National Gallery of Art · Open Data

Search the collection.

Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

Collection results

63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

The image displays a cathedral in the center, surrounded by other buildings and people below. The cathedral is intricately detailed with fine lines, set against a monochrome color palette of black and grey. The sky has clouds, adding to the grandeur of the scene.

Print1983.85.1

Antwerp Cathedral

Wenceslaus Hollar

1649 · etching and engraving on laid paper

Open full record

The image shows a view from water level, looking over a calm expanse where multiple boats are floating. The horizon line is below the midpoint and features silhouettes of buildings and distant landmasses. The brushstrokes are soft and blurred, giving the scene a hazy, serene quality. The color palette is monochromatic with shades of gray and black against a light background. Closest to us, the reflection of the larger boats adds depth, while in the distance, land and structures are subtly present.

Print2013.30.19

Antwerp: Sunset [Anversa: Tramonto]

Vittore Grubicy

1893/1894 · aquatint and softground etching with monotype inking, proof touched with graphite and blue pencil on chine collé

Open full record

This is a drawing depicting various figures and a large hand. In the foreground, a humanoid figure is clutching their head in distress, surrounded by shadowy forms and distorted faces. These apparitions emerge from under a bed where another figure lies draped in fabric. A massive hand forms the backdrop, its fingers splayed widely. The detailed cross-hatching technique adds depth and texture to the scene.

Print1995.82.7

Anxieties (Ängste)

Max Klinger

1878/1880 · etching in black on chine collé

Open full record

The image depicts a weapon that combines a revolver, knuckle duster, and a blade on the right side. The color palette includes dark gunmetal and dull silver shades. The object is positioned horizontally on a light-colored background with a texture. The name "WAYNE WHITE" is printed in small letters on the right side.

Index of American Design1943.8.11443

Apache Gun

Wayne White

1935/1942 · watercolor, graphite, and colored pencil on paper

Open full record

There are four individuals shown standing in a line. Three individuals are facing each other, while one is slightly turned to the side. The central figure is wearing a wrapped garment with a decorative belt and fringed details, while the others are wearing lower body covering attire with exposed upper bodies. Each person is adorned with body paint, feathers in their hair, and has long, dark hair. Their facial features are detailed. One person is holding a spear with feathers, another has a bow and arrows in a quiver on their back, and the remaining two individuals are holding staffs or spears. The background is a neutral hue with grass beneath their feet.

Painting1965.16.145

Apachee Chief and Three Warriors

George Catlin

1855/1869 · oil on card mounted on paperboard

Open full record

The sculpture depicts a male figure riding a bull. The male figure looks strong and in control, holding onto the bull as it charges forward with one leg raised. The sculpture is made of bronze, with patinas and variations in tone highlighting muscle definition on both the rider and the bull. The surface of the sculpture is detailed with visible musculature on both subjects, adding to the sense of movement and power. The pose and details make the sculpture appear lifelike and energetic, despite being static. The sculpture is mounted on a textured base mimicking rough terrain.

Sculpture2015.19.3816

Ape Riding a Gnu

Antoine-Louis Barye

model n.d., cast c. 1840/1873 · bronze

Open full record

The image shows two figures in an outdoor rocky setting. One figure stands on the left with a forward posture holding a long stick, while the other figure kneels on the right also holding a stick. The first figure is shown from the back with one foot on a rock and the other lifted on a higher ledge. The second figure appears older, with distinct facial features and spectacles, wearing a long coat, head covering, and carrying a backpack. The background features lightly sketched landscape lines suggesting distant hills or mountains.

Print1943.3.3089

Aperçois-tu un lieu civilisé...

Honoré Daumier

1849 · lithograph

Open full record

This is a drawing of a scene by a riverside with trees and figures. The image depicts a group of people gathered outdoors under large trees near a flowing river. One figure is seated on a rock in the foreground, extending one arm. Another person sits on the ground next to him. To the right, a group sits and stands under the trees, with a figure leaning against a tree trunk. The scene captures a moment of interaction amidst a serene, natural setting, with detailed attention to the trees, their bark, and the flowing river in the background.

Print2004.128.56

Apeáronse junto à la fuente...

Célestin Nanteuil

c. 1855 · color lithograph on wove paper

Open full record

This is a drawing of a group of individuals gathered in a natural setting. The scene depicts a group enjoying a moment of respite by a water source surrounded by a wooded area. A skeletal figure sits on a stone ledge gesturing with animated hands. Nearby, a figure reclines against a rock. In the foreground, a picnic setting is suggested by the presence of a basket and food items laid out on a blanket. Several large trees provide shade, and dappled sunlight creates contrast in the scene. The atmosphere conveys a sense of leisure and camaraderie within a pastoral landscape.

