National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,836 open-access works

63,836 NGA-open-access works
Dataset refreshed September 12, 2026

The image presents a depiction of three individuals standing next to each other. The middle person has medium-length dark hair, a tall feathered headdress, distinctive facial features, painted chest designs, a waist covering, necklaces, bracelets, and an arm band. To the left, a young figure with dark hair and facial markings is wearing minimal clothing with painted chest designs and bracelets. On the right, another person with medium-length dark hair, feathered earrings, and an elaborately beaded top is wearing arm and ankle decorations, along with a patterned waist covering. The background shows a softly painted, abstract outdoor landscape with green foliage and a neutral sky, framed in muted tones.

Painting1965.16.233

A Chetibo Family

George Catlin

1854/1869 · oil on card mounted on paperboard

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The image shows three individuals standing side by side on a grassy landscape. The central figure is holding a stick and wearing a garment with intricate patterns. They have long hair with feathers, a prominent nose, and full lips. The person on the left is wrapped in a patterned robe and has feathers in their hair. The individual on the right wears a fringed dress with circular patterns, long flowing hair, and a steady gaze. All three wear wrist bands or bracelets. The background has soft pastel hues depicting a sky and earthy tones for the surroundings.

Painting1965.16.36

A Cheyenne Chief, His Wife, and a Medicine Man

George Catlin

1861/1869 · oil on card mounted on paperboard

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The image depicts a person standing beside a black horse. The person has long dark hair with feathers, wearing skin trousers, moccasins, a quiver, and a bow slung across their back. They also have a blanket on the horse, a necklace, and a bracelet. The horse is decorated with a colorful cloth and feathers. The background shows an open landscape with a pale blue sky and light foliage on flat terrain.

Painting1965.16.39

A Cheyenne Warrior Resting His Horse

George Catlin

1861/1869 · oil on card mounted on paperboard

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Shown from the shoulders up and from a low vantage point, a man with dark brown skin and black hair looks up and to our left in this vertical portrait painting. His shoulders are angled to our right, but he turns his head to look off with dark eyes. His lower lip comes slightly forward from the upper, and his mustache continues in lines from the corners of his mouth down to his square jawline. His hair creates a halo around his face, and a crimson-red cloth wraps across his shoulders. He is lit from our upper right, and the background brightens from golden yellow along the right edge of the canvas to vivid, shimmering yellow to the left. The portrait is loosely painted, especially in the clothing and the background.

Painting2014.136.74

A Chief of Abyssinia

Henri Regnault

c. 1870 · oil on canvas

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The sculpture depicts a cherubic figure, a young angel with wings, standing barefoot with crossed arms over its chest. It is crafted from a dark, reddish-brown material with gold accents on its hair and wings. The sculpture is realistic, showing details of the human form and a serene expression on the figure's face. Gold highlights contrast with the dark material, giving the sculpture a classic appearance.

Sculpture1957.14.393

A Child Angel

Venetian 15th Century

15th century · bronze, some gilding//Medium brown patina; wings, hair and halo gilded

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The image depicts a person lying on their side with their head on a cushioned surface. The person is reclining with their upper body facing right and their legs extended to the left. Their facial features are relaxed, with closed eyes and a calm expression. The person has short, styled hair and wears a long-sleeved garment. A piece of jewelry is visible on their wrist. The background is simple, suggesting an indoor setting. The style is loose and expressive with quick, linear strokes typical in etching.

Print1949.5.541

A Child on a Couch, No.2

James McNeill Whistler

c. 1873/1875 · drypoint on laid paper

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The sculpture depicts a small cherubic figure seated on the back of a fish. The figure is holding onto the fish with both hands. The sculpture is made of bronze with a dark brown patina. The child's facial features are rounded and detailed, with curly hair. The fish has large eyes and prominent fins. The composition is compact, with the figure atop the fish, creating a sense of action and interaction. The bronze surface reflects light, highlighting details in the hair and scales.

Sculpture1957.14.42

A Child on a Dolphin

Attributed to a Follower of Peter Flötner

c. 1525/1550 · bronze//Black lacquer (much rubbed on exposed areas) over light yellowish bronze

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The circular medallion depicts a lion standing on its hind legs with a small human figure on its back. The lion is shown with an open mouth and teeth visible. An inscription encircles the edge of the medallion. It appears to be made of metal, possibly bronze, with a brown color and green patina. It seems small enough to be held in a hand and has a small hole at the top, indicating it could be used as a pendant. The design includes intricate artwork of the figures, decorative elements, and letters around the circumference.

