National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

The image features a bird in the center, facing right. Above and to the left of the bird is a moth with wings spread open. Below the bird to the left is a detailed rendering of a walnut in its husk, with various plant elements like leaves and stems around. The color palette is monochromatic with shades of brown, detailed linework creating texture. The bird and moth are placed centrally, surrounded by floral elements and a walnut.

Print1987.20.9.51

Archetypa studiaque patris Georgii Hoefnagelii [Part 4, Plate 11]

Jacob Hoefnagel after Joris Hoefnagel

published 1592 · engraving on laid paper

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The image shows a large butterfly in the center, with two caterpillars on flower stems on each side. The color palette is monochrome, with shades of black, white, and gray. Under the butterfly are various stages of butterfly and moth development, including chrysalises, larvae, and botanical elements like fruits, flowers, and leaves. The elements are placed around a centered, rectangular section of text.

Print1987.20.9.52

Archetypa studiaque patris Georgii Hoefnagelii [Part 4, Plate 12]

Jacob Hoefnagel after Joris Hoefnagel

published 1592 · engraving on laid paper

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The image shows a butterfly with large circular patterns on its wings at the center. The image is a monochromatic engraving with shades of black and white. There are flowers to the left of the butterfly, and an assortment of insects like a beetle, a moth, and a fly above it. A seahorse and another butterfly are also visible close to the bottom. The objects are distributed around the central butterfly, with some flowers and insects at the corners and edges of the image.

Print1987.20.9.41

Archetypa studiaque patris Georgii Hoefnagelii [Part 4, Plate 1]

Jacob Hoefnagel after Joris Hoefnagel

published 1592 · engraving on laid paper

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The image contains plants, fruits, and a mouse. The color scheme is monochromatic in shades of brown and black. Various leaves, flowers, a large rounded fruit, a small pear-shaped fruit, and a large mouse are seen. A butterfly is present in the bottom right corner, with delicate plants and a flying insect in the upper region.

Print1987.20.9.42

Archetypa studiaque patris Georgii Hoefnagelii [Part 4, Plate 2]

Jacob Hoefnagel after Joris Hoefnagel

published 1592 · engraving on laid paper

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The image shows a central large fruit with flowers and foliage branching from it. Surrounding objects include a frog, a fly, a moth, cherries, a ribbon, and a circular item. The monochromatic etching features shades of brown and black. A flower with broad petals is on the left, a moth near the top right, a frog at the bottom, and an insect resembling a bee to the right. Handwritten text is along the bottom.

Print1987.20.9.43

Archetypa studiaque patris Georgii Hoefnagelii [Part 4, Plate 3]

Jacob Hoefnagel after Joris Hoefnagel

published 1592 · engraving on laid paper

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The image shows a central potato with a flower stem, surrounded by insects and flowers. The color scheme is black and white, and the elements are arranged across the page in a scattered pattern.

Print1987.20.9.44

Archetypa studiaque patris Georgii Hoefnagelii [Part 4, Plate 4]

Jacob Hoefnagel after Joris Hoefnagel

published 1592 · engraving on laid paper

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The image features a detailed slug at the bottom center, a large butterfly on the left connected to a flower, and various other insects and botanical elements such as a shell, a hornet, and flowers. The color palette is monochromatic, using only black ink on a beige background resembling an engraving. The slug is at the bottom center, the butterfly is on the left with small flowers, and on the right, a hornet and spider are placed near floral arrangements. Latin text is located just below the central elements. Various insects and fruits are spread throughout the composition, adding to the intricate details.

Print1987.20.9.45

Archetypa studiaque patris Georgii Hoefnagelii [Part 4, Plate 5]

Jacob Hoefnagel after Joris Hoefnagel

published 1592 · engraving on laid paper

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The image consists of a variety of objects including a large butterfly, an apple, a flower with distinct petals, a crawfish with open claws, and a spherical object resembling a globe. Also visible are a toad, insects like a wasp, a beetle, and flies. Floral elements are present throughout the image.