Print2004.128.53

Apeáronse junto á la fuente

Célestin Nanteuil

c. 1855 · color lithograph on wove paper

Open full record

The image shows an upper body portrait of a woman and a child. The woman is seated and faces the viewer, with a serious expression. She wears a dark dress with a high neck and elaborate detailing, a shawl with ornate embroidery over her shoulders, gold earrings, and a brooch. Her hair is styled under a white laced cap. The child, with light hair, sits on the woman's lap, facing the viewer, wearing a white dress with lace details and a red bead necklace. The child holds a bouquet of flowers in one hand. The background is plain and dark.

Painting1958.9.12

Aphia Salisbury Rich and Baby Edward

Milton W. Hopkins

c. 1833 · oil on wood

Open full record

The image depicts a nude woman standing upright. One arm is raised, touching her hair, while the other rests by her side. Her facial features are indistinct in the artistic style. Her hair is long and wavy. The woman has no visible clothing or jewelry and is surrounded by ocean waves. Birds fly around her in the sky, which is a mix of orange and blue tones. The background shows abstract forms creating a seascape setting with a textured appearance.

Print1964.8.1434

Aphrodite

Pierre Roche

1914 · gypsograph

Open full record

The sculpture depicts a woman standing with one hand on her hip and the other holding a small round object, while a bird or small animal perches on her shoulder. She seems to be leaning on a tall object on the right, which her bent elbow rests on. The woman is dressed in a draped gown that falls elegantly to her feet, with detailed folds in the fabric. Her skin is mostly white, with some patches of brown, and her reddish-brown hair is intricately styled on top of her head. Her outfit, the object she holds, and the creature on her shoulder are all blends of white, reddish-brown, and light brown pigments. The sculpture stands on a flat rectangular base.

Sculpture2014.136.368

Aphrodite with Eros

Tanagra 4th/3rd Century B.C.

4th/3rd century B.C. · terracotta

Open full record

This is a drawing depicting religious and mythical scenes. The image is divided into two main sections showing various figures and creatures. In the upper part, there is a haloed figure beside a building and several humanoid creatures with wings. Another haloed figure with long hair stands on the right side. In the lower part, a haloed figure stands to the left opposite a group of armored individuals on horseback charging towards a multi-headed beast with a spotted body. Latin inscriptions accompany the scenes. The line work is detailed yet simple, resembling medieval iconography.

Print1943.3.713

Apocalypse of John, Leaf 10

German 15th Century

c. 1465 · woodcut on laid paper

Open full record

This is a drawing of a medieval scene with text. The image depicts various medieval-style illustrations accompanied by Gothic script text. In one section, a figure sits on a throne-like chair with a raised hand. To the right, several figures rest beneath a canopy adorned with small figures. Below, there are knights in armor with pointed helmets. In the background, there is a cityscape with castle-like structures and a gathering scene in front of ornate architecture. The image is rendered in fine lines, resembling a woodcut, with detailed clothing, furnishings, and landscapes typical of medieval art.

Print1943.3.714

Apocalypse of John, Leaf 42

German 15th Century

c. 1465 · woodcut on laid paper

Open full record

The sculpture depicts a nude male figure standing in a relaxed contrapposto pose, leaning slightly on a smooth, polished tree stump or column. The figure's right hand rests on top of his head, while his left hand holds a bow, with a quiver of arrows attached to the tree stump. The figure's body exhibits realistic anatomical details and an expression of calm on his face. The sculpture is crafted from dark bronze, giving it a deep, rich coloration with a reflective surface that highlights its detailed features. The contrasting element of the sculpture is the light brown marble-like material of the tree stump. The sculpture stands on a black, rounded base.

Sculpture1952.5.94

Apollino of the Villa Medici

Attributed to Francesco Righetti

c. 1775/1820 · bronze and marble

Open full record

The image shows a full-body view of a seated figure. The person is sitting cross-legged on the backs of two bird-like creatures. The figure has shoulder-length wavy hair, closed eyes, and a neutral expression. They wear a long, flowing robe with a high collar and a crown. The figure is holding a branch or staff with leaves in their right hand. The background is plain with a decorative border. At the person's feet, there is a globe adorned with stars, and in the lower left, a circular geometric design is present. The scene is rendered in a monochromatic style with intricate linework.

