National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

This is a drawing of a bodice design. The illustration features a structured bodice with an off-the-shoulder neckline, adorned with a plaid pattern in shades of green, blue, and white. The bodice forms a V-shape at the waist, transitioning into a wide, flowing skirt that is only suggested in outline. There is a smaller sketch in the top right corner that provides an alternate view or detail of the garment's design, focusing on the structure of the bodice. The drawing emphasizes the aesthetic and functional elements of the garment design with clean lines and precise construction.

Index of American Design1943.8.1286

Basque

Gladys Cook

c. 1936 · watercolor, graphite, and gouache on paperboard

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This is a drawing of a long-sleeved jacket or coat with intricate detailing. There are pleats or folds towards the tail end, suggesting movement. The lines are clean and precise, showcasing a minimalist and elegant design that focuses on the contours and structure of the clothing. The use of simple, continuous lines enhances the refined and stylish nature of this piece, against a plain background that draws attention to the garment.

Index of American Design1943.8.1298

Basque

Mae A. Clarke

c. 1937 · pen and ink on paper

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This is a drawing of a Victorian-style jacket. The artwork depicts a deep purple, high-necked jacket with a double row of small buttons along the front, an hourglass shape, fitted sleeves, intricate highlights and shadows suggesting volume and texture. To the right, there is a sketched outline of the back view of the jacket, showcasing structural elements like seams and folds. The rest of the outfit, including a long skirt, is lightly sketched, leaving room for interpretation or further design work.

Index of American Design1943.8.1299

Basque

Melita Hofmann

c. 1937 · watercolor, graphite, and pen and ink on paper

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This is a drawing of a full-length gown with a fitted bodice adorned with colorful floral patterns and a simple, flowing skirt. Additionally, there is a rough sketch of the back design of the bodice to the upper right, emphasizing a corset-like lacing pattern. The simplicity of the lines and the gentle curves of the skirt contrast with the detailed floral motifs on the bodice. The sketch provides a clear visualization of the fashion concept.

Index of American Design1943.8.2945

Basque

Mae Szilvasy

c. 1936 · watercolor and graphite on paperboard

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This is a drawing depicting three figures in a narrow street or alley with classic architecture in the background. One figure is restraining another who is on the ground, while a third figure with a sword is involved. The artwork is detailed with intricate lines and shading on the figures and architecture, creating a strong narrative quality. The text beneath the image provides context about the encounter.

Print1969.15.334

Bastiano

Jacques Callot after Matteo Rosselli

1619 · engraving on laid paper

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The image shows a landscape with a bird's-eye view and a wide expanse. The horizon is placed high in the composition, with faint outlines of distant structures and hills visible. Detailed depictions of trees and structures are seen in the foreground, with fields and roads stretching into the distance. A path lined by trees leads into the scene from the left. The image has a monochromatic color palette, highlighting the black lines of the etching against a pale background.

Print2021.113.27

Bastion 49

Maxime Lalanne

1871 · etching on wove paper

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The image is an etching of a rural scene depicting a landscape with a high horizon line showing a distant town or city with buildings and hills. Close by, there are wooden carts, lumber piles, and a structure similar to a barn or outbuilding, with figures present. The middle distance shows more architecture, adding texture. The etching features detailed lines contrasting natural and structured forms. It uses varying shades of black and grey, typical of etchings, focusing on texture and contrast rather than color.

Print2021.113.19

Bastion 66

Maxime Lalanne

1871 · etching on wove paper

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Print2015.143.178

Bataille (Alex. Simon Pataille)

Honoré Daumier

1833 · lithograph

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This is a drawing of a battle scene. This illustration captures a moment during a ground battle, with soldiers engaged in combat. Soldiers are depicted with rifles and bayonets, navigating rocky terrain in military uniforms. One soldier holds a tattered flag. More soldiers are seen advancing amidst clouds of smoke, indicating gunfire. The background shows a hazy sky.

Portfolio2007.12.5

Bataille de Plevna. Le 30 Juillet, Attaque des Hauteurs...

Daniel Vierge

1883/1890 · wood engraving

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Decorative Art2026.37.1

Batea

Mexican 17th century

c. 1650 · lacquer inlay on wood

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The image displays a river scene with boats on the water, a bridge in the distance, and urban structures hinted at by sparse strokes. The illustration style features expressive cross-hatching in black ink on a sepia background, creating a vintage atmosphere.

Print2015.143.1379

Bateaux sur la Seine

Paul Signac

Date not recorded · etching

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This is a drawing of a group of figures in a medieval village setting, with architectural elements and musical instruments prominently featured. The scene features figures clad in minimal garments, engaged in a social or performance-like scenario. Detailed architecture reminiscent of medieval European towns, with towers and a bridge visible in the background. The foreground exhibits a mix of architectural and natural elements such as vines and a small plant. Various hats and tools are shown as points of visual interest, implying daily life activities. The drawing emphasizes shading and depth through texture and linework.

Print1941.1.40

Bath House

Albrecht Dürer

c. 1496/1497 · woodcut on laid paper

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This is a drawing of naked individuals in a town scene. The image shows a group of naked individuals engaging in various activities within an architectural setting. Background buildings include a castle-like structure. In the foreground, people are interacting with musical instruments, leaning on a wooden beam, surrounded by rustic structures and large columns. The style is intricate with fine lines and attention to detail.