Sculpture1957.14.184

A Child on a Lion

Gianfrancesco Enzola

Date not recorded · bronze//Dark brown patina

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The sculpture depicts a scene on a circular, coin-like object with a central motif of a child figure riding a lion. The child is holding a rod with a banner atop it, and the lion is shown in mid-stride, walking with a flowing mane. The child is seated confidently on the lion's back, with wings visible. The background of the sculpture is adorned with a landscape. Around the edges of the sculpture is an inscription in a circular format. The sculpture is made from a bronze-like material, exhibiting a patina with shades ranging from dark bronze to specks of green and light brown. Two holes are present at the top and bottom.

Sculpture1957.14.188

A Child on a Lion

Gianfrancesco Enzola

Date not recorded · bronze//Medium brown patina

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The sculpture depicts a small child standing with a slight tilt. The child is clad in a simple draped garment and has curly hair. The sculpture has a dark, bronze-like appearance with a smooth finish. It stands on a cylindrical black base.

Sculpture1957.14.44

A Child Standing

Severo da Ravenna

first quarter 16th century · bronze//Medium brown patina

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The sculpture depicts a small child in a tunic-like garment with bare feet, looking downward. It is made to appear bronze-like with a metallic sheen. The sculpture is mounted on a dark cylindrical pedestal, providing visibility and height. The figure includes details such as the child's curled hair and fabric folds. The child holds an object in one hand and a sling over the shoulder.

Sculpture1957.14.46

A Child Standing

Severo da Ravenna

first quarter 16th century · bronze//Heavy black lacquer rubbed locally over medium brown bronze

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The sculpture depicts a small figure holding a large shell raised to its mouth. The figure is detailed with curly hair and round facial features. The sculpture is dark bronze with a polished finish and sits on a cylindrical wooden base. The scale of the sculpture emphasizes its decorative nature.

Sculpture1957.14.40

A Child with a Crow

German 16th Century (Possibly Nuremberg)

first half 16th century · bronze

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The sculpture depicts a small child or cherub-like figure holding a long slender object in one hand and carrying a small animal in the other arm. It is made of dark-colored metal, likely bronze, with slight patina and age-induced discolorations. The figure stands on a rectangular base, showcasing intricate details in the sculpted child's face and body. The expression on the figure's face appears calm and serene, displaying detailed rendering of human and animal anatomy in a small size.

Sculpture1957.14.43

A Child with a Puppy

Italian 16th Century

first half 16th century · bronze

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The sculpture portrays the face of a cherubic figure with rounded cheeks and a subtle smile. The face is framed by a circular design featuring a leaf and flower pattern. The sculpture is primarily golden with darker patches underneath. The surface texture is uneven, emphasizing its three-dimensional quality. The proportions of the face are slightly exaggerated, giving it a mythical appearance.

Sculpture1957.14.59

A Child's Head

Italian 17th Century

17th century · repoussé copper with extensive traces of gilding

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The pencil sketch shows a person in a walking stance, with one leg in front of the other. The figure is leaning slightly forward with minimal facial features and short hair. Their attire appears loose and suggests movement. The person carries a long object over their shoulder and holds a circular item by their side. The background is sparse, with faint lines indicating ground or terrain, and a subtle outline of a column in the distance. The sketch focuses on capturing motion and form.

Drawing2009.70.94

A Chinese Peasant

George Chinnery

1839 · graphite on laid paper

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The image shows a man seated sideways at a wooden table. He is leaning slightly forward, facing towards the viewer, with one hand on the table and the other holding a pipe. The man has a receding hairline, with hair pulled back into a bun. He wears a light blue tunic, light-colored pants, and slip-on shoes in a matching blue. On the table is an open container and a model or garden layout. The background is plain.

