National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

The image shows a pastoral landscape with cows and goats near a river. On the other side of the river, there are trees, structures, a church, and another tower. The sky has swirling clouds with varying shades of sepia and brown.

Print1994.42.15

Animaux au Pâturage (Animals at Pasture)

Maxime Lalanne after Nicolaes Pietersz Berchem

Date not recorded · etching and drypoint in black on chine collé

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There are two large, elongated objects resembling fur or leather bags with distinctive fastenings on them. The upper object has a rectangular metal buckle on its right side, while the lower object has metal clasps on the left and tied cords on the right. The color palette includes dark browns and blacks for the objects, with neutrals in the background. The upper object is positioned horizontally with the buckle on the right side, while the lower object is also positioned horizontally with clasps on the left and tied cords on the right.

Index of American Design1943.8.14250

Ankle Band or Garters

Lyman Young

c. 1937 · watercolor, graphite, and pen and ink on paper

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Shown from the hips up, a young woman with pale skin, pink cheeks, and copper-red hair sits gazing at us in this vertical portrait painting. She has wide-set, brown eyes, a pointed chin, and her pink lips are closed with a mere hint of a smile. Curls frame her forehead and face, and the rest of her hair is pulled up at the back of her head. She sits on a chair upholstered dusky rose-pink chair with her body angled to our right. Her left arm, on our right, rests on the curved back of the chair, and her fingers are interlaced. Her white gown has a low, scooped neckline trimmed with ruffles and is tightly cinched under her bosom. A dove-gray shawl with gleaming straw-yellow accents wraps around her back and drapes loosely over her shoulders and upper arms. A rust-red cloth hangs in folds from the top edge of the painting to fill the right three-quarters of the background. It is pulled aside to the left to reveal a glimpse of a landscape with a green lawn and trees under an azure-blue streaked with white and gray clouds.

Painting1954.9.3

Ann Barry

Gilbert Stuart

1803/1805 · oil on canvas

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Print2015.19.1584.2.1

Ann Beekman

Charles B. J. Févret de Saint-Mémin

1796-1797 · mezzotint and engraving in black on wove paper mounted to brown wove paper

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This painting depicts a woman from the shoulders up, her head turned to face us. She has light skin, large eyes, a long nose, and rosy cheeks. Her lips are red and set in a neutral expression. Her brown hair is styled in curls under a large black hat with white feathers. She wears a garment with a sheer collar, a jeweled brooch, and white fur around her shoulders. The background is a dark, muted gradient of brown tones, with some dark blue and dark red, fading to cream at the bottom of the painting.

Painting1942.8.32

Ann Biddle Hopkinson (Mrs. Francis Hopkinson)

Thomas Sully

1834 · oil on canvas

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This painting depicts the upper half of a woman's body. She is turned slightly to the left and faces us, with pale skin, soft, rosy cheeks, dark brown eyes, and a neutral expression. She has curly brown hair that is in an updo, with small curls framing her forehead. She is wearing a short-sleeved black dress with a square, lace-trimmed neckline, and has a bright red shawl draped over her shoulders. The background is a solid dark brown color.

Painting1942.8.22

Ann Calvert Stuart Robinson (Mrs. William Robinson)

Gilbert Stuart

c. 1804 · oil on wood

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The image depicts a young woman from the waist up. She is positioned slightly turned to her left, looking directly at the viewer. She has delicate facial features, a calm expression, a straight nose, softly arched eyebrows, large, attentive eyes, and hair parted down the middle falling in soft waves around her shoulders. She is wearing a light-colored dress with long sleeves, a prominently tied sash securing a bow at the front, and the style of the dress suggests a formal attire from an earlier period. The background is a simple, neutral-toned oval shape emphasizing the subject. The woman is not wearing visible jewelry or holding any objects. The name "Miss Jay" is written below the portrait on the frame.

Print2015.19.1584.51.6

Ann Jay

Charles B. J. Févret de Saint-Mémin

1797 · mezzotint and engraving in black on wove paper mounted to brown wove paper

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The image shows the upper half of a seated woman facing forward. She has her hands clasped together in front of her. The woman appears calm with visible signs of age, including a few wrinkles on her face. She wears a white bonnet with a frilled edge tied under her chin, a dark shawl over a white high-collared blouse, and sits on a red chair with a gold trim. A red book and a handkerchief are on the surface next to her. The background transitions from deep red to brown tones.

Painting1947.9.1

Ann Old Coleman (Mrs. Robert Coleman)

Jacob Eichholtz

c. 1820 · oil on canvas transferred to wood

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Print2015.19.1584.42.5

Ann Plume Herron

Charles B. J. Févret de Saint-Mémin

1808 · mezzotint and engraving in black on wove paper mounted to brown wove paper

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The image is an oval portrait showing the upper body of a woman titled "The Dutches of Monmouth." She is positioned facing forward with her head slightly turned to the viewer's left. Her facial features include arched eyebrows, large eyes, and a small, defined mouth. She has curly hair, styled with volume around the crown and falling to her shoulders, with a few curls framing her face. The woman is wearing an elaborate garment, featuring patterned fabric with decorative bows on the sleeves and a low-cut neckline adorned with what appears to be a brooch. Draped over her shoulders is a sheer scarf or veil. The background is a textured grayscale, providing a neutral contrast to her dark attire, and the bottom part of the image includes the title and artist's information written in elegant script.