Print1964.8.1788

Bath House

Albrecht Dürer

c. 1496/1497 · woodcut on laid paper

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The image shows a large metal bucket with a high back and curved shape. The color palette is mostly muted blue-gray tones with variations in shading that highlight the metal's texture. The bucket is positioned slightly off-center towards the right side of the image, providing a view of its interior and curvature.

Index of American Design1943.8.8641

Bath Tub

John Lang

c. 1941 · watercolor, gouache, and graphite on paper

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The image shows a large, round metal basin with a slightly rusted surface against a plain background. The color palette consists of metallic greys and subtle red-orange hues of rust. The basin is centered in the image, with a line drawing at the bottom left corner indicating its dimensions.

Index of American Design1943.8.8645

Bath Tub

Vincent P. Rosel and Gordon Saltar

c. 1938 · watercolor, gouache, and graphite on paper

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The image shows three large metal vessels with cylindrical and conical shapes, each with handles and a spout. The color palette consists of shades of grey, brown, and muted blue tones. The largest vessel is at the top center, a conical shape with two vertical side handles. Below it, in the bottom left, is a similar conical vessel with a single handle on each side, and to its right, a rounder vessel with a single handle visible across its width.

Index of American Design1943.8.16119

Bath Water Heaters

Al Curry

c. 1937 · watercolor and graphite on paper

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The image is a sketch of a reclining figure depicted from head to toe, lying on their side with their upper body propped up slightly. The facial features are minimally detailed, with closed eyes, a small triangular nose, and a faintly smiling mouth. The figure's hair is short and dark, depicted with simple strokes. The torso is exposed and sketched with minimal lines. The background includes abstract elements representing an outdoor setting with rough, expressive lines symbolizing plants and vegetation. The image is drawn with blue and green tones on beige paper and signed at the bottom right corner by the artist, Otto Mueller.

Drawing1951.10.349

Bather

Otto Mueller

Date not recorded · color crayons on brown paper

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The image features sweeping and curving lines outlining an abstract figure. The composition suggests a seated human form with elongated limbs and a tilted head. Background elements are depicted as soft wisps and jagged lines, conveying a sense of foliage or a garden setting. The use of muted blues and browns adds to the serene atmosphere.

Drawing1951.10.350

Bather

Otto Mueller

Date not recorded · color crayons and watercolor

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The sculpture depicts a male figure in a squatting pose, leaning forward with both arms resting on a ledge or bar. The subject is entirely nude, revealing a detailed portrayal of the human form with emphasis on muscles and posture. The sculpture is crafted from a dark, bronze-colored material. The surface appears polished and slightly reflective. The artwork is presented on a square, flat tabular surface. The sculpted figure appears almost life-sized in proportion.

Sculpture2004.138.1

Bather

Alexandre Charpentier

c. 1890 · bronze

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The image shows flowing and curved lines forming an abstract composition resembling a human figure in a seated or reclining position. The lines are in black, accented with vibrant orange, purple, and green colors. Purple lines form an abstract shape above the figure, while orange and purple accents below suggest shapes resembling a flame or leaf.

Drawing2006.160.3

Bather

Ernst Ludwig Kirchner

1912/1913 · colored chalk on wove paper

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The sculpture depicts a nude female figure with a towel wrapped around her head. She is standing in a pose, holding a small object in her raised right hand, while her left hand holds out a piece of cloth. The sculpture is cast in bronze. The expression on the sculpture's face appears serene as she gazes at the object in her hand. This piece stands on a dark, glossy pedestal.

Sculpture2022.181.66

Bather

Probably workshop of Johann Gregor van der Schardt

model c. 1570-1575, cast c. 1581-1620 · bronze

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The image shows two figures - one seated and one standing. The seated figure is reaching out to the standing figure. The background is dark. Bold, contrasting lines are used to depict the figures.

Print1999.106.9

Bather and Child (La baigneuse à l'enfant)

Félix Vallotton

1893 · woodcut in black on brown wove paper

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Shown from the knees up, a nearly nude, young woman with pale pink skin stands with her hands on her upswept, chestnut-brown hair in front of a pile of cloth, probably clothing, in this vertical painting. Blended brushstrokes give the painting a soft, almost blurred look. She stands with her body angled slightly to our left and her head tipped forward under her hands, which work in her hair. Her cheeks are flushed and her wide, pink lips are closed. Her round breasts are firm, and a piece of bright white fabric is bunched around her upper thighs below a smooth pubic area. Garments in the pile of fabric behind her are petal pink, vivid white, ruby red, and buttercup yellow. The area behind and around the woman and fabric is loosely painted with sage green, caramel brown, and golden yellow. Touches of yellow on a field of green to our right suggest grass and flowers. The artist signed the work with dark paint in the lower right corner: “Renoir.”

Painting1963.10.204

Bather Arranging Her Hair

Auguste Renoir

1893 · oil on canvas

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The image shows a close perspective of a rocky terrain beside a body of water. The horizon is placed about a third of the way down from the top of the image, featuring a subtle line where the water meets the distant land or vegetation. The etching technique used includes fine, dense lines and cross-hatching, creating texture and depth through its monochromatic, linear style. The color palette is restricted to shades of gray and black on a tan background. Close to us, there is a detailed etching of the rocky surface and sparse foliage in the foreground leading towards the water beyond.

Print1943.3.8849

Bather III (Baigneuse de Dos)

Anders Zorn

1896 · etching on laid paper

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