This is a detailed painting of two moths with their wings outstretched, seen from above. The larger moth on top has dark brown and grey wings with blue stripes, while the smaller moth below has wings in light brown, pink, and red tones. The moths are encircled by a thin golden line, and the numerals "XXV" are printed on the right side. The background is blank, off-white paper.
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This is a detailed painting of two moths with their wings outstretched, seen from above. The larger moth on top has dark brown and grey wings with blue stripes, while the smaller moth below has wings in light brown, pink, and red tones. The moths are encircled by a thin golden line, and the numerals "XXV" are printed on the right side. The background is blank, off-white paper.

National Gallery of Art · Drawing

Blue Underwing Moth and Spurge Hawk Moth (plate 25 from Ignis)

Joris Hoefnagel

Date
c.1575/1590s
Medium
watercolor, lepidochromy, and gold paint on parchment
Dimensions
page size (approximate): 14.3 x 18.4 cm (5 5/8 x 7 1/4 in.)
Classification
Drawing
Accession number
1987.20.5.26
Credit line
Gift of Mrs. Lessing J. Rosenwald
Time span
1551 to 1600
Department
CG-E

Portfolio and series

Series
Plate 25: Blue Underwing Moth and Spurge Hawk Moth

Subjects and terms

  • Flemish
  • animal
  • Writing
  • Frame
Provenance

Emperor Rudolf II of Austria?[1]; Secretarius Heinrich Hagen, Vienna, 1611.[2] Count Emanuel Maria Joseph von Arco, Munich, 1751.[3] Graf von Seinsheim, canon of Salzburg and Speyer, 1753. Master stonemason Rüpfel, Munich, c. 1830. Joseph Anton Niggl [1792 - 1842], Markt Tölz. Karl August von Brentano [1817 - 1896], Augsburg. (sale, Rudolph Weigel, 28 October 1861, no. 2220-a-d]; (Frederick Startridge Ellis [active 1860 - 1885], London; formerly identified as F. S. Eliot)[3]; Henry Huth [1815 - 1878], London; by descent to his son, Alfred Henry Huth [1850 - 1910], London; (sale, Sotheby's' London, 12 June 1913, no. 3722); (William Wesley & Son, London); Charles Francis George Richard Schwerdt, Old Alresford House, Hampshire (his sale, Sotheby's' London, 15 July 1946, no. 2216); (The Rosenbach Company, Philadelphia); Lessing J. Rosenwald, Jenkintown; given to Edith Goodkind Rosenwald, Jenkintown; gift to NGA, 1987. [1] Although Van Mander claims the series was commissioned and purchased by Rudolf, this is impossible as dates scattered throughout volumes pre-date Hoefnagel's' contact with Rudolf. The series does not appear in Rudolf's' inventory, though he is likely to have owned it at one time as many copies from the volumes appear in his natural history collections, now in Vienna (see Bass 2020, 12). [2] Vignau-Wilberg 2017, 98 without documentation. [3]Wolfgang Wegner, _Kurfurst Carl Theodor von der Pfalz als Kunstsammler_, Mannheim, 1960: 13. [4] Ellis was a book dealer who frequently sold to Huth and wrote the catalogue of Huth's' collection. He started his own business just a year before The Four Elements appeared at Weigel. Ellis is correctly identified by M. Bartels, "Ueber abnorme Behaarung beim Menschen," _Zeitschrift fu¨r Ethnologie_ 11 (1879): 155, note 1.

Inscription

Insects in image numbered .1. and .2., in red ink; center right in brown ink: XXV; Facing page: Upper center in red ink: Quis loquetur potentias Domini? auditas / faciet omnes laudes eius ps:104. (“Who shall declare the powers of the Lord? Who shall set forth all his praises?” Psalms 105:2) (Latin Vulgate Bible)

NGA object ID 69687. Collection metadata is reproduced under CC0. This work is included because its NGA published-image record is marked open access; visitors should recheck the source record before substantial reuse.