Print1950.14.911

Ann, Wife of James Scott, Duke of Monmouth and Buccleuch

Pieter Schenck I after Sir Godfrey Kneller

Date not recorded · mezzotint

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The image shows a woman from the waist up. She is turned slightly to her right, looking straight at the viewer. She has fair skin, round cheeks, and a gentle gaze. Her hair is styled back in soft curls or waves. She is wearing a garment with a pale bodice and a layer of rich blue fabric wrapped around her shoulders. Her right hand is raised, holding the edge of the blue fabric. The background is a smooth, dark, neutral gradient.

Painting1963.10.134

Anna de Peyster (?)

Frans van Doornik

1731 · oil on canvas

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Print1952.8.415

Anna Held

Henri de Toulouse-Lautrec

1896 · lithograph in black on paper

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Print1952.8.416

Anna Held

Henri de Toulouse-Lautrec

1896 · lithograph in black on cream-colored velin paper

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The image depicts two figures from the waist up. The figure on the right is a female with long hair styled upwards, in conversation with the figure on the left, a male holding a top hat in his left hand. The female has her body turned slightly to the left and her head tilted upwards, while the male is slightly hunched forward facing her. Both figures have facial features and are dressed, with a blurred and dreamlike background.

Print1951.10.430

Anna Held and Baldy (Anna Held et Baldy)

Henri de Toulouse-Lautrec

1896 · lithograph in black on velin paper

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The image depicts a woman's torso in a side-facing pose, with her face turned slightly to the left. Her facial features are simple, and she has expressive, voluminous hair. She wears what appears to be an off-the-shoulder dress and holds an upright object. To her left is another figure with a helmet or cap, and less defined facial features, possibly a mask. The background is lightly shaded and abstract.

Print1952.8.430

Anna Held and Baldy (Anna Held et Baldy)

Henri de Toulouse-Lautrec

1896 · lithograph in black

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Sculpture1957.14.1206.a

Anna Hofmann, died 1594, Second Wife of the Artist [obverse]

Jakob Hofmann

Date not recorded · bronze

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Sculpture1995.49.12

Anna Isabella Gonzaga, Duchess of Mantua

Paolo Repiglier

1698 · lead

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The portrait depicts a woman seated with two young children on her lap. The woman is facing the viewer with her shoulders turned to the right. She has a serene expression with dark hair styled up and is wearing a light-colored dress. One child is an infant wearing a cap and gown, while the other child wears a sleeveless dress and looks upwards. Both children have necklaces, and the woman is wearing earrings. The background is a muted, dark color with abstract shapes.

Drawing1980.62.60

Anna Margaret Blake and Her Two Children

American 19th Century

c. 1808 · pastel

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Painting1942.8.26

Anna Maria Brodeau Thornton (Mrs. William Thornton)

Gilbert Stuart

1804 · oil on canvas

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This painting shows a young girl in a full-length portrait. She is standing with her body slightly angled to the left and her left arm resting on a stone pedestal. The girl has light skin, straight brown hair with bangs, dark eyes, and a calm expression on her face. She wears a light pink dress with puffed sleeves, a fitted bodice, and a full skirt with lace details. A pink sash is tied around her waist, and she wears red shoes. She holds a pink rose in her right hand. The background features a lush green garden with dense foliage and a partly cloudy blue sky. The stone pedestal beside her appears to have a vase holding roses.

Painting1953.5.32

Anna Maria Cumpston

Charles Peale Polk

c. 1790 · oil on canvas

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A portrait showing the head and upper torso of a person facing forward with the head slightly turned to one side. The facial features include a round face, large eyes, a straight nose, and full lips. The curly short hair surrounds the head. The individual is wearing a detailed garment with ruffled and embroidered edges, and a full collar. They have a string of beads or pearls around the neck, which is a necklace and a pendant. The background features an oval frame with text surrounding it, providing identifying information.

Print1991.164.9

Anna Maria Vaiani

Claude Mellan

c. 1624-1636, published 1735-1745 · engraving on laid paper

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The image depicts a person standing upright. The individual is turned slightly to the right, looking directly at the viewer with a composed expression. They have medium-length, wavy hair, delicate features, and are dressed in elaborate attire with intricate details. They wear a bracelet on their right wrist and hold a circular pendant in their right hand. In the background, there is a heavy drapery to the right and a window to the left showing a structure outside. A small table beneath the window holds an open book and scattered papers.

Print1950.14.1066

Anna Maria van Schurman

Theodor Matham, after Anna Maria van Schurman

c. 1637-1676 · engraving

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The image shows an engraving of a woman from the waist up. She is facing forward with long curly hair falling past her shoulders. The woman's facial features include a distinct nose, almond-shaped eyes, and slightly arched eyebrows. She is dressed in a dark, intricately patterned garment with a ruffled collar and an embroidered detail on the chest. She wears a light-colored shawl or cape around her shoulders. The frame of the image includes floral and leaf designs, with the inscription "AN. MARIA VAN SCHURMAN" visible.

Print1950.14.1067

Anna Maria van Schurman

Paulus Lesire

1643 · engraving on laid paper

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The image shows an upper body portrait of a person facing forward. They have delicate facial features with a slight smile, and curly hair flowing past their shoulders. The person is dressed in a formal garment with a lace collar and structured bodice. The background features an ornate frame with decorative elements and Latin script.

Print1950.14.1068

Anna Maria van Schurman

Paulus Lesire

1643 · engraving on laid paper

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