This is a drawing of a scene featuring several figures in a landscape with a detailed cityscape in the background. The figures are engaged in conversation or preparation, some adorned in robes and holding objects like a scepter or shield. Hounds are resting nearby, while other figures stand holding spears or shepherd staffs, one of whom seems to be managing a group of dogs. The city in the background displays towers, bridges, and buildings, set against a backdrop of hills and forests. The artwork has detailed line work and complex compositions.
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This is a drawing of a scene featuring several figures in a landscape with a detailed cityscape in the background. The figures are engaged in conversation or preparation, some adorned in robes and holding objects like a scepter or shield. Hounds are resting nearby, while other figures stand holding spears or shepherd staffs, one of whom seems to be managing a group of dogs. The city in the background displays towers, bridges, and buildings, set against a backdrop of hills and forests. The artwork has detailed line work and complex compositions.

National Gallery of Art · Print

A King and Diana Receiving Huntsmen

Jean Duvet

Date
probably c. 1547/1555
Medium
engraving on laid paper
Dimensions
sheet (trimmed to plate mark): 22.6 × 40 cm (8 7/8 × 15 3/4 in.)
Classification
Print
Accession number
1943.3.3705
Credit line
Rosenwald Collection
Time span
1501 to 1550
Department
CG-E

Portfolio and series

Series
Plate from the Unicorn

Subjects and terms

  • architecture
  • Seated figure
  • Dog
  • Burgundian
  • Sheep
  • Figures
Provenance

(Arthur H. Harlow & Company, New York); purchased by Lessing J. Rosenwald [1891-1979], 1939; gift to NGA, 1943.

Inscription

"OS MG 2 Paris" recto, lower right, graphite, unknown hand. QRF [Illeg?] recto, lower left, graphite, unknown hand.

Marks

Rosenwald, lower left margin, black stamped ink. "National Gallery of Art, LJR" verso, lower left, stamped black ink.

Watermarks

Bunch of grapes.

NGA object ID 6823. Collection metadata is reproduced under CC0. This work is included because its NGA published-image record is marked open access; visitors should recheck the source record before substantial reuse.