National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

The image depicts a person in a semi-crouched position, moving forward. The person has short, curly hair and their facial features are emphasized, particularly the eyes. They are wearing loose-fitting clothing, including a long-sleeved top and pants, along with shoes with pointed tips. The person is carrying a bundle of sticks on their back with a strap over their shoulder. The background shows a lightly sketched outdoor environment with buildings and a streetlamp visible among abstract lines.

Print1952.8.389

Ballade de Noël

Henri de Toulouse-Lautrec

1895 · lithograph in black on velin paper

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This is a photograph of the cover of an old book. The cover has a marbled pattern using shades of red and black, with a textured maroon leather spine and corners. There is a blue circular sticker at the top left corner near the spine and a small beige label covered in a transparent tape at the bottom of the spine. The marbling creates a cloud-like effect across the surface with the leather details adding a vintage feel. The corners and edges show slight wear.

Volume1943.17.1

Ballads

William Hayley (author) and William Blake (artist)

1805 · bound volume with text and 5 etchings with engraving on wove paper

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The image portrays a person in motion, seemingly a dancer. The individual is in a dynamic stance, suggesting movement. The face and hair details are blurred in the impressionistic style with sweeping brush strokes. The person is wearing a flowing dress typical of a dancer's costume, depicted through textured strokes. There are no visible accessories or objects held. The background is abstract and textured, with horizontal and swirling strokes creating depth and motion around the figure.

Print2020.149.34

Ballerina

Henri Eugéne Le Sidaner

c. 1890s · monotype printed in blue-green and yellow-green on tan wove paper

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This is a detailed engraving showing elegantly dressed figures engaged in a dance. The scene is possibly set in a woodland clearing, with trees forming a canopy above. The engraving showcases fine lines, cross-hatching, and a monochromatic color palette to create textures and movement. Figures in motion, a seated woman, musicians, and a distant landscape are also depicted in the scene.

Print1942.9.2181

Ballet at the Opera

Pierre-François Basan after Gabriel Jacques de Saint-Aubin

1761 · engraving and etching

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The image shows an etching of a gathering of elegantly dressed figures in an outdoor setting. The horizon line is high in the image, obscured by trees. The detailed line work and cross-hatching give texture and depth. The color palette is monochromatic, using black and white. Closest to us, a group of individuals in opulent attire are engaging in conversation or dance. In the background, trees arch overhead, blending into the lush surroundings.

Print1942.9.2465

Ballet at the Opera

Pierre-François Basan after Gabriel Jacques de Saint-Aubin

1761 · etching

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This drawing depicts anthropomorphic butterflies dancing under a floral and vine archway. Three butterflies with humanoid features are shown posing gracefully, while another butterfly plays a musical instrument. The archway above them is made of twisted vines and leaves, creating a stage-like setting. The base of the image features organic shapes and patterns around a scroll with the text "Ballet Champêtre." The style is ornate and delicate, typical of the Rococo period.

Print1958.8.131

Ballet Champêtre (Country Ballet)

Charles Germain de Saint-Aubin

in or after 1756 · etching on laid paper

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The image displays a woman in a ballet outfit, standing en pointe next to a column. She has delicate facial features, neatly styled hair with a floral headpiece, and a serene expression. The woman wears a classic ballet costume with a fitted bodice, short puffed sleeves, and a full tulle skirt. She is holding a book and is surrounded by a stage or studio setting with a classical column. The image is framed with twisted red cords.

Photograph2006.74.1

Ballet Dancer

André Adolphe-Eugène Disdéri

c. 1865 · albumen silver print on silk

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Drawing1970.17.27

Ballet Dancers

Edgar Degas

c. 1877 · pastel and gouache over monotype

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This is a drawing of a grand ball or dance scene. The image depicts a group of figures elegantly dressed in flowing gowns and elaborate costumes partaking in a courtly dance inside a palatial hall. The intricate pencil and ink lines suggest movement and grace. The figures are in motion, some twirling while others maintain poised gestures. The background features ornate architectural details with tall columns and arches, enhancing the grandeur of the setting. This is rendered with light shading and careful line work, creating a sense of depth and drama. The drawing conveys an atmosphere of elegance and celebration.

