National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

The sculpture features a round medallion with a central coat of arms. The coat of arms includes a large crown at the top, draped cloths below it, and a shield with small animal figures against a textured background. The edges of the medallion have inscriptions. The sculpture is metallic, possibly made of bronze or a similar alloy, with a consistent finish. It appears flattened and is designed for display or ceremony, showcasing detailed engravings and iconography in a three-dimensional style.

Sculpture2000.158.12.b

Arms of Transylvania [reverse]

Joseph Wellisch after Baron Johann Lazarus de Gyalakuta

1741 · silver

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This is a drawing of an eagle with a crown and ornate banners. The drawing features a large eagle with its wings spread out, grasping a shield. Atop the shield sits a crown. Below the shield and eagle, there are ribbons containing text in Italian mentioning Ferdinando II and other titles. The drawing shows fine lines for texture, shading, and detail.

Print1986.50.98

Arms with a Dedication to Grand Duke Ferdinand II

Stefano Della Bella

Date not recorded · etching on laid paper [restrike]

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The image features a wooden-handled mirror, a multicolored patterned fabric pouch, and a combination of a straight-edged razor and fork. The items are arranged in the composition with the mirror on the right, the fabric pouch in the center, and the razor with the fork on the left. The color palette includes earth tones of browns and reds, along with muted greens and blues in the fabric.

Index of American Design1943.8.8349

Army Kit

Carl Buergerniss

c. 1942 · watercolor, graphite, and pen and ink on paperboard

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Print1943.3.3357

Army Train and Death

Johann Theodor de Bry after Erhard Schön

Date not recorded · engraving

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This is a drawing of a military procession featuring soldiers, animals, and equipment moving in unison. The scene is detailed with figures in a parade-like formation. The soldiers are equipped with lances, shields, and helmets, and march alongside horses and camels carrying equipment. The drawing uses linework to depict movement and dynamics of the figures, conveying the sense of a grand procession. The composition is balanced, highlighting the unity of the march. The artwork showcases historical military regalia and the grandeur of a mobilized force.

Print2017.16.1

Army Train and Death

Erhard Schön

c. 1532 · woodcut from four blocks, on four sheets

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The image displays a portrait of a person from the mid-torso up. The individual is positioned facing slightly to the right while looking directly at the viewer. The person's facial features include a long face, prominent cheekbones, and a slight, reserved expression. Their hair is shoulder-length, wavy, and parted down the middle. The attire consists of a buttoned-up garment with visible stitching and a large, flat collar. The person is not wearing any jewelry or holding objects. The background consists of an intricately designed frame resembling a stone pattern, with inscriptions around the hexagonal border surrounding the portrait.

Print1984.25.3

Arnauld d'Andilly

Jean Morin after Philippe de Champaigne

Date not recorded · etching, engraving, and stippling on laid paper

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Print1999.111.2

Arnautes, Égypte (Albanians, Egypt)

Alexandre Bida

Date not recorded · lithograph on chine collé

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Print2000.105.1

Arno Holz

Lovis Corinth

1922 · lithograph in black on laid paper

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The image is a portrait of a man facing forward with a distinguished appearance. He has a full beard, mustache, and styled hair. He is wearing a high ruff collar, possibly a doublet underneath, consistent with 17th-century fashion. The background is dark with Latin inscriptions in a border.

Print1950.14.230

Arnoldus Buchelius

Crispijn de Passe I

1614 · engraving

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The image depicts an engraved portrait showing the upper body of a man. He is slightly turned to his left and looking confidently at the viewer. The man has defined facial features with a mustache and a beard. His hair is styled neatly and short, receding slightly at the forehead. He is dressed in elaborate Renaissance clothing, including an ornate ruffled collar and a detailed garment. The background is plain, and the image is framed in an oval with an inscription that includes "AETA 23," indicating his age at the time of the portrait's creation.

Print1990.24.1

Arnout van Beresteyn

Hendrik Goltzius

c. 1579 · engraving on laid paper

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The image shows a painted scene viewed through an oval frame with a soft, muted border. The perspective places the observer at a ground level, looking onto a village setting with lush trees and tall plants in the foreground. Beyond the village, there is dense jungle foliage. Small houses with pitched roofs are visible along the horizon. The brushstrokes are delicate and precise, creating a soft, dreamlike quality in the scene. The color palette is dominated by earthy greens and browns with lighter shades suggesting an overcast sky.

Painting1965.16.267

Arowak Village

George Catlin

1854/1869 · oil on card mounted on paperboard

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The image depicts a sketch of a woman shown from head to toe, standing in a confident pose. The woman's head is slightly turned to the left, facing forward. She has delicately drawn facial features, short hair framing her face, and is wearing a long black gown with a deep neckline. A light-colored wrap or scarf drapes around her arms and shoulders. She is holding a part of her outfit. There is no visible jewelry. The background has sketchy cross-hatching and lines, creating a textured effect. The sketch is labeled "Arrangement in Black, No 3" beneath the figure.

Drawing1943.3.8817

Arrangement in Black - No.3

James McNeill Whistler

1881 · graphite, pen and brown ink on off-white laid paper

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This is a painting of an outdoor street scene with figures in historical attire and horses. The scene depicts a group of individuals dressed in traditional clothing, with at least two of them mounted on horses. One horse carries an additional figure gesturing animatedly, and a small animal can be seen atop one of the figures. The setting features a building with arched windows and a stone entrance. A star symbol adorns a panel on the building. The group seems to be engaged in conversation or discussion.