Print1941.1.3

Apollo

Master of the E-Series Tarocchi

c. 1465 · engraving with gilding

Open full record

The sculpture is a small, detailed cast depicting a classical figure holding a lyre. The figure is set within a roundel atop a handle-like extension. It exhibits intricate detailing in the draped clothing and curly hair of the figure. The material appears to be bronze with a dark, aged patina. The artwork is relatively small.

Sculpture1957.14.378

Apollo

Paduan 16th Century

16th century · bronze//Dark brown patina

Open full record

The sculpture is a circular relief featuring three human figures. On the left is a seated male figure, partially reclined back with his right arm bent behind him. In the center stands a figure holding an object, possibly a musical instrument like a lyre. On the right side stands a female figure draped in clothing, holding a staff or spear. The relief is crafted from a brownish material, likely a type of bronze. The figures are depicted in a classical style with attention to clothing folds and muscular definition. The sculpture's oval shape is highlighted by a raised border, and there is a small hole near the top center, possibly for suspension or mounting.

Sculpture1957.14.499

Apollo

Valerio Belli

Date not recorded · bronze//Medium brown patina

Open full record

This drawing shows a man standing with his weight shifted onto one leg. His right arm is raised above his head, and faint lines seem to indicate that he is holding something, but the object is indistinct. His left arm is out by his side, holding a draped cloth that is tied across his chest and billows behind him. Other than that cloth, the man is nude. His facial features are faint, showing only a pointed nose, dark eyes, thin lips in a neutral expression, and short hair styled close to his head. The drawing is made of red lines, and the background is plain beige paper, which appears to have some faint stains and areas of gray discoloration.

Drawing1972.56.1

Apollo

Italian 16th Century

c. 1510/1540 · red chalk

Open full record

Drawing1980.64.1

Apollo

François Boucher

c. 1752 · black chalk and stumping, heightened with white chalk on greenish-gray laid paper

Open full record

The image shows a person standing in a contrapposto position. The individual has a muscular build with detailed torso and limbs. They have curly hair flowing over their shoulders and are draped in a long fabric. The background is a plain surface with line detailing at the feet. The image is a detailed line drawing with cross-hatching.

Drawing1982.78.1

Apollo

Jost Amman

c. 1580 · pen and black ink on laid paper

Open full record

This is a drawing of a winged figure standing on a cloud holding a staff. The figure is nude with one arm crossing their body and the other raised to touch their hair. The figure has one foot balanced on a cloud. Beside the figure are a staff, a bow, and a lyre on the ground. In the background is an oval frame with detailed hatching for depth. The figure's gaze is towards a floating emblem resembling a hand or flame in a circle. The drawing is intricately detailed with fine lines as seen in engraving.

Print2000.30.1

Apollo

comte de Anne-Claude-Philippe de Tubières Caylus after Edme Bouchardon

Date not recorded · etching on laid paper

Open full record

The image shows a male figure standing in a powerful pose with one foot resting on clouds. His head is turned slightly to the side, exhibiting strong facial features with prominent cheekbones and a serious expression. His hair is flowing upwards. The figure is unclothed, revealing a muscular physique, apart from a cape billowing around him. He is holding a long arrow-like object in one raised hand, while the other hand holds part of the cape. The background is filled with swirling clouds and beams of light, and there is an inscription in a circular pattern emanating from his head. In the distance, there is a chariot with horses and figures. The entire image is enclosed in an oval frame.

Print2012.92.51

Apollo

Hendrik Goltzius

1588 · engraving on laid paper

Open full record

The image displays two individuals in an intimate setting. One person, standing, is leaning over another seated on the edge of a draped canopy bed. The standing figure appears to have flowing hair and a light halo around the head. This person is partially draped in a loose garment, while the seated figure has wavy hair and a gentle expression. The seated individual is nude, except for a piece of cloth draped around the legs. No jewelry or adornments are visible on the figures. The room is intricately decorated with classical elements, such as a long cushioned bench, multiple windows, and a niche with a statue. A figure is in the background, entering through a doorway. The space also includes architectural features like a coffered ceiling and framed art or carvings on the walls, creating a setting reminiscent of historical or mythological scenes.

Print2011.139.137

Apollo Abusing Leucothoe

Workshop of Hendrick Goltzius, after Hendrick Goltzius

c. 1615 · engraving on laid paper

Open full record