Drawing2000.9.23.a

Ballet from "The Rival Fairies"

Gabriel Jacques de Saint-Aubin

1748 · pen and black ink with gray wash on light beige laid paper, with a loose border line by the artist in pen and gray ink

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Six pink-skinned ballerinas stretch of practice in this horizontal pastel drawing. The scene is roughly sketched so some details, like the women’s faces, are indistinct. They all have brown hair and costumes with sleeveless bodices and knee-length tutus. Three dancers cluster close to us. Two at the front have tutus shaded with peacock blue and amethyst purple and dotted with spring green. The bodices of these two and the one standing behind them are copper orange. The woman to our right holds both hands to the small of her back. Another touches her hair with both hands, and the third stands with her feet apart in fourth position, toes pointing outward, and hands clasped gracefully down in front of her. The other three dancers wear pale pink bodices and tutus that match the color of their skin. Taking up the left half of the composition and moving slightly back in space, one dancer leans forward with one arm raised, and the other two bend double to brush one hand by their feet. The floor is tawny brown. The background is loosely drawn with strokes of lime green, pale pink, teal blue, and sand brown. The artist’s name appeared in the lower left corner, “Degas.”

Drawing1963.10.16

Ballet Scene

Edgar Degas

c. 1907 · pastel on greenish transparent tracing paper

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The image shows two individuals. One person is standing on the left side of the image, wearing a dark, voluminous garment with intricate detailing, a mask, and a head covering. The other person is seated on the right side, wearing a vibrant, textured outfit, a large hat, a mask, and has styled hair. The background consists of muted gray tones with blurred floral elements and a faintly visible moon in the upper left corner.

Print2022.176.2

Ballo in Maschera (Masquerade Ball)

Pompeo Mariani

c. 1905/1910 · color monotype on wove paper

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The image shows a large, transparent, spherical glass globe mounted within an ornate, metal frame. The frame has a square top and bottom connected by four vertical rods at each corner. The color palette includes muted tones of green and rust on the frame, while the glass is clear. The globe is positioned centrally within the frame, with the top and bottom edges of the frame aligning evenly with the sphere's upper and lower positions. An engraving or signature, "ROSE CAMPBELL GERKE," is visible in the lower right corner.

Index of American Design1943.8.8331

Ballot Box

Rose Campbell-Gerke

c. 1939 · watercolor and graphite on paperboard

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In the image, there is a large, wooden object with a curved top and a handle. The object is brown and set against an off-white background. The handle is positioned at the top, and the base rests on the lower section of the image. On the left side of the object, there is a small, pale rectangular mark.

Index of American Design1943.8.8333

Ballot Box

Robert T. Gills

1935/1942 · watercolor, pen and ink, gouache, and graphite on paperboard

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Print2012.46.1.1

Balnei Laterani [The Lateran Baptistry]

Italian 16th Century, published by Antonio Lafreri

1544/1572 · engraving

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The image depicts a view of a formal garden with statues. The horizon is not distinctly visible, as the scene is framed by trees and foliage. There is a variety of classical statues placed along what could be considered a pathway or courtyard area, with two figures close to us in the scene. The artwork appears to be an etching, characterized by detailed linework and a monochromatic palette. The play of light and shadow adds depth and contrasts the sculptures with the surrounding greenery.

Print1975.23.18

Balpoggio, Villa of Duke di Ceri

Melchior Küsel after Johann Wilhelm Baur

1681 · etching

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The image shows a young boy on horseback, displaying his entire body as he is seated in a riding position. The boy is positioned on the galloping horse with one arm raised, holding a short staff or baton. He has a distinct facial expression characterized by youthful features, with large, wide eyes and slight lips; his hair is not fully visible as a large, wide-brimmed hat covers most of it. The boy is wearing formal or regal attire, consisting of a layered, tailored outfit with a sash across his chest. The horse is adorned with a decorative harness. The background features a landscape with expansive skies filled with clouds and distant hills.

