On the brick pavement of a sunny veranda, a young toddler leans heavily on her right arm, to our left, as she reaches for a wooden block in this horizontal painting. Much of her face is cast in deep shadow from the bright light overhead, but light brushes the tops of her cheeks and the tip of her nose. She grips a wooden block with her left hand, closer to us. Her left leg stretches to our right in a stocking striped with vivid red and white. Light glints off the shiny material of her black, round-toed slipper. She has short, golden-brown hair, and her white smock is richly embroidered in a pattern of white-one-white with alternating linked loops. Scattered before her, at arms-length, are seven other alphabet blocks lettered in gray with red and tan faces, several wooden building blocks, and a ball of red yarn. A doll in a black dress lies with limbs akimbo, face-down by a potted plant at the right edge of the canvas. A red wagon drawn by white toy horse sits near the left edge. The scene is enclosed with a deep, emerald-green hedge stretching across the background. The artist signed and dated this work as if he had inscribed two of the bricks on the patio with red paint in cursive script, in the lower right corner: “Eakins 76.”
Read the visual description

On the brick pavement of a sunny veranda, a young toddler leans heavily on her right arm, to our left, as she reaches for a wooden block in this horizontal painting. Much of her face is cast in deep shadow from the bright light overhead, but light brushes the tops of her cheeks and the tip of her nose. She grips a wooden block with her left hand, closer to us. Her left leg stretches to our right in a stocking striped with vivid red and white. Light glints off the shiny material of her black, round-toed slipper. She has short, golden-brown hair, and her white smock is richly embroidered in a pattern of white-one-white with alternating linked loops. Scattered before her, at arms-length, are seven other alphabet blocks lettered in gray with red and tan faces, several wooden building blocks, and a ball of red yarn. A doll in a black dress lies with limbs akimbo, face-down by a potted plant at the right edge of the canvas. A red wagon drawn by white toy horse sits near the left edge. The scene is enclosed with a deep, emerald-green hedge stretching across the background. The artist signed and dated this work as if he had inscribed two of the bricks on the patio with red paint in cursive script, in the lower right corner: “Eakins 76.”

National Gallery of Art · Painting

Baby at Play

Thomas Eakins

Date
1876
Medium
oil on canvas
Dimensions
overall: 81.9 x 122.8 cm (32 1/4 x 48 3/8 in.) framed: 106.7 x 147.3 cm (42 x 58 in.)
Classification
Painting
Accession number
1982.76.5
Credit line
John Hay Whitney Collection
Time span
1876 to 1900
Department
CAB

Subjects and terms

  • painted surface
  • American
  • children
  • genre
  • Realist
  • American Paintings of the Nineteenth Century, Part I [A-L]
  • Playing
Provenance

Mrs. William J. Crowell, the artist's sister, Avondale, Pennsylvania; her son, James W. Crowell [1888-1954], Claremont, California. (Babock Galleries, New York); sold May 1944 to (M. Knoedler & Co., New York); sold April 1946 to Charles G. Lang [1890-1956], Baltimore; consigned 1950 to (M. Knoedler & Co., New York); sold May 1954 to John Hay Whitney [1904-1982], Manhasset, New York; [1] deeded 1982 to the John Hay Whitney Charitable Trust, New York; gift 1982 to NGA. [1] M. Knoedler & Co. Records, accession number 2012.M.54, Research Library, Getty Research Institute, Los Angeles: Stock book no. 9, no. A2913; Consignment book no. 4, no. CA3641; Sales book no. 17, no. CA3641 (copies in NGA curatorial files).

Inscription

lower right on brick pavement: Eakins / 76

NGA object ID 61251. Collection metadata is reproduced under CC0. This work is included because its NGA published-image record is marked open access; visitors should recheck the source record before substantial reuse.