National Gallery of Art · Open Data

Search the collection.

Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

Collection results

63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

Print1946.21.153.kk

Bacchus enfant

Jeanne Antoinette Poisson, marquise de Pompadour after François Boucher after Jacques Guay

published 1782 · etching and engraving

Open full record

The image shows a muscular, nude male figure with curly hair holding a branch with leaves and grapes in one hand and a shallow bowl in the other. A smaller figure, surrounded by grape vines, is situated next to him. In the background, there is an arched niche with radial lines. An inscription is visible beneath the figures.

Print2021.112.8

Bacchus in a Niche

Gian Jacopo Caraglio

1526 · engraving on laid paper

Open full record

This shows an intricate radial design with mythological motifs and architectural elements. The image features a circular band filled with detailed drawings of chubby figures, surrounded by various ornate elements including floral and natural motifs, buildings, and countryside landscapes. The centerpiece is an empty circle. The style appears to be influenced by the Renaissance, focusing on balance, symmetry, and classicism in the ornamental elements.

Print1948.11.135

Bacchus Riding in a Wagon

Jonas Silber (formerly by Master IS.)

1572-1589 · engraving and punch engraving on laid paper

Open full record

The image depicts a busy skyline with hills and clusters of buildings. A figure sits atop a barrel marked "1582" next to a smaller figure sitting in a basket surrounded by grapes. A pond or river with swans is also included in the scene. The style appears to be a woodcut or engraving, with a monochromatic color palette of black and white emphasizing detailed line work.

Print1943.3.5805

Bacchus Seated on a Barrel and Holding Grapes

Jonas Silber (formerly by Master IS.)

1582 · punch engraving on laid paper

Open full record

The image presents three figures in the foreground, each depicted from head to toe. The central figure is seated with legs apart on a wooden structure. They have distinct facial features, a confident expression, and wear leaves in their hair. The central figure's clothing is minimal, with fabric draped over one shoulder, while holding a drinking vessel. To the left, another figure is seated, leaning on the structure with one leg bent. This figure has elaborate hair adorned with leaves and flowers, and wears a loosely draped garment while holding an object resembling a horn. To the right, a cherubic figure, with wings, sits partially reclining, holding a torch in one hand and an arrow in the other, draped in a flowing garment. The background features lush trees, grapevines, and swirling clouds in the sky. The scene is framed by intricate detailing.

Print2015.15.1

Bacchus Seated on a Barrel between Amor and Music

Jan Sadeler I, after Joos van Winghe

c. 1590 · engraving on laid paper

Open full record

The sculpture features a male figure with one arm on his head and the other holding grapes, accompanied by a small animal. The figure wears a garment with a goat's head motif and the sculpture is made of a dark brown material, likely bronze. The animal's fur is detailed, and the sculpture stands on a textured base.

Sculpture2022.181.41

Bacchus with a Panther

French 16th or 17th Century

late 16th or early 17th century · bronze

Open full record

This is an illustration of an elephant surrounded by mythical figures and animals. The elephant is draped with garlands of fruit and flowers. On its back is a leopard, accompanied by putti playing a musical instrument. Various mythical creatures are depicted engaging in different activities around the elephant. In the background, there is a landscape with nymph-like figures and tall, spindly plants. The artwork conveys a sense of dynamic movement, detailed ornamentation, and mythical themes characteristic of the Baroque era.

Print1971.36.1

Bacchus with Diana and Minerva

Pierre Brebiette

Date not recorded · etching

Open full record

The engraving depicts a bearded man seated, wearing a hat with a wide brim. He has a long, wavy beard and intense facial expression, with deep-set eyes and furrowed eyebrows. He wears a heavy robe with loose-fitting sleeves and a shell-shaped pendant around his neck. In his left hand, he holds a small sculpture of a muscular male figure. Behind him is a framed artwork showing three nude male figures and on the left background, there is another statue. The background consists of embellished linear textures.

