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A young person with dark blond hair, wearing a knee-length, pale yellow toga, stands playing a violin-like instrument at the center of this long, horizontal landscape painting. A pair of people are to the left and another pair to the right. Most of the people have pale skin, and two of the men have slightly darker, tanned complexions. The person at the center, Apollo, nearly spans the height of the painting. He tips his head back and to our right, toward the instrument on his shoulder, and he looks at us with dark eyes, lips parted. With his other hand, he holds a bow to the instrument’s strings. A dark green wreath of leaves encircles his long hair, and a quiver of arrows is tied with a pine-green ribbon across his chest. His legs are bare, and he wears sandals. An archer’s bow lies on the dirt ground behind his feet. To our right, a man with a dark beard and hair, Marsyas, sits on a rock playing a bagpipe. He faces our left in profile, looking up at Apollo, and he wears a red robe over a royal-blue tunic. Behind him and to our right, near the edge of the panel, a blond woman wearing a rose-pink dress also plays a bagpipe as she looks down onto her reflection in a pool below, in the lower right corner of the composition. Her left foot rests on a white and gold shield, and a golden helmet sits next to her other foot. Marsyas and Apollo appear again as a pair to our left. Marsyas is now nude and tied to a tree, his body facing us, near the left edge of the panel. His mouth is open and he looks toward Apollo, who approaches from our right. Apollo grabs Marsyas’s left wrist, on our right, and holds a knife to the nude man’s upper arm. The set of bagpipes, the quiver of arrows, Marsyas’s clothing, and Apollo’s instrument are strewn on the ground around the men’s feet. The scenes take place in a rocky landscape with dark green shrubs along the bottom edge of the composition and behind the people. A river runs across the land beyond, and people walk along dirt roads in the distance. Trees, craggy cliffs, and a town in the deep distance are painted with icy blue under a blue sky.
National Gallery of Art · Painting
Apollo and Marsyas
Sienese 16th Century, possibly Bartolomeo di David
- Date
- c. 1540
- Medium
- oil on panel
- Dimensions
- overall: 55.9 x 117 cm (22 x 46 1/16 in.) framed: 75.6 x 136.2 x 8.6 cm (29 3/4 x 53 5/8 x 3 3/8 in.)
- Classification
- Painting
- Accession number
- 1939.1.350
- Credit line
- Samuel H. Kress Collection
- Time span
- 1501 to 1550
- Department
- CIS-R
Subjects and terms
- painted surface
- classical
- mythology
- Renaissance
- Parmese
- Apollo
- Italian Paintings of the Sixteenth Century
- Marsyas
Provenance
Possibly John Francis Austen [d. 1893], London and Capel Manor, Horsmonden, Kent, England; probably by inheritance with house and contents to his widow, Mrs. John Fancis Austen [Georgiana F. Pearse]; (Austen sale, Christie, Manson & Woods, London, 10 July 1931, no. 47, as by Cariani); purchased by (Galerie Sanct Lucas, Vienna). (Count Alessandro Contini Bonacossi, Florence and Rome); sold 1936 to the Samuel H. Kress Foundation, New York;[1] gift 1939 to NGA.[2] [1] See also The Kress Collection Digital Archive, https://kress.nga.gov/Detail/objects/294. [2] Fern Rusk Shapley, _Catalogue of the Italian Paintings_, 2 vols., Washington, D.C., 1979: I:14-16.
NGA object ID 494. Collection metadata is reproduced under CC0. This work is included because its NGA published-image record is marked open access; visitors should recheck the source record before substantial reuse.