Drawing2009.70.10

A Chinese Peasant Selling Betel

William Alexander

1793/1794 · watercolor with pen and black ink over graphite on wove paper

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The image shows a group of caricatured individuals seated closely together, primarily focusing on their upper bodies and faces. They appear to be sitting in two rows, with the first row slightly lower than the one behind it. Most of the figures have exaggerated facial features, such as prominent noses and large eyes, with varied expressions ranging from concentrated to mischievous. Their hairstyles are varied, with some having long, curly hair and others sporting wigs typical of the 18th century. The people are dressed in formal attire, resembling 18th-century fashion, complete with jackets that have high collars and large buttons. One figure in the lower left is wearing a distinctive hat adorned with a decoration like a plume. Another figure holds a quill in one hand over a large book or document labeled on the desk. The environment suggests a formal meeting chamber or courtroom, with decorative elements such as ornate wood carving and panelling. In the background are more faces outlined in the audience, watching the scene, with some light architectural detailing visible as well.

Print1980.45.107

A Choral Band

Lydia Bates

c. 1784 · etching

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The image shows a detailed drawing of several people seated in a balcony or theater box. The individuals are closely positioned next to each other, facing forward. Many are reading from books or documents. The drawing features exaggerated facial features, exaggerated noses, distinctive expressions, and various hairstyles ranging from curly to straight, some tied back. The clothing appears formal with visible collars and elaborate shoulder decorations. One figure on the left in the lower section wears a distinctive hat or headpiece. The individuals do not wear visible jewelry but hold papers. The background hints at a crowded setting, possibly a theater or courtroom, with additional figures in the upper rows and engravings on the upper walls.

Print1980.45.1737

A Choral Band

Lydia Bates after John Hamilton Mortimer

c. 1784 · etching in brown

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This is a drawing of an animated choir scene. The drawing depicts a group of individuals closely packed together, each focusing on their singing or playing of music, examining sheets of music and other documents. The expressions on their faces range from intense concentration to passion, suggesting a lively performance. The figures are detailed in a monochrome style, emphasizing their hairstyles and clothing. The scene conveys movement and dynamism, with the gestures indicating the fervor of the musical performance. The artwork captures a vivid moment infused with emotion and energy.

Print1944.5.108

A Chorus of Singers

William Hogarth

1732 · etching

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The image depicts a village setting viewed from the left side. The church and trees align horizontally near the center of the composition. The church stands slightly to the right of center, surrounded by trees. The style of the image is a detailed etching with precise lines and cross-hatching for shading and texture. The color palette is monochromatic, using shades of black on a beige canvas. Various figures are engaged in quiet activities in the foreground, with additional buildings and trees in the distance.

Print1969.15.13

A Church

after Jacques Callot

in or after 1635 · etching on laid paper

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The image features three close-up views of plant stems and leaves arranged vertically on a page. The first view at the top shows a stem with multiple segments visible against a plain background. The middle image features a thick stem with textured leaves branching off towards the left. The bottom image displays curved plant stems with budding leaves. The image is in black and white, with varying shades of gray to highlight details and textures. The plant parts are centered horizontally on the page and vertically stacked in three separate segments.

Print2006.133.34.101

a Cirsium canum; b Phlomis umbrosa; c salvia

Karl Blossfeldt

1928 · photogravure

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Print2008.115.3579

A City Farm—New York

Mary Nimmo Moran

1881 · etching in black

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This painting shows a collection of buildings and towers on rolling green hills around a light gray body of water. In the bottom right corner, ships with billowing sails glide on a wide waterway that leads off into three rivers in different directions, each with multiple bridges spanning them. On the green land is a mix of buildings ranging from modest to towering structures, some resembling modern skyscrapers and others medieval fortresses and towers. The more modern buildings are farther in the distance, resting atop gray and blue clouds under a pale-yellow sky. The color palette includes muted earth tones, soft greens, browns, grays, blues, and off-whites.

Painting1967.20.3

A City of Fantasy

American 19th Century

mid 19th century · oil on canvas

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The image is a monochrome print depicting a view from an elevated position looking down on a natural scene. Closest to the viewer is a rustic building partially covered by lush foliage. In the distance, there are trees with dense foliage dominating the horizon. The landscape is rendered with detailed linework typical of engraving, creating a textured depiction. The color palette consists of shades of black and grey, setting a somber tone for the tranquil scene.

Portfolio2003.86.36

A Cività Castellana

Jacob Wilhelm Mechau

1793 · etching on laid paper

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