National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

This is a drawing of a scene under draped curtains with divine attributes. The drawing features a group of classical figures clustered together, enveloped in rich drapery. At the top, sunlight radiates from a crescent and star emblem. Below this light, figures are depicted with expressions of reflection or discovery. There is a use of chiaroscuro for depth. Some figures have symbols like books. Earthy tones and intricate lines suggest classical motifs and composition.

Print1988.33.1

Allegory on the Death of the Dauphin

Gilles Demarteau, the Elder after Charles-Nicolas Cochin II

1767 · chalk manner printed in red-brown on laid paper

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This is a drawing of an allegorical scene with classical figures. The central figure is seated on a pedestal, wearing a regal robe and crowned by a standing figure. The pedestal has the inscription "REDENTI SATVRNIA REGNA" and is flanked by two cherubic figures, one holding a cornucopia. To each side, a robed female figure stands on a pedestal, one holding an olive branch and the other holding a bouquet of flowers. Each figure is framed within a niche, creating a sense of architectural depth. The scene is detailed, capturing the grandeur and symbolism typical of neoclassical art, with elements such as drapery, architectural structures, and textures adding to the composition.

Print2018.30.1

Allegory on the Recovery of the King

Francesco Bartolozzi, after William Hamilton

1790 · stipple engraving on wove paper

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This is a drawing of a battle scene with a mythical element. The drawing depicts a chaotic battle scene filled with numerous figures, armed and in combat. One figure stands prominently in the center, gesturing. Another figure is clad in armor. A unique element in the drawing is the depiction of a goat riding a fish with a sprouting flower, positioned in the clouds above the battle. The composition is circular, drawn with light colors and fluid lines capturing movement and energy.

Drawing1983.74.1

Allegory on the Turkish Wars

Hans von Aachen

c. 1600 · pen and brown and black inks with watercolor over graphite on laid paper

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The sculpture is a circular relief medallion depicting three figures in an intricate scene. On the left, there is a seated figure possibly depicting a female in classical attire, holding what appears to be a scroll or manuscript on her lap, and the figure is adorned with a helmet. To the right, another figure in flowing robes is kneeling, perhaps engaging in an act of offering or communication with the seated figure. Above them, a winged figure is shown flying in the sky and holding a scythe. Classical architecture is seen in the background. The sculpture is made of dark bronze material with detailed engravings. The lower part of the medallion features an inscribed phrase in Latin, "NE TVRBATA VOLENT."

Sculpture1997.114.41.b

Allegory with Minerva, Time, and a Sybil [reverse]

Lorenzo Maria Weber

1725 · bronze

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This is a photograph of an ancient coin. The coin displays an engraved scene featuring a figure in armor holding a spear and a shield. The background includes military symbols like flags and a drum surrounding the central figure. The edge of the coin has a detailed border. Around the upper perimeter of the coin are inscriptions that are faintly visible, likely reading "ROMA RESVRGENS."

Sculpture1998.108.21.b

Allegory with the Figure of Roma, as Minerva, Standing Armed amid Trophies [reverse]

Roman 16th Century

1591 · bronze

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This is a drawing of cherubs engaged in playful activities. The image shows three cherubic figures in different lively poses. One cherub is airborne holding up a framed portrait with tools bursting out. Another cherub is sitting and using a saw on a plank resting on a rock. The third cherub is lying down with arms spread, appearing to be either asleep or resting. They all have curly hair and youthful features. The background is simple, emphasizing the cherubs, and the drawing style is characterized by clear, confident lines resembling renaissance penmanship.

Drawing1979.20.12

Allegory: Four Putti

Mather Brown

1780/1790 · pen and brown ink over graphite on laid paper

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This is a drawing of a cemetery scene coupled with a poem. The top part of the image features a black and white drawing depicting a procession in a cemetery. A group of figures, draped in black, are shown moving past graves marked with crosses. Behind them, a large, decorated structure resembling a tomb or chapel stands, surrounded by tall trees which create the impression of a forest setting. Below the drawing, there is a block of text in German. This text is a poem titled "Allerseelen."

Volume2012.92.41.37

Allerseelen (All Soul's Day) (headpiece, page 44) from Georg Heym: Umbra Vitae (Georg Heym: The Shadow of Life)

Ernst Ludwig Kirchner

1924 · woodcut from a bound volume with 50 woodcuts (including cover and front and back endpapers) on wove paper

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This is a photograph of a page from a book. The page features a German poem titled "Allerseelen," which translates to "All Souls' Day," and is printed in a serif typeface. The poem's text describes themes typically associated with evening and somber reflection. Below the poem, there is an illustration done in a woodcut style depicting a scene with crosses and a central structure, possibly representing a cemetery or memorial site surrounded by trees. The page number "46" is printed at the bottom of the page.