Print1971.26.1

Baccio Bandinelli

Nicolò della Casa, after Baccio Bandinelli

c. 1544 · engraving

Open full record

The image shows an elderly man seated, turned slightly sideways with a serious expression. He has a beard, wrinkles on his forehead, and wears a hat and draped robe. He is sculpting a small, detailed nude figure, with another statuette on a platform beside him. In the background, there is a plain wall with a window featuring more small sculptures. The window frame is inscribed with "BACCIO BANDINELLI FLO".

Print2013.13.11

Baccio Bandinelli

Nicolò della Casa, after Baccio Bandinelli

c. 1544 · engraving

Open full record

Sculpture1957.14.1021.a

Baccio Bandinelli, 1493-1560, Florentine Sculptor [obverse]

Leone Leoni

c. 1547 · bronze

Open full record

The image features two birds with yellow and gray plumage perched on a branch surrounded by lush green leaves and white flowers with bright yellow centers. The color palette includes vibrant greens and yellows alongside the neutral tones of the birds and the white of the flowers. The top bird is located towards the left side of the image, on a branch above the flowers, while the second bird is positioned near the bottom right, amidst the greenery and closer to the flowers.

Print1945.8.185

Bachman's Warbler

Robert Havell after John James Audubon

1834 · hand-colored engraving and aquatint on Whatman wove paper

Open full record

This is a painting of a small bird perched on a branch with leafy foliage and delicate flowers. The bird has earthy brown and tan plumage and appears to be inspecting a cluster of round seeds or buds. The branch has large green leaves and clusters of pink-tinged flowers at various stages of blooming and withering. The painting emphasizes fine details such as the textures of the feathers and the veins of the leaves. The background is blank, focusing attention on the bird and plant. The painting is done in the style of John James Audubon.

Print1945.8.165

Bachmans Finch

Robert Havell after John James Audubon

1833 · hand-colored engraving and aquatint on Whatman wove paper

Open full record

The image shows bold black lines and shapes on a yellow background. The central figure has eye shapes, a nose, and geometric mouth shapes. The surrounding black shapes suggest hair or a headdress, contributing to the abstract representation of a head or mask-like figure.

Volume2012.92.627.19

Back cover from Kirchner Zeichnungen (Kirchner Drawings)

Ernst Ludwig Kirchner

1925 · woodcut from a bound volume with 17 woodcuts (including title page and front and back covers) and three photomechanical relief prints (of drawings) on coated paper

Open full record

The image is a sketch showing an upper body view of a person from behind. The person appears to be standing with their torso slightly bent forward and their head turned slightly to the left. The individual's facial features are not visible. They are wearing a wide-brimmed hat, a short-sleeved shirt, and their right arm is bent as if they are holding an object over their right shoulder. The background is plain and unembellished.

Drawing2015.19.3564

Back of a Man with Pole

Walter Shirlaw

1870-1877 · graphite on wove paper

Open full record

The image depicts an artistic rendering of a person's upper body, shown from the back, and without clothing. The person is seated and turned away from the viewer, with their upper torso and head displayed. The head is slightly bent forward and to the side, with long hair that appears loosely gathered, suggesting the style of a bun or ponytail. The lines of the drawing are textured and abstracted, giving a sense of depth and contour to the figure's form. There are no visible facial features due to the angle and style of the depiction. The surrounding area is filled with dense, hatched lines, creating a dark, lightly patterned background that contrasts with the lighter figure. The setting appears to be inside, as indicated by the enclosed space and the straight, horizontal line that may suggest a piece of furniture or architectural detail. There are no other objects or jewelry present in the image.

Print1993.71.4

Back of a Woman (Dos de Femme)

Albert Besnard

1889 · etching and roulette on Van Gelder laid paper

Open full record

This is a painting of a decorative chair back. It showcases a dark wooden frame with a golden floral pattern on its top panel. The wooden frame is curved and adorned with intricate details like grooves and accents. The floral design is symmetrical and stylized, evoking elegance. The signature in the bottom right corner reads "Lawrence Flynn."

