A young and older man, both with pale skin, stand next to each other in  shadowy room looking at a piece of white paper held by the older man in this vertical painting. Light from the upper left falls across the men, and they take up most of the height of the composition. The paper is held by a balding, elderly man at the center of the painting. He wears a knee-length, dark brown jacket and trousers. His has a gray beard and hair, and thin black lines delineate his brows and trace the creases on his face. A younger man standing to our left has short black hair and ruddy skin. He tilts his head to gaze at the paper in the older man’s hands. The younger man wears a sage-green jacket, and his lower body is partially hidden by a wooden rack before him. The V-shaped rack supports an open, dark green portfolio folder, and the young man rests his hands on the edges of more sheets of paper there. There are two paintings hanging on the olive-green wall of the room to each side of the men, but they are loosely painted and deep in shadow, so the subjects are difficult to make out. Another aquamarine-blue folder rests against a red bed or sofa that runs along the back wall. A white, folded cloth sits on the sofa above the portfolio. The artist signed the lower left, “h. Daumier.”
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A young and older man, both with pale skin, stand next to each other in shadowy room looking at a piece of white paper held by the older man in this vertical painting. Light from the upper left falls across the men, and they take up most of the height of the composition. The paper is held by a balding, elderly man at the center of the painting. He wears a knee-length, dark brown jacket and trousers. His has a gray beard and hair, and thin black lines delineate his brows and trace the creases on his face. A younger man standing to our left has short black hair and ruddy skin. He tilts his head to gaze at the paper in the older man’s hands. The younger man wears a sage-green jacket, and his lower body is partially hidden by a wooden rack before him. The V-shaped rack supports an open, dark green portfolio folder, and the young man rests his hands on the edges of more sheets of paper there. There are two paintings hanging on the olive-green wall of the room to each side of the men, but they are loosely painted and deep in shadow, so the subjects are difficult to make out. Another aquamarine-blue folder rests against a red bed or sofa that runs along the back wall. A white, folded cloth sits on the sofa above the portfolio. The artist signed the lower left, “h. Daumier.”

National Gallery of Art · Painting

Advice to a Young Artist

Honoré Daumier

Date
1865/1868
Medium
oil on canvas
Dimensions
overall: 41.3 x 33 cm (16 1/4 x 13 in.) framed: 65.7 x 57.5 cm (25 7/8 x 22 5/8 in.)
Classification
Painting
Accession number
1941.6.1
Credit line
Gift of Duncan Phillips
Time span
1851 to 1875
Department
CF

Subjects and terms

  • painted surface
  • French
  • French Paintings of the Nineteenth Century. Part I: Before Impressionism [1800-1859]
  • Romantic
  • art
  • genre
  • Viewing
  • Gallery
Provenance

Jean-Baptiste-Camille Corot [1796-1875], Paris; (his estate sale, Hôtel Drouot, Paris, part III, 7-9 June 1875, no. 665); purchased by Arthur Stevens.[1] Guillotin, Paris, by 1901. Adolphe A. Tavernier, Paris, by 1901.[2] [Ernest?] Cronier, by 1904. Goerg [or Georg], Reims, by 1905. A. Bergeaud, Paris, in 1910.[3] (Alex Reid & Lefèvre, Ltd., Glasgow and London), by 1927; sold to D.W.T. Cargill [1872-1939], Glasgow. (M. Knoedler & Co., New York), by 1928.[4] (Galerie Étienne Bignou, New York); sold 1941 to Duncan Phillips [1886-1966], Washington, D.C.; gift 1941 to NGA. [1] Annotated copy of Corot sale catalogue gives "Stevens" as purchaser; Jean Adhémar, _Daumier_, Paris, 1954, no. 79, gives collection "Arthur Stevens." [2] Lent by Tavernier to 1901 Daumier exhibition in Paris at the Ecole des Beaux-Arts, no. 76. [3] Lent by Bergeaud to _Chefs-d'oeuvre de l'école française: Vingt peintre du XIX siècle_ at Galeries Georges Petit, Paris, in 1910, no. 40. [4] See letter dated 24 August 1966, in NGA curatorial files, which documents the sale by Alex Reid & Lefèvre to D.W.T. Cargill, Glasgow. Lent by Cargill to Knoedler's 1928 exhibition in New York.

Inscription

lower left: h. Daumier

NGA object ID 895. Collection metadata is reproduced under CC0. This work is included because its NGA published-image record is marked open access; visitors should recheck the source record before substantial reuse.