed the lower left, “G. Courbet.”
Read the visual description

Towering, sheer cliffs loom to our left, over a sunny beach scattered with boats in this horizontal landscape painting. The chalky, rugged faces of the cliffs are dappled and streaked with olive green, dark brown, gray, rust red, and mustard yellow. The horizon comes a third of the way up the composition so the cliffs are outlined against the powder-blue sky, which is loosely veiled with wispy, cream-white clouds. The mossy tops of the cliffs are illuminated by sunlight from the upper left, and a solitary leafy tree leans into view between the two cliff-tops closest to us. Four empty, wooden boats sit on the flat, sandy beach below. We look onto the long sides of the two closest to us. One is stripped and appears dilapidated, while the one behind it has a ginger-brown sail attached to the mast in the prow. Two more wooden poles or oars jut out from the cockpit on either side of the mast. A small flag with horizontal bands of blue, white, and red flies from a short pole near the middle of the boat. A bundle the same color as the unfurled sail sits in the boat. Another sail is spread out on the sand to our right, and coiled ropes lie nearby. The two other boats are slightly further back on the right, with one angled to our left while we view the other straight on. There are two people a short distance beyond these boats. One faces our left in profile while the other sits on the sand looking toward the water. Thin trails of white delineate the low surf and a few sailboats drift by on the brilliant blue water. The artist signed the lower left, “G. Courbet.”

National Gallery of Art · Painting

Beach in Normandy

Gustave Courbet

Date
c. 1872/1875
Medium
oil on canvas
Dimensions
overall: 61.3 x 90.2 cm (24 1/8 x 35 1/2 in.) framed: 87.9 x 116.2 cm (34 5/8 x 45 3/4 in.)
Classification
Painting
Accession number
1963.10.10
Credit line
Chester Dale Collection
Time span
1851 to 1875
Department
CF

Subjects and terms

  • painted surface
  • French
  • France
  • landscape
  • French Paintings of the Nineteenth Century. Part I: Before Impressionism [1800-1859]
  • Coast
  • Realist
  • Normandy
Provenance

(M. F.... sale, Hôtel Drouot, Paris, 27 May 1891, no. 18, as _Marine_). Delafond [Delafons], Paris.[1] (Galerie Jacques Dubourg, Paris); sold 18 July 1952 to Chester Dale [1883-1962], New York; bequest 1963 to NGA. [1] According to Robert Fernier, _La vie et l'oeuvre de Gustave Courbet, catalogue raisonné_, Lausanne and Paris, 1978: II:98, no. 725, the name is Delafond. However, Jacques Dubourg, in correspondence with Chester Dale dated 22 September 1952, calls the family Delafons, which is carried over in the Chester Dale records in NGA curatorial files. When queried many years later (see letter dated 5 October 1967 in NGA curatorial files), Jacques Dubourg was unable to determine from his files whether the name ended in an "s" or a "d".

Inscription

lower left: G. Courbet.

NGA object ID 46485. Collection metadata is reproduced under CC0. This work is included because its NGA published-image record is marked open access; visitors should recheck the source record before substantial reuse.