National Gallery of Art · Open Data

Search the collection.

Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

Collection results

63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

The image shows a downward perspective, appearing to be from a mountainside looking into a valley. The horizon is partly visible but mostly hidden by mountains and trees. The artwork features light and sketchy brushstrokes with graphite or pencil marks adding texture to trees and rocks, giving depth to the scene. The color palette is mostly monochromatic, using shades of gray to depict shadowed and sunlit areas. Closest to the viewer are rocks and vegetation leading down to the valley, with the scene transitioning into thick woodland and rocky slopes in the background.

Drawing2007.66.1.b

Avalanche in an Alpine Landscape

Pierre Puvis de Chavannes

c. 1870 · black and white chalk on blue paper (verso)

Open full record

The image shows a stone with the words "TRIOMPHE DE LA MORT" partially obscured by branches and foliage. The composition is close-up, focusing on details. The etching style uses fine lines and cross-hatching for texture. The color palette is monochrome in shades of sepia or brown. A scythe and a skull are depicted. The scene suggests a dense natural environment with layers of texture.

Print1943.3.5426

Avalanche: Frontispiece for Triumph of Death (L'avalanche: Frontispice du Triomphe dela mort

Alphonse Legros

Date not recorded · etching

Open full record

The image shows a drawing of two people from the waist up. The central figure is sitting on a chair, poised with her head slightly tilted. She has delicate facial features, defined hair, and wears an elaborate hat with large feathers. The second figure stands behind her, possibly assisting with the hat or hair, wearing a bonnet. The seated woman wears a light-colored gown with a deep neckline. On the table in front of her are a comb and a framed mirror. The background depicts simple vertical and horizontal lines, suggesting a room with a window.

Drawing1943.3.3922

Avant la fête persanne

Jean-Louis Forain

1912 · brush and black ink, wash, and black crayon on wove paper

Open full record

Print1943.3.3797

Avant le repas à Emmaus (1ère planche) (Before the Supper at Emmaus) (first plate)

Jean-Louis Forain

1910 · etching on laid Van Gelder paper

Open full record

The image shows three individuals seated closely together on an outdoor terrace. The man on the left is seated on a wooden chair and has a concentrated or annoyed expression. He is wearing a patterned vest over a light-colored shirt and trousers. Next to him, another man is seated with closed eyes and an expression of discomfort. He has short, dark hair combed back and is wearing a long-sleeved shirt with a high collar. The third individual on the right appears to be batting away a swarm of insects with a hat. The background shows buildings faintly visible in the distance.

Print1979.49.116

Avantages des terrasses italiennes...

Honoré Daumier

1846 · lithograph on newsprint

Open full record

The image shows a landscape with ancient ruins. The composition includes a low horizon, a sky, distant mountains or hills, towering ruins with arches and vegetation, a couple of figures engaging in an activity, more ruins and trees, all etched in fine lines with detailed texturing. The color palette is monochrome with various tones from white to black.

Portfolio2003.86.3

Avanzi dell'acqua Marzia, Claudia e dell'Aniene vecchio

Jacob Wilhelm Mechau

1793 · etching on laid paper

Open full record

The image depicts an ancient ruin surrounded by trees and vegetation. The perspective is slightly elevated, showing the ruin, greenery, and hills in the distance. The artwork features intricate details of stone, foliage, and texture, using a monochromatic color palette of various shades of gray. Closest to the viewer are remnants of classical architecture partly covered by greenery, leading to a landscape with dense clusters of trees and a cloudy sky.

Portfolio2003.86.22

Avanzi della Bibliotheca in Villa Adriana

Johann Christian Reinhart

1798 · etching on laid paper

Open full record

The image shows a landscape with an ancient, arched structure in the center. The horizon is above the structure, with clouds in the sky. The artwork features detailed brushwork showcasing texture of stone and foliage. The color palette is mainly shades of grey. Two cows are near the structure, with more livestock visible to the right. Vegetation, trees, and ruins blend together in the scene.

Portfolio2003.86.63

Avanzi della Villa di M. Bruto a Tivoli

Albert Christoph Dies

1794 · etching on laid paper

Open full record

The image shows an illustration of ancient ruins partially covered with foliage. The perspective is slightly from the side, revealing the texture and structure of the stone arches and walls. The horizon line is near the top third of the image, with a small building barely visible between tall trees. The artwork features intricate line work capturing the stone and vegetation with precision. The color palette is monochrome, with various shades of grey emphasizing light and shadow. The ground is uneven with grass and bushes, leading to decayed architectural features adorned with plants in the distance.

Portfolio2003.86.19

Avanzo del Teatro a Albano

Johann Christian Reinhart

1792 · etching on laid paper

Open full record

Print1964.8.426

Avarice

Pieter van der Heyden after Pieter Bruegel the Elder

published 1558 · engraving on laid paper

Open full record

Drawing1984.56.1

Avarice

Jacopo Ligozzi

1590 · pen and brown ink with brown wash, heightened with gold

Open full record

The sculpture shows a seated female figure with a dignified posture. She is nude, with a towel draped over her lap and one hand resting upon it. The figure has well-defined musculature and a serene expression on her face. The sculpture is made from a material resembling terracotta, giving it a warm, reddish-brown hue. This color accentuates the intricate details and contours of the figure's body. The sculpture is placed on a rectangular base, elevating her slightly above eye level for better appreciation of the carving from different angles.