Print1951.10.35

Baltasar Carlos

Francisco Goya after Diego Velázquez

1778 · etching and drypoint on heavy laid paper [first edition impression printed in the Calcografia in 1778-79]

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The image shows a wooden chair with an intricately carved back and legs, upholstered in dark velvet. The color palette includes red-brown hues for the wood and deep black for the upholstery. Surrounding the chair are sketches: floral carvings on the chair, a floral motif to the right, and a detailed sketch of one of the chair legs in the bottom right corner.

Index of American Design1943.8.4324

Balter Chair

Beverly Chichester

1936 · watercolor, gouache, and graphite on paper

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The image shows a man standing with one hand on his hip and the other holding a sword. He has a mustache and short hair, wearing elaborate, period-specific clothing with a ruffled collar and stockings. The background includes a landscape with hills, figures, and horses, and a detailed sky.

Print1978.58.2

Balthasar Bathory de Somlyo

Hendrik Goltzius

1583 · engraving

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Print1950.14.924

Balthasar Moretus of Antwerp

Cornelis Galle I

Date not recorded · engraving

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The image displays half of a person's body, focusing on the upper torso and head. The person is seated or slightly turned forward, facing the viewer. The individual has a prominent nose, thin lips, a thin beard with a mustache, and short, modestly styled hair covered by a hat. The person wears traditional 17th-century clothing, including a large pleated ruff collar and a fur-trimmed coat. There are no visible jewelry items or objects. The background features an oval frame with decorative scrollwork and text.

Print1950.14.671

Balthasarus ab Herden Med. Doctor

Johann Friedrich Fleischberger

c. 1650-1665 · engraving on laid paper

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The image displays an engraving of a man from the chest up, seated or standing neutrally. He has a serious expression and features such as deep-set eyes, a strong nose, a neatly trimmed mustache and beard, and his hair is covered by a cap. He wears a pleated ruff collar and a dark fur-trimmed garment typical of 17th-century European attire. No visible jewelry or objects are present. The background features an ornate framed border with scrolling decorations and detailed text about his life and achievements. The style suggests a formal portrait intended to convey stature and dignity.

Print1950.14.672

Balthasarus ab Herden Med. Doctor

Johann Friedrich Fleischberger

c. 1650-1665 · engraving on laid paper

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The image shows a landscape with mountains, a town, swirling clouds in the sky, a seated figure near a stream pointing towards a flying figure with wings and a caduceus, and a bull looking to the right. Lush trees and rocky formations frame the scene. The illustration uses fine line work resembling engravings with a monochrome color palette.

Print1985.3.16

Balthus Turned to Stone

Crescenzio Onofri

1696 · etching

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The image shows a full-length depiction of a woman standing with her body slightly turned to her left. She has an upright posture with her left arm relaxed at her side and her right arm held in front of her, resting on her waist. Her facial features include a fair complexion, a noticeable blush on her cheeks, and dark eyes. She has dark brown hair styled in an intricate updo. She is dressed in a floor-length gown made of striped fabric in shades of blue and white, with an off-the-shoulder neckline and a fitted bodice. The dress features additional detailing such as ruffles and pleated trimmings. She holds a small fan in her right hand. The background is plain and neutral in color.

Index of American Design1943.8.15450

Baltimore Doll

Walter Praefke

1938 · watercolor, graphite, and pen and ink on paperboard

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The image shows an aerial view of a busy harbor with a cityscape surrounding a river or bay. The horizon line is elevated, meeting the sky at the rooftops of the city in the distance, with tall ship masts and industrial structures visible. Buildings on the horizon create an urban skyline with steeples and chimneys. The brushstrokes are detailed, capturing human and natural elements. Near the foreground, a grassy hill has people and animals engaged in various activities. The color palette includes soft earthy tones for the land and structures, contrasting with pale blues and greys for the water and sky.

Print1985.64.120

Baltimore from Federal Hill

William James Bennett

published 1831 · color aquatint with touches of etching, hand-colored, on wove paper

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