Index of American Design1943.8.4359

Back of Hitchcock Chair

Lawrence Flynn

c. 1936 · gouache, colored pencil, pen and ink, and graphiteon paper

Open full record

The image displays the backrest of a chair adorned with intricate floral and fruit patterns. The design consists of shades of green, yellow, orange, and gold tones. The chair back features a top rail with clusters of green and orange floral motifs and fruit, followed below by a horizontal panel with a similar pattern, bridging the two vertical supports. The artist's signature is visible in the lower right corner.

Index of American Design1943.8.4565

Back of Stencilled Chair

Lawrence Flynn

1938 · watercolor, colored pencil, and pen and ink on paperboard

Open full record

This is a photograph of an industrial scene with multiple barrels and a building with pipes and machinery. The image shows wooden barrels in the foreground and industrial buildings made of brick in the background. There are large pipes and structural beams visible. The equipment appears worn and the image conveys a historical industrial setting.

Photograph2017.93.5

Back of Stills, Clark & Sumner, Standard Petroleum Refinery, Pittsburg, Pennsylvania

Thomas H. Johnson

c. 1865 · stereoscopic albumen silver prints

Open full record

The image displays an interior room with a central fireplace. Various decorative objects adorn the fireplace. Wooden beams support the walls and ceiling, with wood paneling on the walls. The floor is covered in a green carpet-like material. The walls have framed pictures and artifacts. The color palette includes browns, greens, reds, and blues. A door with light coming through is on the left side of the fireplace. Windows on the far right wall allow light to illuminate the room.

Index of American Design1943.8.15715

Backdrop for Puppet Show

Vera Van Voris

c. 1937 · watercolor, graphite, and gouache on paper

Open full record

The etching depicts a group of men sitting closely together. In the center is a nude figure with a cloth draped over their lap, wearing a crown of vine leaves and holding a large drinking vessel. Surrounding this central figure are other men seated or kneeling, some wearing hats and loose clothing. Their facial expressions vary, with expressions ranging from smiling to contemplative. One man to the right holds a jug. In the foreground, a figure is hunched over a large jar or barrel. In the background are mountains, trees, and a natural setting.

Print1941.1.164

Baco (Bacchus)

Francisco Goya after Diego Velázquez

1778 · etching on heavy laid paper [first edition impression printed in the Calcografia in 1778-79]

Open full record

The image shows a group of people closely gathered together. A man with a muscular build sits at the center, partially covered by a cloth around his waist. He wears a wreath of leaves in his hair. Other figures surround him, some seated, others standing or crouched. The individuals have varied facial features and wear loose, rustic clothing. Some hold clay jugs or cups. The background includes detailed foliage, trees, and a textured landscape.

Print1951.10.34

Baco (Bacchus)

Francisco Goya after Diego Velázquez

1778 · etching on heavy laid paper [first edition impression printed in the Calcografia in 1778-79]

Open full record

The image shows an engraving of a man's chest-up portrait. The man faces forward with a slight side gaze, featuring distinct facial features such as a mustache and small beard. He has curly hair below his ears and wears a broad-brimmed hat. He is dressed in an intricate garment with embroidery and a large ruffled collar around his neck. The portrait is within a decorated frame with classical motifs and symbols. The name "Bacon" is inscribed below the portrait. The background is plain with a few speckles, and there are publication details at the bottom.

Print1950.14.137

Bacon

Unknown Artist

Date not recorded · engraving

Open full record

The image shows a man in formal attire, standing with one hand on a table holding a piece of paper. He has a beard, mustache, and styled hair. He wears an elaborate coat with embellishments, a ruffled collar, and a sash. He wears a ring on his hand. Behind him is a curtain, and next to him is a table with a tasseled cloth. The background suggests an interior setting with a column on the left side.

Print1950.14.157

Bacon

William Henry Worthington after Paulus van Somer I

probably 1825 · engraving

Open full record

Print1950.14.100

Bacon Lord Verulam

Thomas Chambers

published 1757 · engraving

Open full record