Print1987.20.9.46

Archetypa studiaque patris Georgii Hoefnagelii [Part 4, Plate 6]

Jacob Hoefnagel after Joris Hoefnagel

published 1592 · engraving on laid paper

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The image contains two large fruits at the center, surrounded by insects and plants. The color scheme is predominantly greyscale. Various floral elements, insects, and a snake-like creature are also present in the scene.

Print1987.20.9.47

Archetypa studiaque patris Georgii Hoefnagelii [Part 4, Plate 7]

Jacob Hoefnagel after Joris Hoefnagel

published 1592 · engraving on laid paper

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The image features a central elongated fish or eel-like creature surrounded by botanical and insect illustrations, including acorns, oak leaves, flowers, and bees. The color palette is monochromatic in shades of black and white, emphasizing the intricate line work and shading of the etching. The eel-like creature curves across the center from left to right, with flowers primarily on the right and lower sections, while acorns and leaves appear on the left side. Insects are scattered throughout the composition.

Print1987.20.9.48

Archetypa studiaque patris Georgii Hoefnagelii [Part 4, Plate 8]

Jacob Hoefnagel after Joris Hoefnagel

published 1592 · engraving on laid paper

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The image features several large objects: a pear at the lower left, a striped snail at the bottom right, and an oversized flower in the center. The color palette is black and white, typical for an engraving, creating a high-contrast effect. Insects, such as a beetle on the pear and another on the flower, are prominent. Delicate flowers extend from the left and right edges. Latin text borders the image at the top and bottom.

Print1987.20.9.49

Archetypa studiaque patris Georgii Hoefnagelii [Part 4, Plate 9]

Jacob Hoefnagel after Joris Hoefnagel

published 1592 · engraving on laid paper

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The image features two large urn-like vases at the center, each holding an arrangement of flowers. The left vase is labeled "HOMO" and the right "BVLLA." A prominent skull is seen between these vases, encased in a decorative pedestal. The color palette is monochromatic, with shades of gray and black on a beige background. On the left side, a squirrel sits atop fruits, while small birds perch along a ribbon that connects with a bat and snake-like creature at the top. On the right side, an owl is perched atop clusters of fruit and vegetation. The lower section of the image features a Latin inscription framed within a decorative border.

Print1987.20.9.40

Archetypa studiaque patris Georgii Hoefnagelii [Part 4, Title Page]

Jacob Hoefnagel after Joris Hoefnagel

published 1592 · engraving on laid paper

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The image displays two vases with floral arrangements on either side of a central design, featuring the upper part of a human figure. The color palette consists of shades of grey and black, typical of engravings. On the left is a vase labeled "HOMO" with a floral arrangement and a squirrel, while the right vase labeled "BVLLA" has another floral display with an owl. Above, a decorative network of birds, a bat, and serpentine elements encircle the central figure, with inscriptions in Latin framing the composition.

Print2023.45.3

Archetypa studiaque patris Georgii Hoefnagelii [Part 4, Titlepage]

Jacob Hoefnagel, after Joris Hoefnagel

1592 · engraving on laid paper

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Print2015.19.1584.2.14

Archibald Bruce

Charles B. J. Févret de Saint-Mémin

1796-1797 · mezzotint and engraving in black on wove paper mounted to brown wove paper

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Print2015.19.1584.43.1

Archibald Pleasants, Jr.

Charles B. J. Févret de Saint-Mémin

1808 · mezzotint and engraving in black on wove paper mounted to brown wove paper

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This is a drawing of a historical demonstration involving a ship and machinery. The illustration features a bearded figure on the left gesturing at a large apparatus lifting a fleet of ships. The contraption, reminiscent of a lever or crane, is shown hoisting several ships into the air over the sea. The background includes faint outlines of a coastal cityscape. The drawing is in a monochrome style with expressive lines. Text beneath the image suggests the scene is a demonstration for English engineers, showcasing the mechanical advantage.

