This is a photograph of a ceremonial gathering in front of a grand building entrance. The image shows a group of individuals arranged in a semi-circle facing towards the camera. Some are standing on the steps leading to a large arched doorway. The building's facade is detailed with brickwork and decorative elements around the doorway. Many individuals are holding or waving hats in the air. The crowd includes people in various attires such as dark suits and lighter clothing. The photograph captures a historical moment and the architecture and clothing styles indicate the time period. A gravel path is visible leading up to the steps, and the overall tone of the image is sepia.
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This is a photograph of a ceremonial gathering in front of a grand building entrance. The image shows a group of individuals arranged in a semi-circle facing towards the camera. Some are standing on the steps leading to a large arched doorway. The building's facade is detailed with brickwork and decorative elements around the doorway. Many individuals are holding or waving hats in the air. The crowd includes people in various attires such as dark suits and lighter clothing. The photograph captures a historical moment and the architecture and clothing styles indicate the time period. A gravel path is visible leading up to the steps, and the overall tone of the image is sepia.

National Gallery of Art · Photograph

Asile Impérial de Vincennes: le 15 Août, le Salut à l'Empereur

Charles Nègre

Date
1859
Medium
albumen silver print
Dimensions
image/sheet: 32.4 × 44.1 cm (12 3/4 × 17 3/8 in.) mount: 47 × 61.6 cm (18 1/2 × 24 1/4 in.)
Classification
Photograph
Accession number
1995.36.107
Credit line
Patrons' Permanent Fund
Time span
1851 to 1875
Department
CPH

Subjects and terms

  • French
  • albumen silver print
  • Paris
  • Bust
  • group
  • portrait
  • Architecture
  • Men
  • Hats
Provenance

David and Mary Robinson, Sausalito, CA; NGA purchase, 1995.

Inscription

lower right in black ink: ch. negre. photog.

NGA object ID 92331. Collection metadata is reproduced under CC0. This work is included because its NGA published-image record is marked open access; visitors should recheck the source record before substantial reuse.