Sculpture2022.181.76

Avarice

Leonhard Kern

second quarter 17th century · fruitwood, possibly pear

Open full record

The image shows the upper body of a person standing with a slight lean, carrying various objects in their arms. The person's face is turned to the side, wearing a cloth wrapped around their head. They are wearing a long garment with pouches tied around the torso and arms, and appear to be barefoot. The person is holding scrolls and small sacks. The background includes outdoor elements like rolling hills, trees, and a small building in the distance. A small animal is near the person's feet. The sky is filled with swirling clouds.

Print2011.139.18

Avarice

attributed to Jacob Matham, after Hendrik Goltzius

c. 1587 · engraving on laid paper

Open full record

The image features an aerial view showing an expansive landscape with a high horizon, a cityscape in the distance with a spire, tall bare trees in the center, a field of tree stumps and logs in the foreground, and figures walking along a pathway. The composition uses fine lines in an etching technique to depict the scene in black against an off-white background.

Print2021.113.24

Avenue de Boulogne

Maxime Lalanne

1871 · etching on wove paper

Open full record

This is a photograph of a shop window displaying a mannequin dressed in plain clothing. The mannequin features a long-sleeved shirt with a collar and buttons down the front, paired with simple pants. The attire appears to be constructed from a light-colored fabric. In the background and adjacent to the mannequin, the shop window contains various retail items, including metallic cups, packages of goods, and hanging items like belts or straps.

Photograph2015.19.4312

Avenue des Gobelins

Eugène Atget

1925-1927, printed later · gelatin silver print

Open full record

The image depicts a landscape with a slightly elevated viewpoint, showcasing a gently curving landmass. The horizon is high in the frame, with clusters of trees and foliage. The brushstrokes or etching lines create movement and texture on the trees and ground. The color palette is monochrome, likely black and gray on a cream background. The ground shows light texture, possibly indicating grass. The trees in the background provide depth to the composition.

Print1946.4.29

Avenue of Poplars (L'allee de peupliers)

Alphonse Legros

Date not recorded · drypoint

Open full record

The image shows a street scene depicted in a black and white sketch style. The view is from street level, showing a bustling urban area with large flags hanging above. People are depicted with loose strokes, and buildings line the street, providing depth. The monochromatic color palette emphasizes contrasts between light and dark, highlighting detailed line work and creating a lively cityscape.

Print1946.9.70

Avenue of the Allies

Childe Hassam

1918 · lithograph in black

Open full record

This is a drawing of a city street scene. The artwork shows a vibrant urban environment with large flags hanging overhead and people moving along the street. The buildings have detailed architecture and there are many figures engaging in different activities on the sidewalk, creating a dynamic and populated area. The sketch uses loose, expressive lines to give it an energetic feel, capturing the essence of a lively street life.

Print2015.19.476

Avenue of the Allies

Childe Hassam

1918 · lithograph in black on wove paper

Open full record

The image shows a sketch of an outdoor scene with a tree-lined path leading into the distance. The horizon is obscured by the dense trees on either side, forming a natural arch overhead. The sketch is done in loose pencil strokes with blue washes highlighting the treetops and small figures near the trees. The color palette is primarily gray and tan with hints of blue, creating a tranquil atmosphere. In the distance, a small figure is seen on the path.

Drawing1995.52.72

Avenue of Trees

John Hayter

Date not recorded · graphite with blue and gray washes on wove paper

Open full record

This is a drawing of three crouching figures in front of a box labeled "Plebiscite" with holes dated 1851, 1870, and 18... . The drawing features three dated entries with the last date incomplete. The drawing features coiled wire or rod structures above the box. The use of shading and line work adds depth and contrast to the image. The drawing is presented in a layout typical of a newspaper page.

Print1979.49.213

Avis aux amateurs

Honoré Daumier

1871 · gillotype on newsprint

Open full record

The image shows a view of a river with tall palm trees on each side. In the background, there are faint mountain ranges. The brushstrokes are loose, creating movement in the foliage and reflection on the water. The color palette is monochromatic, using shades of black and grey. Two figures are seen interacting by the water.

Drawing2010.93.37

Avisavella, Ceylon

Edward Lear

1884/1885 · gray wash on wove paper, laid down on card

Open full record

Volume1993.32.1

Avium Vivae Icones (Living images of birds)

Adriaen Collaert

c. 1600 · bound volume with 32 engraved plates (including title page)

Open full record

Print1943.3.3785

Avocat compulsant un dossier (Lawyer Going through a Brief)

Jean-Louis Forain

1909 · etching in blue on laid Van Gelder paper

Open full record

The image depicts three individuals, each showing three-quarters of their bodies. The person on the right is bending forward, looking down with their hands resting on a surface. They wear a dark coat and a hat obscuring their facial features. The middle person has their head covered with a slightly visible face. The person on the left, likely a child, is leaning over the ledge with their head slightly tilted downwards and short hair. None of the individuals hold any objects. The background is mostly dark with cross-hatched shading for depth, contrasting with the lighter figures. The drawing is monochromatic with dark tones emphasizing the characters' focus.

Print1943.3.3786

Avocat compulsant un dossier (Lawyer Going through a Brief)

Jean-Louis Forain

1909 · etching and drypoint in brown on wove paper

Open full record