About two dozen men and women, almost all with pale skin, gather in a room with high, stone walls, with bars over the windows and iron manacles and chains hanging from the wall to our right in this horizontal painting. Most of the people are men, and many wear knee-length, long sleeved jackets, breeches, and stockings, and some wear white wigs. Three men and two women create a loose line across the stone floor, close to us. Near the center, a man stands wearing a coral-red coat with gold-colored buttons, navy-blue breeches, white stockings, buckled, black shoes, and a black tricorn hat. He faces us with his arms crossed over his chest and his feet planted widely apart. His ankles are manacled, and iron bars reach along his legs. To our left, a woman wearing a long, aquamarine-blue dress with a full, wide, hoop skirt kneels with arms spread wide, a handkerchief in one hand, in front of an older, portly man. He leans away from her with one hand raised, and skeleton keys hang from that wrist. To our right, a woman wearing a full, white, satin dress kneels facing us and looks up at a man wearing a black coat and hat, with white at the neck and cuffs, and white stockings. A sword hangs at his side. He holds up one hand, palm out, toward the woman in white. Both women wear pearl necklaces and white lace caps. The remaining people gather around the perimeter of the scene behind a low, brick-red wall. The head and shoulders of a boy with brown skin peeks out of the box near the man with the sword, to our right. The scene is surrounded by a band of gold and by a cobalt-blue, gold-edged curtain that flutters along the top and drapes down each side to puddle on the floor in the bottom corners.