Volume2012.92.40.35

Allerseelen (All Soul's Day) (in-text plate) from mock-up of Georg Heym: Umbra Vitae (Georg Heym: Shadow of Life)

Ernst Ludwig Kirchner

1912/1922 · woodcut from a bound volume with 51 woodcuts (including cover and front and back endpapers) on wove paper

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This is a drawing of allegorical figures and activities. The scene depicts a grand assembly with many figures engaged in various tasks. In the center, there are majestic figures seemingly in dialogue or holding court, surrounded by people in different poses. On the left side, figures are laboring with hammers, suggesting a scene of crafting or forging, while on the right, figures in helmets are bearing arms. The composition is within a semi-circular frame adorned with floral motifs. The artistry includes detailed garments and expressions, capturing movement and depth. The title below suggests dedication to themes of warfare or a historical event.

Print2015.142.1.35

Alliance de l'Allemagne et de l'Espagne avec la Hollande 1672 Cintre de la Gallerie du côté du Salon de la Guerre (Alliance of Germany and Spain with Holland 1672, Center of the Gallery next to the Salon of War) [pl. 31]

Jean-Baptiste Massé (designer) and Laurent Cars (engraver) after Charles Le Brun

published 1752 · engraving on laid paper

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The image shows two men hugging each other. One man has a round face with a protruding nose and is wearing a hooded robe, while the other man has a rugged appearance with unkempt hair and a scruffy beard. The background has a lined texture, and there is text at the top reading "ACTUALITÉS" and at the bottom reading "Alliance des Bonapartistes et des Capucins."

Print2015.143.508

Alliance des Bonapartistes et des Capucins

Honoré Daumier

1851 · lithograph

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The image shows two full-length figures standing close to each other. One figure on the left is standing facing forward with a slight lean to the side, wearing a flowing garment that covers the arms and legs. This figure's hair is styled and adorned with leaves. The facial features are softly carved with a composed expression. The other figure on the right appears to be in motion, with one foot lifted. This figure is garbed in a similarly draped fabric with an exposed leg, and the hair is depicted as swept back. Both figures are holding objects; the one on the left holds a branch, while the one on the right holds a sheaf of wheat. The background is a simple, textured surface.

Print1963.11.85

Alliance of Peace and Abundance

Bartolomeo Coriolano after Guido Reni

1627 · chiaroscuro woodcut

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This is a photograph of a gold medallion featuring three figures. The medallion showcases a detailed engraving of three classical figures. Two figures are dressed in Roman-style clothing and the central figure is slightly more adorned. The border of the medallion has an inscription in Latin script that reads "FOEDERIS IN TVRCAS SANCTIO." The medallion features intricate details and relief work. There is a hole at the bottom of the medallion. The craftsmanship highlights a high level of artistry. The overall composition emphasizes unity amongst the figures presented.

Sculpture1999.109.19.b

Alliance of the Papacy, Spain, and Venice [reverse]

Giovanni Antonio de' Rossi

1571 · gilded bronze

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We look beyond a cluster of flags hanging from the side of one tall building onto a wide street at a row of buildings across from us in this vertical painting. The scene is loosely painted with visible brushstrokes, so some details are difficult to make out. We seem to lean out a window to look along the street, so the building to our right only skims the edge of the composition and continues off the top. The three flags closest to us fly from nearly horizontal flagstaffs along the bottom edge of the painting. All the flags are in shades of scarlet red, white, and royal blue. The flag closest to us is red with the red, white, and blue Union Jack in the upper corner. Beyond it is an American flag with 49 stars, and then the French flag with the vertical bands of blue, white, and red. Those three flags are repeated about a dozen times along the building that stretches away from us, along the right edge of the painting. More of those flags are hung from the cream-white and tan buildings across the street, to our left. Some of those buildings reach off the top edge of the canvas and others come close. The shadows along moldings and the windows are painted with pale and lapis blue. Through narrow gaps left between the fluttering flags, vertical strokes of navy blue and violet purple suggest crowds of people in the street below. The sky between the buildings is ice blue. The artist signed and dated the painting in the center left, “Childe Hassam May 17 1917.”

Painting1943.9.1

Allies Day, May 1917

Childe Hassam

1917 · oil on canvas

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The image shows unopened flower buds on a tall stem. The color scheme is monochromatic with shades of gray, black, and white. The buds are located at the top center of the image, with the stem extending downwards. The buds are tightly clustered at the base.

Print2006.133.34.94

Allium Ostronoskianum

Karl Blossfeldt

1928 · photogravure

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This is a drawing of a street scene with figures. The drawing portrays a trio moving quickly along a street. The man is in a top hat and formal attire, holding a walking stick and a child's hand. The woman is dressed in a modest outfit with a bonnet, holding onto the man's arm. Both of them have anxious expressions. In the background, blurred figures wearing similar period clothing are walking in the opposite direction. The setting is an urban street lined with tall, indistinct buildings. The style is characteristic of a satirical or commentary cartoon. The text's title is "Les Alarmistes et Les Alarmés," translating to "The Alarmists and the Alarmed."

