An Old Woman Dozing over a Book

Antoine Delacoux de Marivault [1771-1846], Paris; (his sale, Salle Desmarets by Le Brun and Jaluzot, Paris, 9-10 June 1806, 1st day, no. 29, probably bought in);[1] (sale, by Pérignon and Chariot, Paris, 28-29 March 1816, 1st day, no. 49, bought in); deposited 1817 with (Frederic Quilliet, Paris);[2] (Quilliet sale, by Henry and Jaluzot, Paris, 15-17 April 1818, 1st day, no. 188). possibly (sale, Edward Foster, London, 7 June 1833, no. 69).[3] (Anonymous sale, Worcester, 1856); Thomas Grove Smith [d. 1879], Rashwood House, Droitwich, Worcestershire; by inheritance to his son, Herbert George Smith [d. 1918], Apsey House, Batheaston, Somerset;[4] (Arthur J. Sulley & Co., London); sold 25 September 1919 to (Thos. Agnew & Sons, Ltd., London); sold 15 January 1920 to (John Levy Galleries, New York).[5] Nils B. Hersloff, East Orange, New Jersey;[6] consigned April 1933-May 1934 and January 1935-April 1936 to (M. Knoedler & Co., New York);[7] purchased 16 April 1936 by The A.W. Mellon Educational and Charitable Trust, Pittsburgh; gift 1937 to NGA. [1] The early provenance of the painting, through 1833, was kindly provided by Burton B. Fredericksen in a letter to Arthur Wheelock, dated 18 December 2002, in NGA curatorial files. Marivault's collection was offered for sale _en bloc_ in January 1806; concerning this exhibition/sale, and the June 1806 sale and confusion surrounding its dates, see also Burton B. Fredericksen and Benjamin Peronnet, eds., _Répertoire des tableaux vendus en France au XIXe siècle_, one volume in two parts, Los Angeles, 1998: pt. 1:32-33, 35-36, cats. 96 and 109. William W. Robinson, in a letter to Arthur Wheelock of 12 March 1996 (in NGA curatorial files), noted a sale record in the Rijksbureau voor Kunsthistorische Documentatie (RKD), The Hague, that gives the dates as 10-11 June 1809. However, the description of lot number 29 is identical to the description in the 1806 catalogue, so the 1809 date is likely in error. Frits Lugt (_Répertoire des catalogues de ventes publiques_, 4 vols., The Hague, 1938-1964: vol. 1) cross-references three sales to each other--Lugt numbers 6281, 7604, and 8017--that all likely refer to the 1806 sale, which is Lugt number 7119. [2] Fredericksen and Peronnet 1998, pt. 1:32, cat. 96. [3] As Fredericksen points out in his letter (see note 1), the paintings in this sale are described as having been "just imported from France," but the description is brief and the dimensions are not given, so the painting's identity is uncertain. [4] The provenance from 1856 to 1919 comes from a three-page typewritten pamphlet concerning the work written by W. Roberts in 1919. It was probably produced for Sulley and Co., London, and is in the library of M. Knoedler & Co., New York (copy in NGA curatorial files). [5] Stockbook no. 5563, Thomas Agnew & Sons, London. A handwritten note by Frits Lugt in a copy of the 1935 Knoedler exhibition catalogue that included the painting (now at the Rijksbureau voor Kunsthistorische Documentatie, The Hague) reads: "fraai, heb ick bij Agnew 1920 gemist." [6] N.B. Hersloff, then resident in Pinehurst, North Carolina, wrote to Duveen Brothers, Inc. on 15 November 1930 to ask if the dealer would be interested in buying the painting. He was told, however, in letter of 20 November 1930, that the firm did not buy works by the artist. (Duveen Brothers Records, accession number 960015, Research Library, Getty Research Institute, Los Angeles: reel 321, box 466, folder 2; copies in NGA curatorial files) [7] On 7 April 1933 the picture was received by Knoedler, on consignment from "H. B. Hersloff, Compania De Trafico Y Formento" (no address given, transaction no. CA 513 in the stockbook). It was returned to the consigner on 8 May 1934, but returned again in January 1935 (transaction CA 768, again from "H.B. Hersloff"). However, the painting is listed in the 1935 Knoedler exhibition catalogue as having come from the collection of "Nils B. Hersloff, Esq.," rather than "H.B.," as was entered in the normally reliable Knoedler stockbooks. (The stockbook information was kindly provided by Nancy C. Little, librarian at M. Knoedler & Co., New York).

upper right above keys: N. MAES