The image shows a man and a young girl seated in an intimate setting. The man is holding a paintbrush and palette, with an easel nearby. He has distinctive curls in his long hair and is wearing a flowing garment. The girl is seated beside him, looking towards the man. She has elaborate hair and wears an elegant dress. The background features a wall filled with books and wooden panel flooring.
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The image shows a man and a young girl seated in an intimate setting. The man is holding a paintbrush and palette, with an easel nearby. He has distinctive curls in his long hair and is wearing a flowing garment. The girl is seated beside him, looking towards the man. She has elaborate hair and wears an elegant dress. The background features a wall filled with books and wooden panel flooring.

National Gallery of Art · Print

Antoine Coypel and His Son

Gaspard Duchange after Antoine Coypel

Medium
engraving and etching on laid paper
Dimensions
plate: 43.2 x 27.1 cm (17 x 10 11/16 in.) sheet: 48 x 32 cm (18 7/8 x 12 5/8 in.)
Classification
Print
Accession number
1991.23.3
Credit line
Gift of John O'Brien
Time span
1651 to 1700
Department
CG-E

Subjects and terms

  • French
  • etching
  • double
  • portrait
  • engraving
  • Artist
  • Coypel, Antoine and Son
Inscription

below image, lower left in plate: A. Coypel pinxit.; lower right in plate: G. Duchange Sculp'.; below image, across bottom: Hanc ANTONII COYPEL et A.C. Ejus filij Effigiem, quam graphite: B6; lLv//in graphite: M. 10589; lRv//in graphite: vente a Leipzig / 9 Juin 48 (prix 2 Th) ipse A. COYPEL pinxit jussu Serenissimi / Principis PHILIPPI, LUDOVICI MAGNI fratris vnici, cujus fui t Pictor primarius A.F. Bidaud a forore / frater ari jncidi curavit, et fratri carissimo et meritissimo dicavit consecravit / Se vend a Paris chez G. Duchange rue Frementeau vis a vis la place du Louvre.; uLv//in graphite: B6; lLv//in graphite: M. 10589; lRv//in graphite: vente a Leipzig / 9 Juin 48 (prix 2 Th)

NGA object ID 72085. Collection metadata is reproduced under CC0. This work is included because its NGA published-image record is marked open access; visitors should recheck the source record before substantial reuse.