The drawing shows a rustic structure surrounded by trees. The scene is viewed from an elevated perspective. The focus is on detailed buildings with pointed roofs and intricate architectural elements, depicted using sketch-like brushstrokes and hatching. The image is in sepia tones, creating a vintage feel. Depth is created through layering elements and suggesting trees on either side, drawing the viewer towards the center of the buildings.
Read the visual description

The drawing shows a rustic structure surrounded by trees. The scene is viewed from an elevated perspective. The focus is on detailed buildings with pointed roofs and intricate architectural elements, depicted using sketch-like brushstrokes and hatching. The image is in sepia tones, creating a vintage feel. Depth is created through layering elements and suggesting trees on either side, drawing the viewer towards the center of the buildings.

National Gallery of Art · Drawing

A Complex of Rustic Houses Built Over Ruins

Circle of Giorgione (Giulio Campagnola?)

Date
1509/1515
Medium
pen and brown ink on laid paper; laid on mid-eighteenth century Italian paper
Dimensions
overall: 17.6 × 26.6 cm (6 15/16 × 10 1/2 in.)
Classification
Drawing
Accession number
2006.11.66
Credit line
Woodner Collection, Gift of Andrea Woodner
Time span
1501 to 1550
Department
CG-E

Subjects and terms

  • architecture
  • Venetian
  • Tree
  • Renaissance
  • House
  • Houses
  • Building
  • ruins
Provenance

? Joseph Farington [1747-1821] (Lugt 1453), London; (sale, London, Sotheby's, 4 July 1975, lot 21, as Circle of Giorgione), purchased by Ian Woodner, New York; by descent to Andrea Woodner, New York, 1990; given to NGA.

Inscription

by later hand, lower left in pen and brown ink: Titiano; by later hand, lower right in pen and brown ink: bl “Titiano”; br “1606” and “no 69”; verso: “J ” and “Titiano”

Watermarks

primary support: paschal lamb in a circle, Briquet 47 (Venice 1484); secondary support: fleur-de-lis in double circle with initial

NGA object ID 75842. Collection metadata is reproduced under CC0. This work is included because its NGA published-image record is marked open access; visitors should recheck the source record before substantial reuse.