The image shows two individuals depicted in a sketch style. The first person is standing, with hands resting on their knees. They have short, dark hair, a head covering, and wear a dark robe. The second person is seated on a bench, wearing a light-colored cloak and a helmet. The background is minimalistic, with a blank wall and a partial door outline. Beside the seated person is a table with various items.
Read the visual description

The image shows two individuals depicted in a sketch style. The first person is standing, with hands resting on their knees. They have short, dark hair, a head covering, and wear a dark robe. The second person is seated on a bench, wearing a light-colored cloak and a helmet. The background is minimalistic, with a blank wall and a partial door outline. Beside the seated person is a table with various items.

National Gallery of Art · Print

A la Conference de la Paix

Jean-Louis Forain

Date
1914/1919
Medium
collotype on wove paper
Dimensions
plate: 34.4 × 43.4 cm (13 9/16 × 17 1/16 in.) sheet: 38.2 × 53.7 cm (15 1/16 × 21 1/8 in.)
Classification
Print
Accession number
1943.3.4144
Credit line
Rosenwald Collection
Time span
1901 to 1925
Department
CG-E

Portfolio and series

Series
De la Marne au Rhin

Subjects and terms

  • French
  • figure
  • Seated figure
  • Woman
  • Hat
  • Man
Provenance

Lessing J. Rosenwald [1891-1979], Jenkintown, PA; gift to NGA, 1943.

Inscription

"forain" lower right composition, in plate, artist's hand. "205/300 / f." lower right composition, graphite, artist's hand. Not dated. "A la Conference de la Paix" upper left margin, graphite, unknown hand. "-Tu comprends? / -Non, J'attendo au on parle francaís." lower center composition, in plate, artist's hand. "49[stricken] MK 33540" lower left margin, graphite, unknown hand.

Marks

"LRJ" verso, black stamped ink, (Lugt 1760b). "National Gallery of Art" verso, black stamped ink, (Lugt 1932d).

Watermarks

None.

NGA object ID 7263. Collection metadata is reproduced under CC0. This work is included because its NGA published-image record is marked open access; visitors should recheck the source record before substantial reuse.