Print2015.143.427

Allongeons le pas ... voila ceux hommes ...

Honoré Daumier

1848 · lithograph

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This is a drawing of a hunter and a fallen dog. The drawing depicts the hunter aiming a double-barrel shotgun and observing a dog lying on its back with its legs up in the air. The background consists of a sketchy landscape. The hunter is wearing traditional hunting attire and is seen from behind. The drawing contains a caption in French.

Print2015.143.1453

Allons bon ... c'est encore mon chien ...

Honoré Daumier

1865 · lithograph

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The image shows a man holding a child in a dynamic stance. The man wears a top hat, coat, and pants. He has a defined facial structure with a mustache. The child wears striped clothing and a bonnet, looking content. A woman in a cloak-like garment stands next to the man. Two other figures are also visible in the background. The setting is an urban street with tall buildings under a cloudy sky.

Print2015.143.388

Allons bon ... v'la p'tit qui dit ...

Honoré Daumier

1847 · lithograph

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The image shows a comedic scene involving a sudden indoor gun discharge. Several individuals exhibit shocked expressions following an unexpected gunshot. The central figure appears to have inadvertently fired a rifle, as evidenced by the large burst of smoke emanating from the barrel. Surrounding figures react to the sudden noise and smoke with dramatic gestures and wide-eyed expressions. The setting appears to be indoors, with details of the room sketched in the background. The style is reminiscent of caricatures with exaggerated features.

Print2015.143.1209

Allons Bon! J'avais oublié de décharger mon fusil!

Honoré Daumier

1858 · lithograph

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This is a drawing of two cartoonish figures. The figure on the left has an oversized head, bulging eyes, and a helmet; they are running towards the right with a startled expression. They are holding an object that resembles a large knife. Below this figure, a small dog is running. To the right, another figure with an elongated face and wearing a hat is shouting while raising one arm and holding an object in their other hand. The background consists of cloudy shapes and a barren landscape. The drawing style and expressions convey a sense of humor.

Print1943.3.3204

Allons bon!... il parait... chasse réservée

Honoré Daumier

1864 · lithograph

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Two people are depicted in a vertical format, with their full bodies visible. They are positioned facing each other on a terrace or platform-like structure. The man on the right is raising his hat in his right hand, while the woman on the left looks up at him, her hands folded together at her waist. The man has a face with prominent features, receding hair, and is wearing a long coat with plaid trousers. The woman has her hair pulled back and is wearing a long, flowing dress. In the background, there are figures in motion waving hats, appearing to be a group of people walking along a pathway, with landscapes of open fields and trees. The background sketch is light. Text is written below the characters at the bottom of the image.

Print1946.21.266

Allons bon!... voila les grafignons...

Honoré Daumier

1845 · lithograph

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The image shows three individuals standing from head to toe. The person on the left has one hand in their pocket and wears a cap. The central figure wears a top hat and a dark coat, while the person on the right is touching a floral display and is facing away from the viewer. The scene is surrounded by bushes and flowers, with a shaded background and indistinct foliage. The style is sketch-like with emphasis on lines and shading.

Print1946.21.267

Allons bon!... voila que'elle me cueille une rose...

Honoré Daumier

1846 · lithograph

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This is a drawing depicting a person in bed startled by a figure at the window. The scene shows someone lying in bed, covered with a blanket, looking alarmed as they gaze towards a window where a figure is peering in from outside. The interior setting is framed by heavy curtains, and the style is that of 19th-century caricature art. Details include a nightcap worn by the person in bed and the simple nightwear of the figure at the window.

Print1958.8.169

Allons bourgeois, levez-vous vite...

Honoré Daumier

1852 · lithograph

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The image shows three men conversing. They are wearing long robes and tall hats. The men appear to be engaged in discussion, with one speaking and the others listening attentively. They have distinct facial features and expressive gestures. The men wear dark clothing with light collars. One man holds a folded document or book. The background is plain with light shading.

Print1953.6.24

Allons donc, chers confrères...

Honoré Daumier

1845 · lithograph

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This is a drawing of a horse-drawn carriage traveling quickly. It shows the front view of the carriage being pulled by a horse. The open-topped carriage contains four figures. The horse is detailed, and its posture suggests movement. In the background, there is an explosion with curved lines indicating motion and a chaotic scene. The drawing is in black and white, emphasizing contrast and shadow.

Print1943.3.2996

Allons donc... que diable cocher...

Honoré Daumier

1843 · lithograph

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