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A woman wearing a long, slate-gray gown walks with a man wearing a suit and cap in a woodland setting in this vertical painting. Both people have pale, peach-colored skin. The scene is loosely painted so many of the details are indistinct. The woman walks away from us, angled to our right so we see her right cheek and the tip of her straight nose. Her lips are parted, and her dark hair is pulled back into a bun under a silvery-gray hat that curves over her head. The long-sleeved bodice is embellished with swirling black lines across the back of the neck, down along the arms and backs of the shoulders, and around the bottom. Her full skirt has a short train that trails behind her along the dirt path. To our left, a man stands with his body angled toward the woman, and us. He has short, dark hair under a rounded, brimmed, gray cap. His long sideburns connect with his full beard and mustache. The eye we can see is a dab of pale blue paint, and he looks at the woman. He wears a navy-blue jacket over a white, collared shirt and white bowtie, and charcoal-gray pants. He reaches his left hand, farther from us, toward the woman, and he holds a short stick or staff in his other hand. Strokes of white on the dirt path suggest dappled sunlight filtering through the trees, which fill the rest of the composition. Leaves are created with swipes of celery and sage green, and trunks with lines of dark brown. A few touches of baby blue at the top center of the painting suggest a patch of sky through the dense canopies. The artist signed the lower right corner, “Claude Monet.”
National Gallery of Art · Painting
Bazille and Camille (Study for "Déjeuner sur l'Herbe")
Claude Monet
- Date
- 1865
- Medium
- oil on canvas
- Dimensions
- overall: 93 x 68.9 cm (36 5/8 x 27 1/8 in.) framed: 121.9 x 98.4 x 10.7 cm (48 x 38 3/4 x 4 3/16 in.)
- Classification
- Painting
- Accession number
- 1970.17.41
- Credit line
- Ailsa Mellon Bruce Collection
- Time span
- 1851 to 1875
- Department
- CF
Subjects and terms
- painted surface
- French
- amusement
- genre
- Impressionist
- Fête Champetre
- Bazille, Frederic
- Doncieux, Camille-Leonie, later Monet
Provenance
Michel Monet [1877-1966], Giverny; [1] Capt. Edward H. Molyneux [1891-1974], Paris, by 1940;[2] sold 15 August 1955 to Ailsa Mellon Bruce [1901-1969], New York; bequest 1970 to NGA. [1] Michel inherited his father's painting stock at the artist's death in 1926 and sold paintings individually for the next few decades. At his own death in 1966 those that remained were donated to the Musée Marmottan. This painting was lent by Michel Monet to the 1931 Paris exhibition. [2] Annotated catalogue of the 1940 exhibition of Monet held at the Galerie André Weil in Paris indicates that the painting was lent by Molyneux. Molyneux is also acknowledged in the printed catalogue.
Inscription
lower right: Claude Monet
NGA object ID 52185. Collection metadata is reproduced under CC0. This work is included because its NGA published-image record is marked open access; visitors should recheck the source record before substantial reuse.