National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

Index of American Design1943.8.8661

Bellows

Charlotte Angus

c. 1937 · watercolor, gouache, and colored pencil on paperboard

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Index of American Design1943.8.8662

Bellows

Stewart Wheeler

c. 1936 · watercolor, graphite, and gouache on paperboard

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Index of American Design1943.8.8663

Bellows

Katharine Merrill

c. 1937 · watercolor and graphite on paper

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Index of American Design1943.8.8665

Bellows

Benjamin Resnick

c. 1935 · graphite and colored pencil on paper

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The image features a large shield or armor piece with a brownish-yellow central area and a circular detail in the middle. The shield is mounted on dark crossed supports resembling a tripod. The color palette includes muted tones of brown, beige, and black. In the bottom left corner, there is a small sketch of a similar object drawn in pencil or ink, showing a side view.

Index of American Design1943.8.8666

Bellows

Edna C. Rex

c. 1936 · watercolor, gouache, and graphite on paper

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Index of American Design1943.8.8667

Bellows

Mina Lowry

1935/1942 · watercolor, gouache, and graphite on paperboard

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The image depicts a drawing of a decorative glass object. The object has a long neck and two handles. It features an intricate pattern with parallel lines and curves. The artwork is in shades of gray with hints of brown. The object is positioned centrally, horizontally oriented, with the neck facing the left and the handles on the right.

Index of American Design1943.8.10707

Bellows Bottle

Gertrude Lemberg

c. 1936 · watercolor, graphite, and gouache on paperboard

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The image depicts a detailed drawing of a glass bottle with intricate designs. The bottle is lying horizontally with the neck extending to the right. The body of the bottle is decorated with wavy, ruffled patterns. The color palette is primarily monochromatic, with shades of gray and beige, resembling a pencil sketch on aged paper. The bottle is placed centrally in the image with a plain background to emphasize it.

Index of American Design1943.8.10708

Bellows Bottle

Frank Fumagalli

c. 1936 · watercolor and graphite on paperboard

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The image displays a stylized drawing of a decorative glass bottle with an elongated design. The bottle showcases a bulbous body and a long, ribbed neck. It is depicted in shades of pink and white, outlined in clear and gray lines for definition. The bottle is horizontally placed in the center of the image, with the neck and opening on the right side and the bulbous end on the left. The background is a plain, light beige color, emphasizing the intricate design of the bottle.

Index of American Design1943.8.10916

Bellows Bottle

John Tarantino

c. 1936 · watercolor, graphite, and gouache on paperboard

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The sketch shows a large folded umbrella with a handle positioned diagonally across the center of the page. The color palette consists of pencil shades of gray. In the background are loosely sketched shapes resembling an apple and other indistinct objects. The handle is pointed upwards and slightly to the right, while the fabric of the umbrella drapes downwards towards the bottom left corner of the page.

Drawing1992.51.9.w

Bellows in Front of a Fireplace

Paul Cezanne

1887/1892 · graphite on wove paper

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The image shows a perspective of a scene with ships docked on calm water. Two large ships are on the right side with detailed rigging, masts, and their reflections on the water. More ships are visible further out, along with other details like figures and moored boats on the dock. The horizon is low, with structures and ships in the distance. The sky has wispy clouds, and the entire image is rendered in detailed line work in a monochrome palette of black and off-white.

Print1943.3.6945

Below Chestnut St. Bridge, Philadelphia

Joseph Pennell

1884 · etching

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The image contains two pencil sketches of natural landscapes. The top sketch shows a rocky cliff, rolling hills in the distance, and a valley horizon. The strokes are soft and use light shading to depict the scene in shades of gray.

The bottom sketch features a wooden bridge over a calm stream, with a tall tree in the background. The pencil strokes are detailed, capturing the textures of rocks, wood, and water. The gray tones unify the sketches, emphasizing the serene natural setting.

Drawing2015.19.256

Below Fawn's Leap, Catskill Mountains; and Above the Bridge

Andrew Fisher Bunner

1866 · graphite on wove paper

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This is a drawing of a rustic interior scene. The drawing shows a simple room with an earthen floor. A seated figure faces a standing figure, with a smaller figure on their laps and a barking dog at their feet. The room contains various items, including pots on shelves and a hanging perch with two birds near the doorway. Overhead, shelves and beams add depth to the environment, and objects such as baskets and dishes are placed around. Fine details and textures emphasize the homeliness and simplicity of the setting.

Print1953.6.216

Belphegor

Charles Emmanuel Patas and Antoine-Jean Duclos after Jean-Honoré Fragonard

1794 · etching

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The image shows several figures in an indoor setting. In the foreground, a man is seated in a wooden chair, holding a baby and gesturing towards a small dog on the floor. Beside him, a woman is seated, raising her arms in a startled manner. A young child looks over the chair. Near the doorway, an older man with a hat carries a stick and a cloth. The background includes pots and jars near a window, with birds perched outside and a landscape visible. Items like cookware and containers add detail to the scene.