Drawing1980.45.56

Arrival at an Inn

French 18th Century after Jean-Baptiste Oudry

18th century · pen and brown ink with watercolor on light blue-green laid paper

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This is a drawing of an elaborate processional scene featuring anthropomorphic animals. A group of figures, depicted as a mix of human and feline features, are dressed in opulent Renaissance-style clothing. They are arranged in a procession moving towards the right side of the composition. At the forefront, a regal figure holds a staff or scepter while others around appear to be attendants or persons of high status. To the right, a horse is being led, adorned with decorative elements. In the background, there is a cityscape with ornate buildings and a bridge or archway leading into the town. Boats with tall masts are visible on the water. The style is characterized by finely detailed engravings typical of the Renaissance period.

Print1969.15.847

Arrival at Valencia

Jacques Callot

1612 · etching on laid paper

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The illustration shows a procession of people walking towards the right side. The individuals have serious expressions, with men having short hair and women having elaborate hairstyles. They wear ornate clothing typical of a historical setting, featuring ruffled collars and rich patterns. A man in the foreground wears a wide-brimmed hat and a decorated cloak. Some individuals are leading a horse with decorative harness. In the background, there are tall buildings, arched entrances, turrets, and a ship on the left side.

Print1986.50.137

Arrival at Valencia

Jacques Callot

1612 · etching on laid paper [restrike]

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The image depicts multiple figures in historical attire. Men wear short breeches and doublets, while women wear long gowns with high collars. Some figures wear ruffled collars and hats. Facial features are stylized and figures appear calm. Details include unique hairstyles and jewelry. One figure leads a horse. The background features towers, arches, ships, and sea, suggesting a port city setting.

Print1969.15.286.a

Arrival at Valencia [recto]

Jacques Callot

1612 · etching on laid paper

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The image depicts a landscape with a road alongside a canal. The view is elevated, showing the road, canal, trees, and structures on the horizon. The style of the sketch is characterized by soft lines and shading, creating depth. The color palette is monochromatic with shades of gray. Closest to us, a canal borders the road with some ducks in the water. Figures and carts are seen on the road leading into the distance.

Drawing1943.3.5477

Arrivee au Marche

Auguste Lepère

Date not recorded · black chalk on two sheets of laid paper

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The image shows many people depicted in caricature style. They are walking towards the right side of the image. The faces have exaggerated features, with prominent noses. The individuals are wearing period attire such as long coats, shawls, top hats, and bonnets. One man is wearing a checkered suit and white hat. There is a sign that reads "STATION" in the background. The setting includes posts and partial partitions, possibly indicating a railway station.

Print2015.143.1102

Arrivée a une station

Honoré Daumier

1852 · lithograph

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This is a black and white drawing showing a crowded city scene. There are various animated figures with exaggerated emotions, conveying a sense of busyness and chaos. In the center, a man in plaid trousers and a large hat is surrounded by others vying for his attention. Papers and signs with labels like "HOTEL" and "RESTAURANT" are scattered on the floor. The characters have exaggerated expressions, adding a comical and satirical tone to the scene. The drawing uses heavy lines and shading to create depth.

Print1977.81.14

Arrivée dans une ville trop hospitalière...

Honoré Daumier

1852 · lithograph

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Print2015.143.483

Arrivée en Alsace du commissaire ...

Honoré Daumier

1850 · lithograph

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Sculpture2022.181.52

Arrotino (Knife Grinder)

Florentine 17th Century, after the Antique

second quarter 17th century · bronze

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The image shows a cityscape with a prominent mosque in the distance, featuring two minarets and a central dome. The background shows a hillside with many buildings. In the foreground, there are cannons lined up along a stone quay, with people in period clothing near the water. The image is in sepia tones, giving it an antique look, with clear details captured in a photograph.

Photograph2012.137.31

Arsenal and Mosque of Kiledeh Ali Pasha

James Robertson

1857 · salted paper print

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This image shows a young baby from head to toe. The baby is upright, possibly seated or reclined, with soft, rounded features, rosy cheeks, small eyes, and a slight smile. The hair is sparse and light-colored. The baby is dressed in a light-colored garment with red accents on the feet, likely the tops of booties or socks. The baby is holding a silver object attached to a ribbon or string in one hand, possibly a rattle. The background is dark with some red tones, offering a contrast with the light clothing. The artist's name, "Eugène Carrière," is visible in the upper left corner as a signature.

Painting2015.19.59

Arsène Carriere

Eugène Carriere

1899/1900 · oil on canvas

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This is a drawing of an art gallery where artists are working on their paintings. The scene is set in a spacious gallery with high arched ceilings and walls lined with artwork. Multiple artists are depicted actively engaged in painting and sketching, each stationed in their own area with easels and canvases. The drawing captures the busy atmosphere of the gallery, showcasing artists in different postures of concentration and creation. The setting is detailed with architectural features like columns and the ceiling, adding context to the environment. The foreground and background show activity, with figures observing or interacting with the artworks around them. The drawing follows detailed line work and shading to create a sense of realism and perspective in the space.

Print1958.3.17

Art-Students and Copyists in the Louvre Gallery, Paris

after Winslow Homer

published 1868 · wood engraving

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