Print2015.143.1246

Archimède démontrant aux ingènieurs anglais ...

Honoré Daumier

1857 · lithograph

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This is a drawing of a figure labeled "Archimède" using a telescope to observe a large blimp-like object in the distance in a busy area with smaller objects. The figure is seated on clouds with a flowing robe and a bearded head. The style resembles 19th-century caricature drawings with textures in the background.

Print2015.143.1244

Archimède riant des efforts ...

Honoré Daumier

1857 · lithograph

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Architect's Drafting Room, 1884

Index of American Design1947.1.16

Architect's Drafting Room, 1884

Perkins Harnly

1935/1942 · watercolor, gouache, pen and ink, and graphite on paper

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This is a drawing of an ornate architectural interior featuring a series of large classical columns with ornate capitals supporting an intricately decorated ceiling with arches. The ceiling is adorned with sculptural elements and decorative motifs, including scrolls and floral designs. In the background, there is a statue or sculptural figure near a set of steps leading to another section of the space. Light and shadow in the drawing highlight the depth and dimension of the architectural features. The precise linework and shading give the space a sense of realism and depth.

Drawing2018.26.1

Architectural Capriccio with a Soldier and Dog

Vittorio Maria Bigari

mid-18th century · pen and brown and black ink with gray wash over traces of graphite on laid paper

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In the image, there are two large, identical, swan-like figures each perched on a gold and brown ornate bowl. The swans have white bodies with subtle gray shading and long, curved necks with their wings lifted slightly. The color palette consists mainly of soft whites, tans, browns, and a hint of gold. The objects are centrally positioned on a plain beige background, with the swans facing each other, creating a symmetrical layout across the image.

Index of American Design1943.8.12786

Architectural Carving

Helen E. Gilman

c. 1940 · watercolor and graphite on paperboard

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This is a painting of an eagle perched on a decorative emblem. The image features an eagle with its wings spread, positioned above a banner that bears the inscription, "IN TIME OF PEACE. PREPARE FOR WAR." The eagle is set against a backdrop of golden radiating rays and stylized clouds. The design includes intricate scrollwork framing the central elements.

Index of American Design1943.8.17211

Architectural Carving

American 20th Century

1935/1942 · watercolor, graphite, and pen and ink on paper

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The sculpture depicts a female figure standing with her left leg forward and knee slightly bent, holding an anchor with her left hand. Her right arm is raised with her index finger pointing upwards. The figure has wavy, shoulder-length hair and is dressed in a draped garment exposing her right arm and breast. The sculpture is made from a white and smooth material, possibly marble. The texture of the drapery and features of the figure are finely detailed. The overall posture and proportions present the figure as larger than life, giving it an imposing presence.

Index of American Design1943.8.10143

Architectural Carving "Hope"

John W. Kelleher

c. 1939 · watercolor and graphite on paperboard

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This is a drawing of a decorative floral motif. The image depicts a square frame enclosing an ornate floral design in a grayscale palette. Within the frame, there are swirling patterns and leaf-like shapes arranged symmetrically, with four central circular elements. The lines are precise and the shading gives a sense of depth and dimensionality, suggesting this is a study or illustration of ornamental design, possibly for architectural or decorative purposes.

Index of American Design1943.8.12785

Architectural Detail

Robert Pohle

1939 · watercolor and graphite on paperboard

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This is a drawing of a stone architectural element, specifically a carved stone corbel or bracket. The drawing shows intricate designs, including a symmetrical, ornamental motif resembling a stylized face or mask, with curves and protruding elements. The use of shading and line work gives a sense of depth and texture, highlighting the carved designs on the stone. The soft hues and pencil lines contribute to its stylized appearance, as if taken from an architectural study or art sketchbook.

Index of American Design1943.8.14831

Architectural Detail

Harry Mann Waddell

1935/1942 · colored pencil and graphite on paper

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