Print1953.6.217

Belphegor

Charles Emmanuel Patas and Antoine-Jean Duclos after Jean-Honoré Fragonard

1794 · etching and engraving

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This is a drawing of a rustic interior scene with a lively interaction among animals and objects. The illustration includes a small dog at the center of the scene. Objects are scattered on the floor, and birds perch on a suspended rod. Earthenware pots are visible, and the open window shows architectural structures in the distance.

Print1953.6.218

Belphegor

Charles Emmanuel Patas and Antoine-Jean Duclos after Jean-Honoré Fragonard

1794 · etching and engraving

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This image depicts a detailed domestic interior with various objects and animals. The room features shelves holding pottery items, and a window showing a city landscape. Two birds are perched at the window, and objects like a basket, spool of thread, and small pen are on the floor. In the center, a small dog is present, adding life to the scene. The drawing emphasizes texture and depth through etching lines and shading techniques.

Print1953.6.219

Belphegor

Charles Emmanuel Patas and Antoine-Jean Duclos after Jean-Honoré Fragonard

1794 · etching and engraving

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This print shows an enormous architectural space with a large banquet taking place. It is set in a grand, open-air hall with stone columns, archways, and decorative surfaces. At the bottom of the image, closest to us, a long table is laid with golden plates and bowls. In front of it and to the left, several people in black robes crouch on the ground, holding golden staffs and looking up to the left. Behind the table, a man in black robes stands tall, with one hand pointed to the upper left and one extended outward. A crowd of people gather around him, some bowing down on the ground and others standing, huddled close together. More people are gathered to the right. All of these people have light skin. In the background is a wide, central area surrounded by tall columns. Many people are in this space, and they appear to be bowing towards a large statue in the center of a man wrapped in a snake. The statue is surrounded by blue smoke and orange flames. More hallways with statues and kneeling figures continue into the distance. Above this open-air hall, a tall domed structure and tiered structure rise up against the dark, cloudy night. Bright, blinding light shines in from the left, illuminating the scene, cast by characters written on the wall in white.

Print1978.86.5

Belshazzar's Feast

John Martin

1826 · hand-colored mixed media intaglio

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The image shows a banquet scene with elegantly dressed figures gathered around a decorated table filled with various vessels and platters. The setting features ornate architecture, columns, and decorative elements. The figures exhibit lively gestures and expressions, with a dog present in the foreground. The detailed clothing, objects, and composition convey opulence and movement.

Print1988.11.1

Belshazzar's Feast

Crispijn de Passe I after Maarten de Vos

Date not recorded · engraving on laid paper

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This is a drawing of a banquet scene unfolding in an elaborately adorned hall. The scene features a large table with finely dressed figures gathered around it. They seem engaged in conversation and merriment as they partake in a feast. The table is draped with a cloth and holds various dishes and a tiered cake. A chandelier hangs overhead, with bright lights illuminating the gathering. Architectural details like a heavy drapery canopy and walls adorned with classical motifs create a sense of opulence. In the foreground, a decorative drinking vessel is placed on a tray. Behind the main scene, a darkened background suggests depth, while intricate details of the attendees’ clothing and the scene's ornamentation convey a sense of historical richness and cultural sophistication.

Print1994.60.46

Belshazzar's Feast

Jan Muller

c. 1598 · engraving on laid paper

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Index of American Design1943.8.1999

Belt

Gladys Cook

c. 1936 · watercolor and graphite on paperboard

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Index of American Design1943.8.2000

Belt

Nancy Crimi

1935/1942 · watercolor, graphite, and pen and ink on paperboard

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This is a drawing of a decorative bracelet design. The drawing features an oval-shaped bracelet adorned with intricate floral motifs. The flowers are rendered in vivid colors, including shades of blue, pink, and red, interspersed with delicate green leaves and vines. The central part of the bracelet has an elaborate ornament resembling a metallic clasp or emblematic design. The overall style is detailed and focuses on the symmetrical arrangement of the decorative elements along the surface of the bracelet. The background is plain.

Index of American Design1943.8.2001

Belt

Jean Peszel

c. 1936 · watercolor and graphite on paperboard

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This is a drawing of an ornamental ring. The circular band is decorated with star motifs in varying colors such as red, green, and white. The band is divided into segments, with each section featuring a star shape surrounded by delicate line work resembling leaves and branches. The background of the ring is in subdued pastel shades, including tones of pink, green, and beige. The style is reminiscent of a detailed design illustration, focusing on both the form and decorative elements of the item.

Index of American Design1943.8.2946

Belt

Roberta Spicer and Nancy Crimi

1935/1942 · watercolor and graphite on paperboard

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This is a painting of a small scene featuring a figure with a bull on one side and a bird perched on a branch on the other side. The painting is a rectangular band with a light background and darker borders. On the left side, there is a figure standing next to a brown bull, holding a goblet in one hand. The bull is positioned on green grass, and there are small palm trees and shrubs around them. On the right side of the scene, there is a colorful bird with blue and yellow plumage, sitting on a branch adorned with leaves and flowers in shades of blue and pink. The style of the painting is decorative and stylized, reminiscent of traditional or folk art motifs.

Index of American Design1943.8.2948

Belt

Fanchon Larzelere

c. 1940 · watercolor, goauche, and graphite on paper

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